EXCLUSIVE: Spider-Man: Brand New Day tickets priced at MEGA BLOCKBUSTER rates, yet slightly below Dhurandhar The Revenge’s pricing; Gaiety-Galaxy, Maratha Mandir among FEW cinemas in India selling tickets below Rs. 200

With just five days to go for the release of Spider-Man: Brand New Day, the excitement is tremendous, to say the least. Advance ticket sales are extremely strong, indicating that the superhero film is set to record one of the biggest opening-day collections ever in India. Given the extraordinary buzz, the studio has decided to position the film in the highest ticket-pricing category. A trade source told Bollywood Hungama, “The studio has sent an email to exhibitors stating that Spider-Man: Brand New Day is the most anticipated film of the year, and not merely of the season. Hence, ‘keeping with the scale, legacy and premium positioning of this release’, it has decided to implement mega-blockbuster pricing bands for the film.” The mega-blockbuster pricing category is a relatively recent phenomenon and has previously been implemented for films that generated tremendous pre-release buzz, such as Pushpa 2 – The Rule, War 2 and Dhurandhar The Revenge. In accordance with this directive, the...

Who was Muriel Box, Britain’s most prolific female film director?

She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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