The Drama: sex, secrets and that gobsmacking twist – discuss with spoilers

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Zendaya and Robert Pattinson’s dark dramedy is a stylish acting showcase, but does it do justice to its weighty themes? Ever since its first trailer dropped – and, on certain corners of Reddit, even before that – the internet has been abuzz with speculation over just what goes down in The Drama . The auteur production powerhouse A24 somewhat ingeniously pitched writer-director Kristoffer Borgli’s pitch-black film as a tart romantic comedy, with Zendaya and Robert Pattinson as a seemingly happy couple derailed by a disturbing revelation a week before their wedding. The actors, among a cohort of vanishingly few young movie stars, appeared as their characters in a fake wedding announcement in the Boston Globe; Zendaya’s rumored marriage to actor Tom Holland became a meta discussion point on a press tour that saw her method dressing in “something old, something new, something borrowed, something blue”, her wardrobe slowly darkening in a nod to something gone horribly awry. The Norwegi...
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Who was Muriel Box, Britain’s most prolific female film director?

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She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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