Ramayana creates HISTORY at San Diego Comic-Con: 'International superstars' Ranbir Kapoor and Yash to unveil trailer with live performances and exclusive surprises in MASSIVE 4,800-seater Ballroom 20

A few days remain before the release of the Ramayana trailer, and excitement is tremendous. Yesterday, we reported that a 4-minute-15-second-long trailer of Ramayana was cleared by the Central Board of Film Certification (CBFC) on July 15 with a 'U' certificate. Now, we bring to you some exciting details of the trailer launch event that would take place at San Diego Comic-Con. San Diego Comic-Con is the world’s largest annual pop culture and comic book convention. On July 23, the trailer of Ramayana will be screened at the prestigious event in the presence of the film’s team. The panel will be held from 3:15 pm to 4:15 pm PDT (Pacific Daylight Time), which translates to 3:45 am to 4:45 am IST (Indian Standard Time) on Friday, July 24. According to the official website of San Diego Comic-Con, producer Namit Malhotra and director Nitesh Tiwari will be joined by 'international superstars Ranbir Kapoor (Rama) and Yash (Ravana)'. The website further states that 'The pan...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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