“New beginnings”: Tara Sutaria moves into her first house, shares glimpse of elegant Mumbai abode

Actor Tara Sutaria has marked a significant personal milestone by purchasing her first home in Mumbai. Sharing the news with her followers on social media, the actress offered a glimpse into her new space, describing the move as the beginning of a new chapter in her life. Posting a series of photographs from inside the house, Tara wrote, “To new beginnings.. / To endless laughter and love in my first home and to embracing 2026 with arms wide open.” The images reflect a tastefully designed home with warm lighting, neutral tones, and a blend of vintage and contemporary décor. One of the pictures shows Tara dressed in an elegant ivory sari, seated with folded hands beside a large arrangement of white flowers placed in a silver urn. The living area features a wooden coffee table, upholstered seating, and softly lit display shelves adorned with framed photographs, books, vinyl records, and decorative artefacts. A chandelier adds a classic touch to the space. Another wide-angle photograph...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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