BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

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A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
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Kill Boksoon review – intense Korean assassin thriller with satisfying complexity

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This fast-moving yarn about a woman balancing contract killing with raising a teenage daughter has flair and depth to spare

Like a lot of topline Korean films, this prestige action thriller is a little too long at 137 minutes, but it’s consistently entertaining throughout, and quite well-suited given the length to being viewed on a streaming platform. Viewing in chunks works quite well, especially since the dialogue zips by so quickly that if you don’t speak Korean you may need to rewind to read the subtitles – and they’re actually worth reading here, which is not something you can always say about a film with this much martial arts and fisticuffs.

Jeon Do-yeon (South Korea’s version of Meryl Streep, best known in the west for Im Sang-soo’s The Housemaid and Lee Chang-dong’s Secret Sunshine) stars as Gil Bok-soon, a middle-aged single mother to teen daughter Jae-yeong (Kim Si-a). Jae-yeong and the yummy mummies at the private school Jae-yeong attends think Bok-soon is some kind of executive for an events company, which fits with the crisp haircut and boxy Chanel boucle jacket. In a way it’s true, because her employer, MK Ent, calls the contract killings it’s hired to do “shows”; Bok-soon is their star assassin, revered by her colleagues and rivals alike. Here special skill is her ability to game out in her head the next steps in a tricky situation – the film will sometimes show her doing this and then rewind back to an earlier point, which is a little confusing. Wait until you get towards the end, when an ultimate boss fight becomes a panorama of multiple, CGI-replicated Bok-soons and her adversary, as they slug, stab and shoot it out all at once.

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