Amol Palekar offers legal and financial support to students protesting over NEET paper leak: “Do not allow anger to harden into hatred”

Veteran actor and filmmaker Amol Palekar has voiced his support for students protesting over the NEET paper leak by writing an open letter expressing solidarity with the youth-led movement. As demonstrations continue in Delhi demanding accountability and education reforms, the actor praised the courage of students and said they are carrying forward the unfinished work of democracy. Addressing the protesters as "Dear brave students," Palekar wrote that he was writing not only in solidarity but also with gratitude. "Every generation inherits the unfinished work of democracy. Yours has accepted both the burden and the privilege of carrying it forward," he wrote. Draws parallels with history and literature In his letter, Palekar referred to Albert Camus' Caligula, saying the play reflects how unchecked power can become detached from moral responsibility. He added that the recent developments in Delhi reminded him of those themes. The veteran actor also cited histor...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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