Solo Sunny review – a rueful East German gem of ambition, loneliness and faded dreams

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Konrad Wolf’s 1980 drama follows a singer trying to escape the drab compromises of GDR life, capturing the melancholy of thwarted ambition with warmth and wit The terrible sadness, tattiness and poisoned idealism of the old GDR is preserved as if in a time capsule in this East German film from 1980; it could be a kind of B-side to Bob Fosse’s Cabaret. The heroine, would-be solo pop singer Sunny, is told by her ungallant MC that she is no Liza Minnelli; Cabaret fans might well incidentally recognise here the brusque German word “bumsen”. Solo Sunny is the work of Konrad “Koni” Wolf, a director with an impressive and strange pedigree: he was a garlanded state-sanctioned artist in East Germany, much admired at the Berlin film festival, whose older brother Markus happened to be one of the highest-ranking officials in the Stasi. It makes Wolf the second most politically compromised German film-maker in history. (The disillusioned communist East German character in Jenny Erpenbeck’s novel Ka...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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