SCOOP: After Saiyaara, Mohit Suri and Ahaan Panday's next is a twisted love story for Aditya Chopra

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In 2025, Saiyaara redefined the box office, as the film marked the launch of two superstars - Ahaan Panday and Aneet Padda. The film went on to become the biggest launch pad of the modern era, and ever since, there has been curiosity to learn more about Ahaan Panday. The young superstar signed his second feature film with YRF and Ali Abbas Zafar, and the film is presently on the floor. And now we have learnt that Ahaan's next after the Ali Abbas Zafar directorial will be a twisted love story with Saiyaara director Mohit Suri. "Mohit Suri was initially looking to make an older guy and younger girl love story. But when the logistics didn't work out, he decided to redesign the project for his leading hero Ahaan Panday. The script organically flew to perfection, and gave Mohit the wings to come up with a rather twisted love story," a trade source shared with Bollywood Hungama on anonymity. The source promises that this isn't a project designed to capitalise on the p...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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