Salman Khan in talks with Farhan Akhtar for two-part historical epic: Report

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Salman Khan's upcoming slate continues to expand. After signing an action-comedy with filmmaker duo Raj Nidimoru and Krishna D.K., and while shooting for his untitled film with director Vamshi Paidipally and co-star Nayanthara, the superstar is now reportedly exploring another major project. According to a report by Pinkvilla, Salman is currently in discussions with actor-filmmaker Farhan Akhtar for a large-scale historical action drama that could mark their first collaboration. A source close to the development told the publication, “Salman Khan and Farhan Akhtar have been meeting regularly over the last month and discussing a potential collaboration. Salman has loved what he has heard so far and has shown keen interest in the project.” The source added that conversations are still in the early stages. “The talks are still at an early stage and have not yet reached the paperwork phase, but both sides are excited about the possibility of coming together for the first time.” If the...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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