SCOOP: Aamir Khan opts out of Ashneer Grover biopic over creative differences; Rahul Mody and Shraddha Kapoor on hunt for a new actor

Earlier in the year, there were reports about Aamir Khan teaming up with debutant director Rahul Mody for a film based on the life of controversial start-up king, Ashneer Grover. The news spread like wildfire, leading to all sorts of conversations in the digital world. Soon after, it was revealed that Shraddha Kapoor will play the female lead in the film alongside Aamir and it would go on floors in March 2027, once Aamir is done shooting for a period-drama with Ashutosh Gowarikar. But the latest we learnt that Aamir Khan has decided to opt out of the Ashneer Grover film due to creative differences. "Aamir is fascinated by the world of start-ups, and was keen to get into the zone with the Ashneer Grover biopic. He sat on the script and developed it to the best of his sensibilities. But eventually, he ended up having creative differences with Rahul Mody, leading to the duo parting ways," a source told Bollywood Hungama. The source also informs that Rahul Mody and Shraddha Kapo...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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