Pratibha Ranta not a part of Kartik Aaryan’s Naagzilla; confirms source

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Rumours suggested that Pratibha Ranta might be the “frontrunner” for Kartik Aaryan’s Naagzilla. However, a source close to the film has clarified that the Laapataa Ladies actress has not been approached for the project. As per the source, “There’s no truth to the speculation. Pratibha Ranta has not been approached for Naagzilla. Currently, she's reading a lot of scripts and is busy working on her next big project.” Pratibha Ranta may be reading plenty of scripts, but sources confirm that Naagzilla isn’t one of them. Instead, she’s eagerly awaiting The Revolutionaries, her most ambitious upcoming project. The recently unveiled first look highlights turbulent moments of the Indian freedom struggle while shedding light on lesser-known stories. Pratibha will star alongside Rohit Saraf, Bhuvan Bam, Gurfateh Pirzada, and Jason Shah. Directed by Nikkhil Advani, The Revolutionaries is slated for release on Amazon Prime Video in 2026. She also has another exciting project lined up with K...
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Kill Boksoon review – intense Korean assassin thriller with satisfying complexity

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This fast-moving yarn about a woman balancing contract killing with raising a teenage daughter has flair and depth to spare

Like a lot of topline Korean films, this prestige action thriller is a little too long at 137 minutes, but it’s consistently entertaining throughout, and quite well-suited given the length to being viewed on a streaming platform. Viewing in chunks works quite well, especially since the dialogue zips by so quickly that if you don’t speak Korean you may need to rewind to read the subtitles – and they’re actually worth reading here, which is not something you can always say about a film with this much martial arts and fisticuffs.

Jeon Do-yeon (South Korea’s version of Meryl Streep, best known in the west for Im Sang-soo’s The Housemaid and Lee Chang-dong’s Secret Sunshine) stars as Gil Bok-soon, a middle-aged single mother to teen daughter Jae-yeong (Kim Si-a). Jae-yeong and the yummy mummies at the private school Jae-yeong attends think Bok-soon is some kind of executive for an events company, which fits with the crisp haircut and boxy Chanel boucle jacket. In a way it’s true, because her employer, MK Ent, calls the contract killings it’s hired to do “shows”; Bok-soon is their star assassin, revered by her colleagues and rivals alike. Here special skill is her ability to game out in her head the next steps in a tricky situation – the film will sometimes show her doing this and then rewind back to an earlier point, which is a little confusing. Wait until you get towards the end, when an ultimate boss fight becomes a panorama of multiple, CGI-replicated Bok-soons and her adversary, as they slug, stab and shoot it out all at once.

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