Relationship Goals review – Kelly Rowland and Method Man flirt through breezy romcom

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The Valentine’s Day offerings begin with Amazon’s fast-paced, millennial-coded film that’s a fun enough watch even if its messaging is a little suspect On its face, Relationship Goals is a classic romcom, calibrated for viewers of a certain generation. The perennially resplendent Kelly Rowland is Leah, a boss babe morning TV producer in line to replace her retiring boss (the omnipresent Matt Walsh) as showrunner. Just as she’s poised to break the glass ceiling, the network higher-ups stick her in a bake-off with Jarrett, a ringer from her romantic past played with devil charm by Method Man. The promise of one of Destiny’s Children playing the will they/won’t they game with the hunk of the Wu-Tang Clan could well prove too strong a lure to stop the scores who grew up on their music from clicking on the Prime Video thumbnail just out of nostalgic curiosity. It’s a tractor beam made stronger by director Linda Mendoza’s extraordinarily fast pace. I mean, those 90 minutes just breeze by. ...
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Who was Muriel Box, Britain’s most prolific female film director?

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She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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