Damian Lewis: ‘Someone put flowers at my feet and I realised it was my stalker’

The actor on bloodcurdling stage experiences, back yard cricket and the best advice he’s ever received Get our weekend culture and lifestyle email In the spirit of your role as Lord Davenport in Fackham Hall – what is the poshest thing you have ever done? Taking a helicopter to Royal Ascot. That is one of the poshest things I have done. I became aware of how posh it was when I started calming down and realised I wasn’t going to fall out of it. Continue reading... from Film | The Guardian https://ift.tt/kCc1qpS via IFTTT

Who was Muriel Box, Britain’s most prolific female film director?

She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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