Preity Zinta approaches Bombay High Court to take down AI deepfake content; next hearing scheduled on July 6

Actor Preity Zinta has approached the Bombay High Court seeking the removal of AI-generated deepfake videos, morphed images and other unauthorised content featuring her from social media and online platforms. The actress has also sought an injunction to prevent the publication and circulation of such content in the future. The matter came up for hearing before a single bench of Justice Madhav Jamdar on Friday. After hearing preliminary submissions, the court directed the parties, including the online platforms concerned, to work out a mechanism for taking down the allegedly offending material. The matter has now been listed for further hearing on July 6. Preity Zinta seeks removal of AI-generated content In her civil suit, Preity Zinta has referred to multiple instances of AI-generated deepfakes, morphed visuals and chatbot-style interactions that allegedly use her likeness without authorisation. According to the plea, the actress has sought urgent directions from the Bombay High Cour...

Dance Craze review – thrilling documentary captures the explosive energy of 2 Tone

Joe Massot’s vivid 1981 film about the British ska scene brims with life, sweat and the faces of ecstatic fans

US director Joe Massot, known for the psychedelic 60s curiosity Wonderwall and Led Zeppelin concert movie The Song Remains the Same, directed this tremendously vivid 1981 documentary about the British 2 Tone movement, this vital music being a kind of evolutionary product of reggae’s coexistence with punk the decade before.

Working with producer Gavrik Losey, son of Joseph, Massot gives us live footage, whimsically interspersed with Pathé newsreels from the early 60s (not so long before the present-day material) with plummy-voiced chaps earnestly intoning about “young people”. The movie is a madeleine for people of my generation: summoning up the sweat of venues such as London’s Lyceum Ballroom in the Strand, it shudders with the bands’ inexhaustible jogging-on-the-spot energy, the kind of live show where the singer lets rip directly into the ecstatic faces of the people at the front, virtually snogging them.

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