‘I was born without self-esteem’: Hannah Einbinder on Hacks, her buzzy queer horror – and being Hollywood’s most outspoken star

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The Hacks lead was cast in meta-slasher sensation Teenage Sex and Death at Camp Miasma for her ‘deranged physicality’ – but it’s a fitting role for an actor who has made a point of confronting shame and speaking her mind ‘God is good all the time,” laughs Hannah Einbinder. She’s fresh off a plane from Los Angeles and curled up barefoot in an armchair. This, she says, is “a crazy time in life. Starring in Teenage Sex and Death at Camp Miasma in the midst of Hacks ending … it’s definitely an embarrassment of riches.” Hacks is the HBO comedy that ended earlier this year; in May, Teenage Sex and Death at Camp Miasma, Jane Schoenbrun’s queer meta-horror, became the breakout hit of this year’s Cannes film festival. Continue reading... from Film | The Guardian https://ift.tt/EBR5uPv via IFTTT
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Hurst: The First and Only review – misty-eyed football doc reveals the man behind the hat-trick

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While too much time is spent on 1966 and all that Matthew Lorenzo’s profile draws out a hitherto unseen vulnerable side to the striker turned insurance salesman

The current flood of football documentaries shows no sign of abating; the recognition certain teams and individuals enjoy means that it’s not likely to any time soon. Geoff Hurst, the hat-trick hero of the 1966 World Cup final, is no doubt a natural subject for the “legacy” strand of these things: along with the likes of Jack Charlton, Bobby Moore and Bobby Robson, Hurst stands for a misty-eyed idea of Proper Football, when men were gods on the pitch and ordinary semi-dwelling blokes off it.

Hurst was all this and more, even if this profile focuses, football-wise at least, on that three-goal game at the expense of almost everything else. (Though that title might need a bit of nudging since Kylian Mbappé pulled off the same feat in 2022.) A rollcall of greats line up to heap praise on his sterling work against West Germany, with Gary Lineker (his nearest equivalent) being particularly enlightening on how Hurst exemplified the striker’s art – it’s all about “percentages”.

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