Makers of Mahesh Manjrekar’s Punha Shivajiraje Bhosale SLAM Everest’s Public Notice – “False, misleading, and without basis”

Bollywood Hungama was the first one to report on July 12 that Everest Entertainment published a public notice in Atul Mohan’s Complete Cinema magazine in the June 28 – July 5, 2025 issue, informing the public and industry that they have the rights to the 2009 cult Marathi film Mi Shivajiraje Bhosale Boltoy. The notice was published after the teaser of Mahesh Manjrekar’s Punha Shivajiraje Bhosale was dropped online. The film is all set to release on Diwali and is perceived as a spiritual sequel to Mi Shivajiraje Bhosale Boltoy. Bollywood Hungama has now learned that the makers of Punha Shivajiraje Bhosale, on July 7, have also published a public notice, in reply to the public notice of Everest Entertainment. The notice was published in Film Information Magazine by advocate Manjit Singh Jolly. It stated that “The public in general and the media and entertainment industry in particular are hereby informed that at or around 28-06-2025 and 05-07-2025, a p...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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