Rajkummar Rao to lead Maddock Films’ Prahaar – The Ujjwal Nikam Story; to release on August 7, 2026

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Producer Dinesh Vijan and actor Rajkummar Rao are set to collaborate once again for Prahaar – The Ujjwal Nikam Story, a new drama inspired by events that left a lasting impact on the nation. The film is scheduled to release in cinemas on August 7, 2026. Directed by Avinash Arun, the project will see Rajkummar Rao in the lead role. The cast also includes Wamiqa Gabbi, Sikander Kher, and Jaideep Ahlawat in pivotal roles. The film is being produced under the banner of Maddock Films. While the makers have kept plot details under wraps, the title indicates that the film will draw inspiration from the life and work of Ujjwal Nikam, one of India's most prominent public prosecutors. The announcement describes the film as a hard-hitting drama inspired by incidents that shaped public discourse and captured national attention. The project marks another chapter in the long-standing creative partnership between Rajkummar Rao and Maddock Films. Over the years, the actor has become one of the st...
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A Good Person review – Zach Braff’s tale of self-healing is excruciatingly ersatz

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Writer/director Braff takes Florence Pugh’s ‘good person who has done a bad thing’ on an contrived journey towards self-forgiveness

In his dual capacity as writer and director, Zach Braff here puts us through an ordeal of excruciating contrived nonsense: a masturbatory Calvary of ersatz empathy and emotional wellness. The film goes on a long, long indie-acoustic healing journey towards indie-acoustic self-forgiveness after Florence Pugh’s Allison accidentally kills her fiance’s sister and husband while driving them in her car, having taken her eyes off the road to look at her phone.

Allison breaks up with her fiance, spirals into OxyContin addiction and alcoholism and then finds herself at 12-step meetings with her fiance’s grieving old dad and AA veteran Daniel, played by Morgan Freeman, who with heartsinking inevitability delivers a sonorous voiceover of cute wisdom over the opening scene. Daniel spends a lot of time tinkering with his model railway and its hand-painted tiny human figures, a controllable mini-universe where there is no pain, you see.

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