From Melania to Kid Rock’s halftime show: why is Maga art so dreadful?

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As the right stokes culture wars, their alternatives to ‘woke’ Hollywood prove to be shoddily made and uninspired It’s not fair, what they did to rightwing folks on Super Bowl Sunday. Regular viewers could either take in an elaborate and joyful halftime performance from Puerto Rican recording artist Bad Bunny , one of the most popular music stars in the world, or, if they weren’t interested in football or in Bad Bunny ’s music, they could quietly find something else to watch or listen to. There are a lot of options out there. Those who wanted to prove their Maga bona fides or loyalties, however, may have felt obligated to watch a parade of similar-sounding country singers lead into a performance from a shorts-wearing Kid Rock , jumping around and seemingly lip-syncing to a novelty hit from 1999. For rightwingers who couldn’t stomach the Spanish lyrics to Bad Bunny songs, they could take comfort in the clear English of the man also known as Robert Ritchie: “Bawitdaba, da-bang, da-ban...
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1976 review – nerve-jangling noir unpicks middle-class guilt of Pinochet era

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A wealthy woman is drawn into Chile’s anti-Pinochet resistance in this thrilling feature debut from actor turned director Manuela Martelli

An outstanding performance from Aline Küppenheim is the driving force in this engrossing suspense drama-thriller about an elegant and prosperous woman being drawn into Chile’s anti-Pinochet resistance in 1976. It is a terrific feature debut from performer turned director Manuela Martelli, who herself acted opposite Küppenheim in the film Machuca, which was set in Chile in 1973, the time of the Allende overthrow. But this film has more bite.

Küppenheim plays Carmen, the stylish wife of a Santiago hospital doctor, currently working on the redecoration of the family’s holiday home by the sea, where she and her family mingle with reactionary friends of her husband’s from the local yacht club. Slightly imperiously, she lectures the contractor in his workshop on the exact shade of red paint she needs and as she does so, there is a terrified shout outside in the street and a squeal of tyres as someone is taken away by the secret police; everyone (including Carmen) looks away and goes into the woozy state of shock and denial that was commonplace among so many middle-class Chileans. (The enigmatic resemblance of the red paint to blood is echoed later when Carmen is using red food colouring in her kitchen.)

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