‘David Lynch altered our brains’: fellow directors, friends and fans remember a titan of cinema

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His unique, twisted visions shocked and seduced generations of filmgoers. Paul Schrader, Abel Ferrara, Coralie Fargeat and more pay tribute • Ranked: David Lynch’s films and TV shows • Cigarettes were Lynch’s magic wand – and his undoing Paul Schrader, director Continue reading... from Film | The Guardian https://ift.tt/GMHZC9Q via IFTTT
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Law of Tehran review – ferocious Michael Mann-style thriller of the Iranian underworld

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A barnstorming – and ultimately gruesome – opening sequence sets the grisly action-packed tone, as a morally ambiguous cop takes on a powerful drug lord

If Michael Mann made a movie in Iran it might look like this: a ferocious drama-thriller in which a haunted, morally ambiguous cop faces off with a despairing drug lord. We begin with a barnstorming chase sequence in which an officer runs after a drug dealer holding a bag of heroin; the scene climaxes with a shockingly nasty end for the dealer, setting a gruesome tone for the rest of the film.

The director is Saeed Roustayi, whose Leila’s Brothers was in competition at Cannes last year; this is in fact his previous film. Payman Maadi (from Asghar Farhadi’s A Separation) is police officer Samad, who is losing the “war on drugs”; gangsters have murdered the son of his subordinate, so his team’s dedication to bringing down the drug dealers has a new fanatical energy. Navid Mohammadzadeh is Naser, a drug kingpin who is already feeling his dominion crumbling.

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