SHOCKING: 66 hard disks containing Made In Heaven, Ghost Stories and unreleased footage go missing from Zoya Akhtar-Reema Kagti's Tiger Baby office; staffer allegedly sold drives for Rs. 15,000-20,000 each

A major data-theft case has emerged from Tiger Baby Digital LLP, the production house of filmmakers Zoya Akhtar and Reema Kagti. As per a report in Mumbai Mirror, as many as 66 hard disks containing important production material have allegedly gone missing from the company’s Bandra office. Some of these drives reportedly contained unreleased footage and work-in-progress content, making the matter serious for the production house. The complaint was filed by Mehjabeen Mushtaq Shaikh, who works as the executive assistant and HR administrator at the company. Acting on her complaint, the Bandra police registered an FIR against Mohammad Shahid Azim Khan and Ritesh Suresh Shah, a 44-year-old Borivali resident. The police confirmed to Mumbai Mirror that both have been arrested and sent to police custody till May 29. The issue was discovered on May 21, when the staff needed certain hard disks for ongoing work but could not find them. This led to an internal check of the office storage area. Du...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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