Arshad Warsi earns nearly Rs. 4 crores profit as he sells Mumbai commercial property for Rs. 6.25 crores: Report

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Bollywood actor Arshad Warsi has made a significant gain from a real estate transaction after selling a commercial property in Mumbai's sought-after Lokhandwala Complex. According to property registration documents accessed by real estate data analytics firm Liases Foras, the actor has sold the commercial unit for Rs. 6.25 crores, generating an estimated profit of nearly Rs. 4 crores over his original purchase price. As per these documents, the property is situated in Andheri West's Lokhandwala area and comprises a carpet area of 63.87 square metres (684 square feet). The unit was acquired by Umang Rajkumar Budhraja for Rs. 6.25 crores. The transaction was officially registered with the Maharashtra Inspector General of Registration on July 1, 2026. The registration records further indicate that the buyer paid a stamp duty of Rs. 37.50 lakhs to complete the purchase. Based on the transaction value and the property's carpet area, the deal translates to an approximate price o...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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