Evil Dead’s Bruce Campbell reveals he has cancer: ‘Fear not, I am a tough old son-of-a-bitch’

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Actor and horror icon says he will need to withdraw from work to receive treatment, telling fans, ‘I’m sorry if that’s a shock – it was to me too’ Evil Dead star Bruce Campbell has revealed he has been diagnosed with a “‘treatable’ not ‘curable’” cancer, and will be withdrawing from work while he receives treatment. The 67-year-old horror icon shared the news in a statement on social media on Monday night, writing to fans : “I’m sorry if that’s a shock – it was to me too.” Continue reading... from Film | The Guardian https://ift.tt/HVL8I04 via IFTTT
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Blind Willow, Sleeping Woman review – Murakami’s surreal tales around a Tokyo earthquake

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The seductively quirky sad-serious tone of the author is evident as a constellation of characters try and save the city – including a lost cat and a giant talkative frog

Japanese novelist Haruki Murakami has inspired some prestigious movies, most recently Ryûsuke Hamaguchi’s Drive My Car. Regardless of whether this new Murakami adaptation (based on his short story collection of the same name) comes to be considered the best, I think it might actually capture the elusive essence of Murakami more than any other – something in it being a Rotoscope animation of elegant simplicity. It has the ruminative lightness, almost weightlessness, the watercolour delicacy and reticence of the emotions, the sense of the uncanny, the insistent play of erotic possibility and that Murakami keynote: a cat.

Pierre Földes makes his feature directing debut here, having been long been a composer; his musical credits include Michael Cuesta’s L.I.E. from 2001, and he has written the score for this movie too, which brings together a constellation of characters and storylines around the recent Tokyo earthquake – to which it attributes a tonal sense of disorientation rather than tragedy and sadness. Komura (voiced in the English-language dub by Ryan Bommarito) is a quiet young man working joylessly in a bank; his wife, Kyoko, (Shoshana Wilder) suffers from insomnia and depression, ceaselessly watching TV news reports about the earthquake. She walks out on Komura, plagued by a guilty memory of having made a bizarre Faustian bargain to get together with him in the first place.

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