Gaga, Dior and $24 tweezers: how The Devil Wears Prada 2 turns rags to riches

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From celebrity cameos to lucrative brand partnerships, The Devil Wears Prada 2’s approach to maximising revenue is worthy of Runway’s finest For a film that serves as a commentary on the perilous economics of today’s media landscape, it’s fitting that promotion for The Devil Wears Prada 2 has been so frank about its finances. Speaking ahead of the New York premiere, Meryl Streep revealed she initially turned down the role of withering fashion magazine editor Miranda Priestly in the 2006 original in a bid to extract more money from its producers. Continue reading... from Film | The Guardian https://ift.tt/clJQszL via IFTTT
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Gemma Arterton: ‘In real life, I’m quite silly’

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The actor and producer on the joy of clowning around in her new comedy Funny Woman, how female solidarity has changed her professional life, and her top choice for a karaoke belter

Gemma Arterton, 37, was born in Gravesend and trained at Rada. Aged 21, she made her professional stage debut at Shakespeare’s Globe and her film debut in St Trinian’s. The following year, she landed the coveted role of Strawberry Fields in the Bond film Quantum of Solace. On TV, she has starred in Tess of the D’Urbervilles and Black Narcissus; stage highlights include Made in Dagenham, Nell Gwynn and Saint Joan. She now produces and plays the lead role in Funny Woman, the TV adaptation of Nick Hornby’s novel Funny Girl, about a beauty queen from Blackpool who moves to swinging 60s London to break into the comedy scene. Arterton lives in East Sussex with her husband, the actor Rory Keenan, and their baby son.

Adapting Nick Hornby’s Funny Girl for TV turned into quite a saga, didn’t it?
I read the book when it came out in 2014, loved it and tried to buy the rights. Obviously they’d already been sold – hey, it’s Nick Hornby! But a few years later, the production company came to me and said that Morwenna Banks had written a pilot episode, would I do it? I was working on a film at the time and remember reading the script out loud in my trailer, laughing away. It was serendipitous that it came back to me. It just felt right – even if reading the novel, you wouldn’t necessarily think of me playing it.

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