Prerna Arora, Zee Studios & Keerthan unite for Kiran Abbavaram’s grand mytho-fantasy

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The stage is set for what promises to be one of the most ambitious mytho-fantasy spectacles in Indian cinema. Zee Studios’ Umesh Kr Bansal and producer Prerna Arora have officially joined hands with creator, co-producer and writer Keerthan for an untitled epic mythological fantasy starring Kiran Abbavaram in the lead. While the title remains tightly under wraps, the scale and vision of the project have already generated strong industry buzz. Pre-production is underway in full swing for the Telugu-Hindi bilingual, and the makers have initiated the search for a powerful female lead opposite Kiran Abbavaram, a character said to play a pivotal role in the film’s mythological universe. The film is being mounted on a grand scale, blending mythology, fantasy and cutting-edge visual effects. Creator-writer Keerthan, who has carved a niche for himself in the advertising world with visually compelling storytelling, has begun intensive preparation for the film’s large-scale, VFX-driven mytholo...
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Who was Muriel Box, Britain’s most prolific female film director?

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She was also the first woman to win an Oscar for best original screenplay. Now a new radio documentary aims to give her pioneering work a fresh appraisal

In 1991, as a film student, I was offered £50 by a German women’s collective to shoot Muriel Box. But when the documentary director and I arrived at her home we were told that she was too ill to see us. She died a few months later aged 85. While I regret never meeting her, I’m also relieved. How terrible to have shown even a glimpse of my full ignorance of her achievements, a pioneering film-maker who had fought her way through an industry hostile to women to make a major contribution to cinema.

Box directed 13 feature films in the 1950s and early 60s and remains Britain’s most prolific female director. Her titles, made for a mainstream audience, include The Passionate Stranger, an imaginative retort to the romance novel, which boldly experiments with form; the controversial juvenile courtroom drama Too Young to Love; and Box’s favourite, The Truth About Women, an eclectic tapestry of the complex lives of women.

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