Toby Stephens: ‘I lost my dad to cirrhosis. The only difference between us was that, tragically, he couldn’t stop drinking’

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The actor on missing his late mother, Maggie Smith, being mistaken for Damian Lewis, and looking ‘like a fridge’ Born in London, Toby Stephens, 57, is the son of actors Maggie Smith and Robert Stephens. He trained at Lamda and, in 1992, made his film debut in Orlando. In 2002 he played the Bond villain in Die Another Day. His television work includes One Day, The Split and Black Sails. On stage he has performed for the RSC and the National Theatre, and he is currently starring in Equus at London’s Menier Chocolate Factory, until 4 July, and then Theatre Royal Bath, from 14-25 July. He is married to the actor Anna‑Louise Plowman, with whom he has three children, and lives in London. What is your greatest fear? To be completely alone. Continue reading... from Film | The Guardian https://ift.tt/BhbEa2J via IFTTT
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‘A tough time – but so exciting’: cult film-maker Vivienne Dick on post-punk New York

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She fled rural Ireland and hit the Big Apple just in time to capture Lydia Lunch, James Chance and the post-punk scene take off. Now back in her home country, she relives those turbulent years

In 2014, the Irish Times ran a profile of the film-maker Vivienne Dick with the headline: “Stifled in Ireland, celebrated in New York.” As an encapsulation of her formative years as an artist who found her calling in exile, it was blunt but pretty accurate. “There was nothing for me in Ireland back then,” says Dick of her youth in the 1960s and early 70s. “It was not an attractive place because, as a woman, you were essentially treated as a second-class citizen. You could train as a teacher, but that was about it. I remember I bought a camera, but there was no way to even get on a course.”

Having relocated to New York by the mid-70s, after various overland adventures that took her to Pakistan, Nepal and even Kabul, she found herself instinctively drawn to Manhattan’s edgy, bohemian downtown scene, where would-be artists, musicians and writers had colonised the low-rent apartments and makeshift studios of what was then a deprived, drug-ridden neighbourhood. There she hung out with many of the characters who would go on to define Manhattan’s legendary post-punk No Wave movement: the likes of Lydia Lunch (of Teenage Jesus and the Jerks), Pat Place (Bush Tetras), James Chance and Adele Bertei (the Contortions). Her films capture these maverick outsiders at the very moment the scene congealed into a fleeting but incredibly fertile cultural moment – all attitude and dissonance – that still resounds today.

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