Mohammed Zeeshan Ayyub clarifies he is not part of Ajay Devgn starrer Chauhaan after teaser voice controversy

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Actor Mohammed Zeeshan Ayyub has issued a public clarification distancing himself from the upcoming Ajay Devgn-starrer Chauhaan, stating that he has no association with the film despite his voice featuring in its teaser. The actor shared a detailed note on social media, explaining that he had recorded a line for the makers in good faith without being informed about the context in which it would eventually be used. Zeeshan's statement comes around 10 days after reports suggested that his voice had been removed from the Chauhaan teaser. While he did not mention the film by name in his note, it was widely understood that he was referring to Chauhaan, whose teaser had initially opened with a narration in his voice. Sharing his statement, Mohammed Zeeshan Ayyub wrote, “Few weeks back, a film teaser released with the opening line in my voice. I wish to put on record that I am not part of the film in any capacity. I was asked to dub a line without any reference a few months back. I did t...
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Who was Muriel Box, Britain’s most prolific female film director?

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She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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