The Mission review – a surgeon saves lives in war-torn Gaza in a visceral portrait of human endurance

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Mohammad Tahir and his colleagues operate through bombing and blackouts in barely functional hospitals – but there are moments of relief amid the documentary’s tragedy and gore What this documentary might lack in film-making finesse it makes up for with sheer visceral and emotional impact. British nerve surgeon Mohammad Tahir and his colleagues, who also work the cameras, toil in Gaza’s barely operational hospitals during some of the worst days and nights of the war in the winter of 2024-25. Supported by US-based charity FAJR Global , who provide medical care to the world’s most in need, Tahir operates through bombings and blackouts with a bare minimum of medical supplies, sometimes treating patients lying on the floor in puddles of blood because there are no gurneys. This is often hard to watch, and not just because of all the gore; many of the victims are children, out of whom Tahir and the others dig bullets as well as tiny tungsten cubes, new-fangled shrapnel designed to cause maxi...
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Gemma Arterton: ‘In real life, I’m quite silly’

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The actor and producer on the joy of clowning around in her new comedy Funny Woman, how female solidarity has changed her professional life, and her top choice for a karaoke belter

Gemma Arterton, 37, was born in Gravesend and trained at Rada. Aged 21, she made her professional stage debut at Shakespeare’s Globe and her film debut in St Trinian’s. The following year, she landed the coveted role of Strawberry Fields in the Bond film Quantum of Solace. On TV, she has starred in Tess of the D’Urbervilles and Black Narcissus; stage highlights include Made in Dagenham, Nell Gwynn and Saint Joan. She now produces and plays the lead role in Funny Woman, the TV adaptation of Nick Hornby’s novel Funny Girl, about a beauty queen from Blackpool who moves to swinging 60s London to break into the comedy scene. Arterton lives in East Sussex with her husband, the actor Rory Keenan, and their baby son.

Adapting Nick Hornby’s Funny Girl for TV turned into quite a saga, didn’t it?
I read the book when it came out in 2014, loved it and tried to buy the rights. Obviously they’d already been sold – hey, it’s Nick Hornby! But a few years later, the production company came to me and said that Morwenna Banks had written a pilot episode, would I do it? I was working on a film at the time and remember reading the script out loud in my trailer, laughing away. It was serendipitous that it came back to me. It just felt right – even if reading the novel, you wouldn’t necessarily think of me playing it.

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