‘I was born without self-esteem’: Hannah Einbinder on Hacks, her buzzy queer horror – and being Hollywood’s most outspoken star

The Hacks lead was cast in meta-slasher sensation Teenage Sex and Death at Camp Miasma for her ‘deranged physicality’ – but it’s a fitting role for an actor who has made a point of confronting shame and speaking her mind ‘God is good all the time,” laughs Hannah Einbinder. She’s fresh off a plane from Los Angeles and curled up barefoot in an armchair. This, she says, is “a crazy time in life. Starring in Teenage Sex and Death at Camp Miasma in the midst of Hacks ending … it’s definitely an embarrassment of riches.” Hacks is the HBO comedy that ended earlier this year; in May, Teenage Sex and Death at Camp Miasma, Jane Schoenbrun’s queer meta-horror, became the breakout hit of this year’s Cannes film festival. Continue reading... from Film | The Guardian https://ift.tt/EBR5uPv via IFTTT

Kill Boksoon review – intense Korean assassin thriller with satisfying complexity

This fast-moving yarn about a woman balancing contract killing with raising a teenage daughter has flair and depth to spare

Like a lot of topline Korean films, this prestige action thriller is a little too long at 137 minutes, but it’s consistently entertaining throughout, and quite well-suited given the length to being viewed on a streaming platform. Viewing in chunks works quite well, especially since the dialogue zips by so quickly that if you don’t speak Korean you may need to rewind to read the subtitles – and they’re actually worth reading here, which is not something you can always say about a film with this much martial arts and fisticuffs.

Jeon Do-yeon (South Korea’s version of Meryl Streep, best known in the west for Im Sang-soo’s The Housemaid and Lee Chang-dong’s Secret Sunshine) stars as Gil Bok-soon, a middle-aged single mother to teen daughter Jae-yeong (Kim Si-a). Jae-yeong and the yummy mummies at the private school Jae-yeong attends think Bok-soon is some kind of executive for an events company, which fits with the crisp haircut and boxy Chanel boucle jacket. In a way it’s true, because her employer, MK Ent, calls the contract killings it’s hired to do “shows”; Bok-soon is their star assassin, revered by her colleagues and rivals alike. Here special skill is her ability to game out in her head the next steps in a tricky situation – the film will sometimes show her doing this and then rewind back to an earlier point, which is a little confusing. Wait until you get towards the end, when an ultimate boss fight becomes a panorama of multiple, CGI-replicated Bok-soons and her adversary, as they slug, stab and shoot it out all at once.

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