Priyadarshan to direct Bhoot Police 2 without Saif Ali Khan, Arjun Kapoor: Report

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Veteran filmmaker Priyadarshan is reportedly set to direct the sequel to the 2021 horror-comedy Bhoot Police, with significant changes to its cast and production approach. According to industry reports, Priyadarshan has been brought on board with a substantial fee of Rs 21 crores to lead the project, underlining confidence in his creative vision for the franchise’s next chapter. Sources familiar with the development told entertainment portal Pinkvilla that while Bhoot Police 2 will maintain the core blend of humour and supernatural elements that defined the first film, it will not feature the original leads — Saif Ali Khan and Arjun Kapoor. “While the sequel retains the core idea of a horror-comedy, the casting will see a complete refresh. Saif Ali Khan and Arjun Kapoor will not be returning for the second instalment,” the source said. “The idea is to reinvent the franchise with a new duo. The makers are looking at two actors — one senior and one junior — to create an interesting com...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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