Akshay Kumar DENIES Hera Pheri 3 rift with Paresh Rawal was "publicity stunt": "There were some ups and downs. But now everything is solved"

The third instalment of the cult 2000s comedy Hera Pheri has been making headlines ever since it was announced. After months of speculation, legal battles, and statements from the cast, Akshay Kumar has finally cleared the air, bringing some much-needed good news for fans. In an exclusive chat on The Right Angle with Sonal Kalra Season 2, produced by Gautam Thakker Films, Akshay Kumar said, "Nahi, yeh publicity stunt nahi hai. The things went legal, so when legal things are involved, we cannot call it a publicity stunt; it is a real thing.” He further added, “But ab sab kuch thik ho gaya hai. Very soon, some kind of announcement can come. Yes, there were some ups and downs. But now everything is solved, and we are back together, and we have always been together. Yes, that's it!" In the same interview, Akshay Kumar also lauded the success of Saiyaara. He said, “I think it's the best thing that has happened. One of the great things for the Hindi film industry is that ...

Kill Boksoon review – intense Korean assassin thriller with satisfying complexity

This fast-moving yarn about a woman balancing contract killing with raising a teenage daughter has flair and depth to spare

Like a lot of topline Korean films, this prestige action thriller is a little too long at 137 minutes, but it’s consistently entertaining throughout, and quite well-suited given the length to being viewed on a streaming platform. Viewing in chunks works quite well, especially since the dialogue zips by so quickly that if you don’t speak Korean you may need to rewind to read the subtitles – and they’re actually worth reading here, which is not something you can always say about a film with this much martial arts and fisticuffs.

Jeon Do-yeon (South Korea’s version of Meryl Streep, best known in the west for Im Sang-soo’s The Housemaid and Lee Chang-dong’s Secret Sunshine) stars as Gil Bok-soon, a middle-aged single mother to teen daughter Jae-yeong (Kim Si-a). Jae-yeong and the yummy mummies at the private school Jae-yeong attends think Bok-soon is some kind of executive for an events company, which fits with the crisp haircut and boxy Chanel boucle jacket. In a way it’s true, because her employer, MK Ent, calls the contract killings it’s hired to do “shows”; Bok-soon is their star assassin, revered by her colleagues and rivals alike. Here special skill is her ability to game out in her head the next steps in a tricky situation – the film will sometimes show her doing this and then rewind back to an earlier point, which is a little confusing. Wait until you get towards the end, when an ultimate boss fight becomes a panorama of multiple, CGI-replicated Bok-soons and her adversary, as they slug, stab and shoot it out all at once.

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