‘Every role I do, I’m going to be a Black man first’: David Jonsson on winning Baftas, rebooting Alien and leaving TV’s hottest show

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He went from being the east London boy who was expelled from school to becoming the Bafta award‑winning star of Alien: Romulus. Ahead of his prison drama Wasteman, David Jonsson discusses the pressures of being a leading Black British actor David Jonsson is the kind of actor who disappears so completely into his roles that it’s easy to forget you’re watching the same person each time. In Rye Lane, he’s a lovestruck south Londoner; in Industry, an Etonian banker with ice in his veins; in Alien: Romulus, a paranoid android. He’s now starring as heroin addict Taylor in the ultraviolent British prison drama Wasteman and, for the first time, the 32-year-old actor claims he is playing something close to himself. “This is the most personal role I’ve done,” he says. “It’s so messed up because it’s a dark story about rehabilitation and addiction, but I know these men really well. Especially when you’re growing up somewhere like where I did.” We meet on a Friday afternoon at a photo studio in ...
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Who was Muriel Box, Britain’s most prolific female film director?

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She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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