BREAKING: Akshay Kumar’s Cape of Good Films issues public notice; asserts exclusive worldwide rights over Hera Pheri 3; cautions industry against dealing with third parties

Akshay Kumar’s production house, Cape of Good Films LLP, has issued a public notice in the July 4, 2026 issue of Complete Cinema magazine, asserting that it is the sole and exclusive holder of the rights to produce and commercially exploit the much-awaited comedy, Hera Pheri 3. The notice has been addressed to the public at large as well as stakeholders across the Indian film trade. The notice specifically addresses distributors, exhibitors, cinema chains, OTT and streaming platforms, television broadcasters, digital platforms, advertisers, licensors, licensees, aggregators and syndicators, among others. Cape of Good Films LLP has claimed that it holds an “irrevocable, worldwide, perpetual and unencumbered licence” to produce, distribute, market, exploit, commercialize and otherwise deal with the cinematograph film presently titled Hera Pheri 3. The company has stated that its rights extend across all modes, media, platforms, technologies and formats, whether currently known or develo...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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