Ellen DeGeneres’ Oscars selfie: was this the moment pop culture shattered into a billion pieces?

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When DeGeneres posted her A-list snap at the 2014 Academy Awards, it made a splash. But it was probably the end of monoculture – and now we’re all alone in our TikTok bubbles Name: The Oscars selfie. Age: Once upon a time (2 March 2014, to be precise), at the Oscars, the actor Bradley Cooper, who was nominated for best supporting actor, took a selfie with the host, Ellen DeGeneres, and a whole load of A-listers … Continue reading... from Film | The Guardian https://ift.tt/LPvBx0O via IFTTT
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Who was Muriel Box, Britain’s most prolific female film director?

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She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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