Rajkumar Hirani-Aamir Khan’s Dadasaheb Phalke biopic to go on floors in March 2026 after script revisions: Report

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Aamir Khan and filmmaker Rajkumar Hirani’s much-anticipated Dadasaheb Phalke biopic has seen a shift in its production timeline. While the project was earlier expected to go on floors in January 2026, the makers are now planning to begin filming in late March 2026. In September 2025, Mid-Day had reported that the film was gearing up to roll early next year, with Khan reportedly moved to tears while revisiting key moments from Phalke’s life. However, plans have since changed as the actor-director duo have decided to further refine the screenplay before taking the film on set. According to industry insiders, a fresh draft of the script is currently being developed, one that aligns with both Hirani and Khan’s creative vision while doing justice to the journey of Dhundiraj Govind Phalke, widely regarded as the Father of Indian cinema. The intent, sources say, is to ensure that the narrative resonates with contemporary audiences without compromising on historical authenticity. A source t...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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