Tiger Shroff, Abhishek Banerjee, and Elvish Yadav team up for Remo D'Souza's action franchise as Viccky Jain launches VJ Frames

Producer and entrepreneur Viccky Jain has announced the launch of his production house, VJ Frames, marking the beginning of a new chapter in his career as a filmmaker. Making the announcement on his birthday, Jain also revealed the banner's maiden project—an ambitious action franchise that will be directed by choreographer-filmmaker Remo D'Souza and feature Tiger Shroff, Abhishek Banerjee, and Elvish Yadav in lead roles. The newly launched banner aims to back commercial entertainers across genres, with its debut project expected to combine action, spectacle and mainstream storytelling. While the makers have kept plot details under wraps, the announcement has already generated curiosity owing to the unusual casting combination of Tiger Shroff, known for his action-packed performances, alongside versatile actor Abhishek Banerjee and content creator-turned-actor Elvish Yadav. Speaking about the launch of VJ Frames, Viccky Jain described the occasion as the fulfilment of a long-ch...

The Narrow Road review – tough times for the downtrodden in pandemic Hong Kong

After deciding it’s time to seek help with his cleaning business, despairing Chak meets the zanily upbeat Candy

Set in Hong Kong during the early days of the pandemic, Lam Sum’s tender drama pictures a city haunted by economic and political uncertainty. Storefronts are plastered with foreclosure and bankruptcy notices, while talk of moving abroad hovers amid everyday conversations. Plagued by faulty equipment, the one-man sanitary service operated by world-weary Chak (played by Cantopop star Louis Cheung) is on the verge of breaking down. When asked by his ailing mother if God is telling him to give up the business, Chak self-deprecatingly describes himself as a speck of dust, so tiny that even the deities would not take notice.

Reluctantly hired as an extra pair of helping hands on his cleaning rounds, single-mom Candy (Angela Yuen) enters Chak’s life like a whirlwind of chaos. With her impossibly sunny attitude and colourful fashion sense, Candy could have come off as a manic pixie archetype; Yuen instead manages to lend an emotional weight to the character’s capricious quirkiness. A particularly devastating sequence finds the pair scrubbing the human-shaped stain left by a nameless soul who has died alone in squalor, another speck of dust forgotten by the outside world.

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