Supreme Court quashes copyright case against Sujoy Ghosh over Kahaani 2, calls allegations baseless

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In a significant relief for filmmaker Sujoy Ghosh, the Supreme Court of India has set aside criminal proceedings initiated against him in a copyright infringement case linked to his 2016 film Kahaani 2: Durga Rani Singh. According to a report by Bar and Bench, a Bench comprising Justices PS Narasimha and Alok Aradhe observed that the complaint lacked substance and failed to establish even a basic comparison between the two works in question. The court noted that the allegations were vague and unsupported, with no clear indication of how the film resembled the complainant’s script. The case stemmed from a complaint filed by Umesh Prasad Mehta, who alleged that his script titled Sabak had been copied for the film. He claimed to have shared his work with Ghosh in 2015. Acting on this complaint, a magistrate court in Hazaribagh had issued summons in 2018 under provisions of the Copyright Act. Later, the Jharkhand High Court declined to quash the case, stating that the matter warranted tr...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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