BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX

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A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
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A Good Person review – Zach Braff’s tale of self-healing is excruciatingly ersatz

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Writer/director Braff takes Florence Pugh’s ‘good person who has done a bad thing’ on an contrived journey towards self-forgiveness

In his dual capacity as writer and director, Zach Braff here puts us through an ordeal of excruciating contrived nonsense: a masturbatory Calvary of ersatz empathy and emotional wellness. The film goes on a long, long indie-acoustic healing journey towards indie-acoustic self-forgiveness after Florence Pugh’s Allison accidentally kills her fiance’s sister and husband while driving them in her car, having taken her eyes off the road to look at her phone.

Allison breaks up with her fiance, spirals into OxyContin addiction and alcoholism and then finds herself at 12-step meetings with her fiance’s grieving old dad and AA veteran Daniel, played by Morgan Freeman, who with heartsinking inevitability delivers a sonorous voiceover of cute wisdom over the opening scene. Daniel spends a lot of time tinkering with his model railway and its hand-painted tiny human figures, a controllable mini-universe where there is no pain, you see.

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