Vedang Raina says Main Vaapas Aaunga “changed everything” for him; thanks Imtiaz Ali in heartfelt note

Actor Vedang Raina has shared an emotional note reflecting on his journey in the film industry and the impact of his latest release, Main Vaapas Aaunga. The actor took to social media to express gratitude towards director Imtiaz Ali, his co-stars, and audiences who have supported the film since its release. Alongside a series of behind-the-scenes photographs from the sets of Main Vaapas Aaunga, Vedang opened up about the moment he realized acting was what he wanted to pursue. “I came home one day after an audition (I was 19) and told my parents that acting is what makes me feel the most alive. I didn’t expect to say that and I was as surprised as they were,” he wrote. The actor revealed that it has been nearly two-and-a-half years since he entered the entertainment industry and said his instincts about choosing acting as a profession proved to be right. Reflecting on the significance of Main Vaapas Aaunga in his career, Vedang described the film as a turning point. “Maybe it’s too ear...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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