At 78, the great choreographer is enjoying a career-spanning celebration in Oslo. He reflects on his leap from dance to visual art and why he feels snubbed by Britain A gang of young dancers, their black costumes offset by colourful hats, cascade down the sloping roof of Oslo’s opera house for a jubilant routine to a Prince song by the waterfront. The building’s huge glass facade has become an unlikely stage for sculptures, digitally scanned from dancers’ bodies, positioned as if they are plunging into the building like the nearby bathers in the fjord. Inside, there’s an eclectic bill of ballets including one inspired by a painting from the Edvard Munch museum next door. In the wings of the theatre is an installation drawing on the Buddhist Zen symbol ensō. The studio space is screening short films veering from slapstick to the profound. But this sprawling festival, spanning more than two weeks and then partially touring, has a singular focus. These are all works by Jiří Kylián, the...
Walter Mirisch obituary
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Producer whose trust in his film-makers led to a string of popular, Oscar-nominated movies
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Walter Mirisch, who has died aged 101, was one of the few film producers of the post-Hollywood studio era who had the intuition and the know-how of the old moguls of the 1930s and 40s, combined with the daring and confidence to entrust the movies to the artists themselves.
This resulted in a string of films that gained the approbation of mass audiences and critics alike in the decade following the foundation of the Mirisch Corporation (also known variously as Mirisch Production Company and Mirisch Films), the company set up in 1957 by Walter, his brother Marvin and his half-brother Harold.
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