Mandana Karimi slams ‘one-sided’ Iran coverage, urges Indian media to lend a platform to Reza Pahlavi - EXCLUSIVE

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In an explosive, soul-bearing interview with Bollywood Hungama, actress and activist Mandana Karimi opened up about the personal and professional toll her advocacy for Iran has taken. The actress, who has been vocal against the Iranian regime amid the escalating Middle East conflict, revealed that her career in India has come to a standstill due to her outspoken political stance. “Well since January, I've literally have left my work. I'm not working anymore. All my contract got cancelled. I've become too activist I've become too open about politics and I have messaged. I have emailed to platforms. I've said let's talk about it. I have videos I have images from Iran - Why are you not covering it?” Karimi shared, underscoring her frustration at what she describes as silence despite having access to ground-level material. The actress, known for her appearance on Bigg Boss 9 and films like Kyaa Kool Hain Hum 3, also criticised sections of the Indian media for what...
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The Strays review – Netflix’s baity social thriller fizzles out

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The shadow of Get Out looms over Nathaniel Martello-White’s chiller about a light-skinned woman whose past unravels her manicured suburban life

There’s a heavy-handed ominousness from the first frame of The Strays, Netflix’s new entry into the stuffed category of social horror. Dissonant music plays over a concrete block apartment building in London, in which Cheryl (Ashley Madekwe), a light-skinned Black woman, appears in distress. There are bank statements crumpled on the counter, a headline blaring “Black kids betrayed by schools”, a mention of credit card debt in a phone call to her sister, a voice-cracking lament of wanting more. It’s the mid-2000s, and someone keeps calling Cheryl on her old brick phone before she walks out the door with a duffel bag and note about popping to the hairdresser, presumably on the run.

It’s an unsettling, propulsive start that provokes several promising questions – where is she going? Why is she leaving? Who is the sinister voice on the answering machine? All the baselines of a thriller. Some get answered, but most do not, in any satisfying or specific way. British actor and writer Nathaniel Martello-White’s directorial debut nudges at some uncomfortable fault lines of race and class, but tends to over-index unearned suspense for character development or insight.

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