FACT CHECK: Paresh Rawal has NOT quit Hera Pheri 3 again; old Bollywood Hungama report from 2025 gets picked up as fresh news

Exactly a year ago, Bollywood Hungama reported what was probably one of the biggest newsbreaks of 2025 – Paresh Rawal had quit Hera Pheri 3. It shocked the trade, the industry, fans and even the team of the film. A few days after this news broke, Akshay Kumar’s Cape of Good Films, the producer of Hera Pheri 3, sued Paresh Rawal for Rs. 25 crores. A couple of days later, Bollywood Hungama published another report stating that Paresh Rawal had returned the signing amount of Rs. 11 lakhs with 15% p.a. interest, along with some additional money for stepping away from the series. A few weeks later, Paresh Rawal and Akshay Kumar resolved the matter, and the former returned to the franchise. The issue was put to rest and had even become history. But now, amusingly, it is back in the news. On Saturday, reports started coming in that Paresh Rawal has once again quit Hera Pheri 3. Interestingly, these reports carried the same information that Bollywood Hungama had published exactly a year ago –...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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