Dhurandhar’s first part a RARE film in post-Covid era to complete 100 days in cinemas; becomes the ONLY film ever to run in cinemas until its sequel’s release

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The much-awaited Dhurandhar: The Revenge is all set to release in less than a week, on March 19. To capitalize on the excitement, Jio Studios decided to organize paid previews on Wednesday, March 18, from 5:00 pm onwards. The response to the ticket sales is historic. Despite the exorbitant ticket rates, shows are filling fast across the country. Meanwhile, from Thursday, March 12, Jio decided to increase the shows of Dhurandhar’s first part and also re-release it in several cinemas where it was discontinued. It’s interesting to note that Dhurandhar’s Part 1, which was released on December 5, 2025, continued to play in several cinemas throughout this period. In fact, today marks the film’s 99th day in theatres, and tomorrow, March 14, it will complete a glorious 100-day run. There was a time when blockbuster films routinely achieved such milestones, but over the years, such feats have become increasingly rare. Hence, Dhurandhar stands out as a rare post-Covid film to enjoy such a long ...
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Who was Muriel Box, Britain’s most prolific female film director?

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She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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