BREAKING: Dhamaal 4 ends with the promise of the next installment – Dhamaal 5

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The much awaited Dhamaal 4 is all set to release tomorrow, July 10, and the excitement is tremendous due to the casting, hilarious trailer and popularity of the franchise. It seems like the makers are very confident that just like the previous parts, the fourth part of the Dhamaal franchise will also be a hit. This is because they have ended the film with a hint of a sequel. A source told Bollywood Hungama, "At the end of Dhamaal 4, there's a scene which indicates that Dhamaal 5 is also in the offing. And just like the first four parts, Dhamaal 5 is also expected to be a madcap, crazy entertainer, going by the sequence." Directed by Indra Kumar, Dhamaal 4 brings back the franchise’s core cast, including Ajay Devgn, Riteish Deshmukh, Arshad Warsi, Sanjay Mishra, and Jaaved Jaaferi. The ensemble cast also features Esha Gupta, Sanjeeda Shaikh, Anjali Anand, Upendra Limaye, Vijay Patkar, and Ravi Kishan, adding new faces to the comedy series. Dhamaal 4 is presented by Gulsha...
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The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

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After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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