Heartstopper Forever review – sanitized sex scenes won’t let the Netflix lovebirds grow up

The film-length finale to the teen LGBTQ+ show has poignant moments but feels like fan service by numbers If it were up to Kit Connor , Heartstopper would have ended quite differently. “If I’d had my way, I would have had Nick and Charlie cheating on each other and doing all those stupid things,” he recently told the Guardian. “Because young people do that and don’t necessarily need to be villainized for it.” Midway through Heartstopper Forever , the film-length finale of Netflix’s series, I started to see his point. The central star-crossed lovebirds of Alice Oceman’s megahit are now 18 and 17, and like most teenagers they have sex, get drunk and fight with their annoying siblings. Unlike most people their age, they don’t vape, don’t use sex apps and they definitely don’t cheat. Continue reading... from Film | The Guardian https://ift.tt/7iRZGVx via IFTTT

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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