‘The emotion you get from the game is insane’: the Roy Keane bust-up film leading a new type of football movie

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Saipan, about Keane’s infamous World Cup row with manager Mick McCarthy, has become a hit film in its native Ireland – as it opens in the UK screenwriter Paul Frasier explains how he aimed to avoid the mistakes of the past The best bit of football action in Saipan happens on a tennis court. The forthcoming movie about the schism between Mick McCarthy and Roy Keane that led to the latter departing the 2002 World Cup before it started does not attempt to recreate any of the action from the tournament. In fact, it largely takes place in a decrepit hotel. But we do get one exception: Keane, played by Éanna Hardwicke, practising alone in the grounds. At the back of a court, the sullen, spartan athlete stands as a ball is fired up and over the net towards him. He tracks it with his eyes, opens up his right foot, takes the ball on his instep and kills it dead. And with that, his sporting bona fides are confirmed. Saipan is a movie about masculinity, about men and their egos. It’s also about...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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