Amitabh Bachchan buys fourth property in Ayodhya for Rs 40 crores: Report

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Amitabh Bachchan has deepened his connection with Ayodhya by purchasing yet another plot of land in the temple town—his fourth in recent times. According to reports, the legendary actor acquired a 25,000 square foot plot for Rs 40 crore, close to the sacred Ram Janmabhoomi temple. This latest acquisition is located near the upscale Sarayu real estate project, where Bachchan had earlier invested Rs 14.5 crore. The area has become a hub of premium developments, merging spiritual significance with modern infrastructure. Amitabh Bachchan’s properties in Ayodhya Last year, just days before the grand inauguration of the Ram Mandir, Bachchan had bought a 5,372 square foot property in the same area for ₹4.54 crore. Commenting on his plans at the time, the actor had said, “This is a start of a heartfelt journey into the soul of Ayodhya, where tradition and modernity seamlessly co-exist, creating an emotional tapestry that resonates with me deeply. I am looking forward to building my home in th...
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A Good Person review – Zach Braff’s tale of self-healing is excruciatingly ersatz

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Writer/director Braff takes Florence Pugh’s ‘good person who has done a bad thing’ on an contrived journey towards self-forgiveness

In his dual capacity as writer and director, Zach Braff here puts us through an ordeal of excruciating contrived nonsense: a masturbatory Calvary of ersatz empathy and emotional wellness. The film goes on a long, long indie-acoustic healing journey towards indie-acoustic self-forgiveness after Florence Pugh’s Allison accidentally kills her fiance’s sister and husband while driving them in her car, having taken her eyes off the road to look at her phone.

Allison breaks up with her fiance, spirals into OxyContin addiction and alcoholism and then finds herself at 12-step meetings with her fiance’s grieving old dad and AA veteran Daniel, played by Morgan Freeman, who with heartsinking inevitability delivers a sonorous voiceover of cute wisdom over the opening scene. Daniel spends a lot of time tinkering with his model railway and its hand-painted tiny human figures, a controllable mini-universe where there is no pain, you see.

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