Disney’s live-action Moana fails to make a splash at box office with underwhelming opening

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Latest film in franchise takes just $43m in North America and $95m globally, against a $250m budget The Walt Disney Company’s live-action remake of Moana may be the No 1 movie at the North American box office but it did not make a big splash in its first weekend in theaters. The movie, which cost a reported $250m (£187m, A$360m) to produce, earned just $43m from ticket sales in the US and Canada, according to studio estimates on Sunday. Continue reading... from Film | The Guardian https://ift.tt/BfcMaGS via IFTTT
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Who was Muriel Box, Britain’s most prolific female film director?

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She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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