‘I don’t have to create his legacy, I just have to protect it’: Chadwick Boseman’s widow Simone on grieving a global star – and guarding his secrets

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Black Panther made him a megastar, but in private the actor and his wife Simone Ledward Boseman were dealing with his terminal cancer diagnosis. In a rare interview, she talks about the shock of losing him, and how a revival of one of his plays has helped her heal Simone Ledward Boseman is reflecting on the five years that have passed since the death of her husband, actor and writer Chadwick Boseman. “The edges of grief get less sharp over time,” she says. “Five years definitely feels like a marker. I’ve had to gradually figure out how I talk about Chad. What do I want to share, and what do I feel comfortable sharing? Can I find something that I might want to share in the midst of something I don’t want to share?” We meet on a video call across time zones – it’s 9am in California, where she lives. “Except for my mom, I’m not talking to anybody before 10am,” she laughs. She’s made an exception to give a rare interview ahead of the UK premiere of her late husband’s play Deep Azure, whic...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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