PM Narendra Modi wishes Asha Bhosle a speedy recovery after hospitalisation

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Prime Minister Narendra Modi has extended his wishes for the recovery of veteran playback singer Asha Bhosle following news of her recent hospitalisation. The 92-year-old singer is currently undergoing treatment for exhaustion and a chest infection, according to a statement shared earlier by her granddaughter Zanai Bhosle. Taking to X, the Prime Minister expressed concern about her health and conveyed his support. He wrote: “Deeply concerned to hear that Asha Bhosle Ji has been admitted to hospital. Praying for her good health and a speedy recovery.” Deeply concerned to hear that Asha Bhosle Ji has been admitted to hospital. Praying for her good health and a speedy recovery. — Narendra Modi (@narendramodi) April 12, 2026 His message comes amid widespread concern from across the film and music fraternity after initial reports about the singer’s hospitalisation surfaced earlier in the day. The clarification from her family later confirmed that she is receiving treatment for exhaustion...
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A Good Person review – Zach Braff’s tale of self-healing is excruciatingly ersatz

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Writer/director Braff takes Florence Pugh’s ‘good person who has done a bad thing’ on an contrived journey towards self-forgiveness

In his dual capacity as writer and director, Zach Braff here puts us through an ordeal of excruciating contrived nonsense: a masturbatory Calvary of ersatz empathy and emotional wellness. The film goes on a long, long indie-acoustic healing journey towards indie-acoustic self-forgiveness after Florence Pugh’s Allison accidentally kills her fiance’s sister and husband while driving them in her car, having taken her eyes off the road to look at her phone.

Allison breaks up with her fiance, spirals into OxyContin addiction and alcoholism and then finds herself at 12-step meetings with her fiance’s grieving old dad and AA veteran Daniel, played by Morgan Freeman, who with heartsinking inevitability delivers a sonorous voiceover of cute wisdom over the opening scene. Daniel spends a lot of time tinkering with his model railway and its hand-painted tiny human figures, a controllable mini-universe where there is no pain, you see.

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