Ranveer Singh turns 40: Arjun Rampal calls Dhurandhar co-star “Sher” in heartfelt birthday wish BTS montage

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Ranveer Singh is celebrating his 40th birthday on July 6, 2026, and has received warm wishes from friends, colleagues, and fans across social media. Among those celebrating the occasion is his Dhurandhar co-star Arjun Rampal, who shared a heartfelt birthday message accompanied by a special video montage that revisited memorable moments from the making of the Aditya Dhar-directed duology. The video featured a collection of fan artworks dedicated to Ranveer Singh along with behind-the-scenes glimpses from the sets of Dhurandhar. The montage was set to ‘Main Aur Tu,’ one of the popular tracks associated with the film, making it a nostalgic tribute for fans of the franchise. Sharing the video, Arjun wrote, "Happy Happy birthday Sher e, to more fabulous memories, performances, successes, love, ice baths, laughs, celebrations. Have a fabulous year ahead @ranveersingh big love and a huge hug." The post quickly caught the attention of fans, who flooded the comments section with birt...
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The Strays review – Netflix’s baity social thriller fizzles out

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The shadow of Get Out looms over Nathaniel Martello-White’s chiller about a light-skinned woman whose past unravels her manicured suburban life

There’s a heavy-handed ominousness from the first frame of The Strays, Netflix’s new entry into the stuffed category of social horror. Dissonant music plays over a concrete block apartment building in London, in which Cheryl (Ashley Madekwe), a light-skinned Black woman, appears in distress. There are bank statements crumpled on the counter, a headline blaring “Black kids betrayed by schools”, a mention of credit card debt in a phone call to her sister, a voice-cracking lament of wanting more. It’s the mid-2000s, and someone keeps calling Cheryl on her old brick phone before she walks out the door with a duffel bag and note about popping to the hairdresser, presumably on the run.

It’s an unsettling, propulsive start that provokes several promising questions – where is she going? Why is she leaving? Who is the sinister voice on the answering machine? All the baselines of a thriller. Some get answered, but most do not, in any satisfying or specific way. British actor and writer Nathaniel Martello-White’s directorial debut nudges at some uncomfortable fault lines of race and class, but tends to over-index unearned suspense for character development or insight.

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