Jacqueliene Fernandez to face trial as Delhi court orders framing of charges in ED’s Rs 200 crores money laundering case

On May 30, 2026, a Delhi court ordered the framing of criminal charges against Jacqueliene Fernandez, conman Sukesh Chandrashekar, and 15 others in a high-profile Rs 200-crores money laundering case. The ruling establishes that the trial against the actor and the co-accused will formally commence following their appearance in court this week. Additional Sessions Judge (ASJ) Prashant Sharma observed that the investigative findings revealed a robust legal basis to proceed with the prosecution. "Prima facie, there is sufficient material on record based upon which a strong suspicion is raised against all the accused," the ASJ stated, as per a report by PTI. The court held that Fernandez and the others are liable to be prosecuted for the offence of money laundering under Section 3 of the Prevention of Money Laundering Act (PMLA), which is punishable under Section 4 of the same Act. The judge has directed all the accused individuals to appear physically in court on June 3 for the ...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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