Bhooth Bangla promo song to be attached to Dhurandhar: The Revenge: Report

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A section of moviegoers is eagerly awaiting the reunion of Akshay Kumar and Priyadarshan in Bhooth Bangla, which is scheduled to release on April 10, 2026. While anticipation around the project continues to build, fans may soon get a glimpse into the film’s world. Industry buzz suggests that a promotional song from Bhooth Bangla could be attached to Dhurandhar: The Revenge, which is slated to hit theatres on March 19. According to a report by Mid-Day, a source said, “Akshay and Priyadarshan’s 2007 horror comedy Bhool Bhulaiyaa benefited immensely from its title song, ‘Teri Aankhein Bhool Bhulaiyaa’, which became wildly popular. So, this time, with Pritam having composed another song that has the potential to become a chartbuster, Ektaa felt it would catch on among listeners and create buzz around Bhooth Bangla. Attaching it to Dhurandhar: The Revenge made sense as it’s among the most awaited films.” The source further added, “The song was filmed on a grand scale with Akshay and over...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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