Saiyami Kher joins shoot of Vikram Phadnis’ next with Tahir Raj Bhasin and Vineet Kumar Singh in Mumbai

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Actress Saiyami Kher is all set to begin the new year on an exciting note as she comes on board an untitled new project directed by ace designer-turned-filmmaker Vikram Phadnis. This project is produced by Reel Euphoria in association with Knight Sky Movies, has officially gone on floors, marking yet another significant milestone in Saiyami’s growing body of work. The upcoming project is a drama, with Saiyami headlining it in a powerful leading role along with Vineet Kumar Singh and Tahir Raj Bhasin. Announcing the project, Saiyami took to her Instagram to share a glimpse from her first day on set along with a spiral-bound copy of the film’s script. Captioning the post, she wrote, “And today every silent prayer finds its way home,” followed by another heartfelt note that read, “New Year, New Beginning. As always, I need all the wishes.” The post reflects both gratitude and excitement as she embarks on this new journey. This will be Vikram’s third directorial venture and his first di...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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