EXCLUSIVE: Sumit Arora talks about writing dialogues for 120 Bahadur: "Farhan Akhtar is very thorough professional, sharp, witty"; reacts to Shah Rukh Khan's National Award win for Jawan: "He should have won long back…the National Award deserved him!"

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Sumit Arora has carved a niche for himself thanks to his solid writing in shows like The Family Man, Dahaad, Guns & Gulaabs and Citadel: Honey Bunny and in films like Stree (2018), ’83 (2021), Jawan (2023), Chandu Champion (2024) etc. November 21 was a significant day for him this year for he had 2 releases – the season 3 of The Family Man dropped on Amazon Prime Video while the Farhan Akhtar-starrer war drama 120 Bahadur arrived in cinemas. In an exclusive interview with Bollywood Hungama, Sumit Arora spoke about his dialogues in 120 Bahadur and a lot more. You had 2 releases in a single day. How was the experience and what did you do on November 21? I was at IFFI, Goa as we had screenings of The Family Man as well as 120 Bahadur. I was checking the reactions of both. The Family Man Season 3 was available digitally while 120 Bahadur had released in theatres. So, it was very interesting and also overwhelming to have two releases on two different mediums on the same day. The Family...
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Who was Muriel Box, Britain’s most prolific female film director?

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She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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