Ahaan Panday to play gangster in Ali Abbas Zafar’s next, Jimmy Sheirgill joins cast: Report

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Following the success of Saiyaara, breakout actor Ahaan Panday is set to step into a markedly different space with his second feature film. As per a report by Variety India, the actor will portray a gangster in filmmaker Ali Abbas Zafar’s upcoming action-romance. The role signals a shift from Ahaan’s debut performance as a troubled musician dealing with past trauma in Saiyaara. For the new project, the actor has reportedly undergone intensive preparation that includes hand-to-hand combat and weapon training to align with the physical demands of the character’s aggressive screen presence. The report also states that Jimmy Shergill has joined the cast in a pivotal role. The film marks his return to a collaboration with Yash Raj Films after more than two decades. One of his most notable earlier associations with the banner remains Mohabbatein, in which he appeared alongside Shah Rukh Khan. Details about the storyline and other casting elements have not been officially confirmed at this...
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The Strays review – Netflix’s baity social thriller fizzles out

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The shadow of Get Out looms over Nathaniel Martello-White’s chiller about a light-skinned woman whose past unravels her manicured suburban life

There’s a heavy-handed ominousness from the first frame of The Strays, Netflix’s new entry into the stuffed category of social horror. Dissonant music plays over a concrete block apartment building in London, in which Cheryl (Ashley Madekwe), a light-skinned Black woman, appears in distress. There are bank statements crumpled on the counter, a headline blaring “Black kids betrayed by schools”, a mention of credit card debt in a phone call to her sister, a voice-cracking lament of wanting more. It’s the mid-2000s, and someone keeps calling Cheryl on her old brick phone before she walks out the door with a duffel bag and note about popping to the hairdresser, presumably on the run.

It’s an unsettling, propulsive start that provokes several promising questions – where is she going? Why is she leaving? Who is the sinister voice on the answering machine? All the baselines of a thriller. Some get answered, but most do not, in any satisfying or specific way. British actor and writer Nathaniel Martello-White’s directorial debut nudges at some uncomfortable fault lines of race and class, but tends to over-index unearned suspense for character development or insight.

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