The Mother of All Lies review – pursuing the truth of Morocco’s brutal dictatorship years

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Asmae El Moudir employs a delicate mix of handmade replicas and oral testimony to brilliantly evoke personal and collective trauma Between those who refuse to remember and those who struggle to forget, a tumultuous clash of minds occupies the centre of Asmae El Moudir’s inventive documentary, a prize-winner at last year’s Cannes film festival. Through a constellation of clay figurines and dollhouse-style miniature sets, most of which were constructed by El Moudir’s father, the director recreates her oppressive childhood in the Sebata district of Casablanca. Under the watchful eyes of her domineering grandmother Zahra, all personal photos are banished from the house, save for a picture of King Hassan II. The delicate mix of handmade replicas and oral testimony brilliantly evokes the personal and collective trauma that stem from Morocco’s “Years of Lead” – a period of state brutality under Hassan II’s dictatorial rule. Lingering on the nimble fingers of El Moudir’s father as he puts t
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Walter Mirisch obituary

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Producer whose trust in his film-makers led to a string of popular, Oscar-nominated movies

Walter Mirisch, who has died aged 101, was one of the few film producers of the post-Hollywood studio era who had the intuition and the know-how of the old moguls of the 1930s and 40s, combined with the daring and confidence to entrust the movies to the artists themselves.

This resulted in a string of films that gained the approbation of mass audiences and critics alike in the decade following the foundation of the Mirisch Corporation (also known variously as Mirisch Production Company and Mirisch Films), the company set up in 1957 by Walter, his brother Marvin and his half-brother Harold.

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