SCOOP: Sanjay Dutt asks Rajkumar Santoshi to direct Khalnayak Returns; veteran filmmaker politely declines the offer

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On April 24, Sanjay Dutt, Aksha Kamboj, Executive Chairperson of Aspect Global (Aspect Entertainment), Subhash Ghai and Jyoti Deshpande of Jio Studios announced Khalnayak Returns at an event in Mumbai. The intro teaser of Khalnayak Returns was unveiled at this event, and it received a thunderous response. Sanjay Dutt looked dashing, and the use of the iconic Khalnayak theme added to the excitement. Since Subhash Ghai had directed the original Khalnayak (1993), it was widely assumed that the Showman would return to helm Khalnayak Returns as well. Soon, Subhash Ghai confessed that he won’t be donning the director’s hat again. A source told Bollywood Hungama, “Sanjay Dutt was keen that Rajkumar Santoshi should direct Khalnayak Returns. He felt that Raj ji has an understanding of commercial cinema and would be able to do justice. Moreover, the two powerhouse, talented individuals have never worked together. Hence, Sanjay Dutt felt that it would be great to finally join hands with Rajkumar...
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Who was Muriel Box, Britain’s most prolific female film director?

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She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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