REVEALED in Madras High Court order: Scenes in Vijay’s Jana Nayagan that triggered CBFC complaint – National Flag visuals, Army references, foreign powers provoking religious conflict

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On Friday, January 9, the Madras High Court ruled in favour of Jana Nayagan’s makers and asked the CBFC (Central Board of Film Certification) to grant the film a U/A 16+ certificate. The CBFC immediately challenged that decision and requested a fresh review. Following the appeal, the court put its earlier order on hold for now. It also noted that the producers of the Vijay-starrer appeared to have created an unnecessary sense of urgency about the film’s release date, which may have pressured the court, as reported by Live Law. The case will be heard again on January 21, which puts a question mark on whether the much-awaited flick would be able to make it in cinemas this month. Bollywood Hungama has a copy of the court order, which revealed that the producer had applied for certification on December 18, 2025. The film was screened for the Examining Committee on December 19, and the committee unanimously recommended U/A 16+ subject to modifications. The makers carried out the cuts and s...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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