Pratibha Ranta not a part of Kartik Aaryan’s Naagzilla; confirms source

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Rumours suggested that Pratibha Ranta might be the “frontrunner” for Kartik Aaryan’s Naagzilla. However, a source close to the film has clarified that the Laapataa Ladies actress has not been approached for the project. As per the source, “There’s no truth to the speculation. Pratibha Ranta has not been approached for Naagzilla. Currently, she's reading a lot of scripts and is busy working on her next big project.” Pratibha Ranta may be reading plenty of scripts, but sources confirm that Naagzilla isn’t one of them. Instead, she’s eagerly awaiting The Revolutionaries, her most ambitious upcoming project. The recently unveiled first look highlights turbulent moments of the Indian freedom struggle while shedding light on lesser-known stories. Pratibha will star alongside Rohit Saraf, Bhuvan Bam, Gurfateh Pirzada, and Jason Shah. Directed by Nikkhil Advani, The Revolutionaries is slated for release on Amazon Prime Video in 2026. She also has another exciting project lined up with K...
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Blind Willow, Sleeping Woman review – Murakami’s surreal tales around a Tokyo earthquake

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The seductively quirky sad-serious tone of the author is evident as a constellation of characters try and save the city – including a lost cat and a giant talkative frog

Japanese novelist Haruki Murakami has inspired some prestigious movies, most recently Ryûsuke Hamaguchi’s Drive My Car. Regardless of whether this new Murakami adaptation (based on his short story collection of the same name) comes to be considered the best, I think it might actually capture the elusive essence of Murakami more than any other – something in it being a Rotoscope animation of elegant simplicity. It has the ruminative lightness, almost weightlessness, the watercolour delicacy and reticence of the emotions, the sense of the uncanny, the insistent play of erotic possibility and that Murakami keynote: a cat.

Pierre Földes makes his feature directing debut here, having been long been a composer; his musical credits include Michael Cuesta’s L.I.E. from 2001, and he has written the score for this movie too, which brings together a constellation of characters and storylines around the recent Tokyo earthquake – to which it attributes a tonal sense of disorientation rather than tragedy and sadness. Komura (voiced in the English-language dub by Ryan Bommarito) is a quiet young man working joylessly in a bank; his wife, Kyoko, (Shoshana Wilder) suffers from insomnia and depression, ceaselessly watching TV news reports about the earthquake. She walks out on Komura, plagued by a guilty memory of having made a bizarre Faustian bargain to get together with him in the first place.

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