From Melania to Kid Rock’s halftime show: why is Maga art so dreadful?

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As the right stokes culture wars, their alternatives to ‘woke’ Hollywood prove to be shoddily made and uninspired It’s not fair, what they did to rightwing folks on Super Bowl Sunday. Regular viewers could either take in an elaborate and joyful halftime performance from Puerto Rican recording artist Bad Bunny , one of the most popular music stars in the world, or, if they weren’t interested in football or in Bad Bunny ’s music, they could quietly find something else to watch or listen to. There are a lot of options out there. Those who wanted to prove their Maga bona fides or loyalties, however, may have felt obligated to watch a parade of similar-sounding country singers lead into a performance from a shorts-wearing Kid Rock , jumping around and seemingly lip-syncing to a novelty hit from 1999. For rightwingers who couldn’t stomach the Spanish lyrics to Bad Bunny songs, they could take comfort in the clear English of the man also known as Robert Ritchie: “Bawitdaba, da-bang, da-ban...
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Kill Boksoon review – intense Korean assassin thriller with satisfying complexity

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This fast-moving yarn about a woman balancing contract killing with raising a teenage daughter has flair and depth to spare

Like a lot of topline Korean films, this prestige action thriller is a little too long at 137 minutes, but it’s consistently entertaining throughout, and quite well-suited given the length to being viewed on a streaming platform. Viewing in chunks works quite well, especially since the dialogue zips by so quickly that if you don’t speak Korean you may need to rewind to read the subtitles – and they’re actually worth reading here, which is not something you can always say about a film with this much martial arts and fisticuffs.

Jeon Do-yeon (South Korea’s version of Meryl Streep, best known in the west for Im Sang-soo’s The Housemaid and Lee Chang-dong’s Secret Sunshine) stars as Gil Bok-soon, a middle-aged single mother to teen daughter Jae-yeong (Kim Si-a). Jae-yeong and the yummy mummies at the private school Jae-yeong attends think Bok-soon is some kind of executive for an events company, which fits with the crisp haircut and boxy Chanel boucle jacket. In a way it’s true, because her employer, MK Ent, calls the contract killings it’s hired to do “shows”; Bok-soon is their star assassin, revered by her colleagues and rivals alike. Here special skill is her ability to game out in her head the next steps in a tricky situation – the film will sometimes show her doing this and then rewind back to an earlier point, which is a little confusing. Wait until you get towards the end, when an ultimate boss fight becomes a panorama of multiple, CGI-replicated Bok-soons and her adversary, as they slug, stab and shoot it out all at once.

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