John Lennon: The Last Interview review – Soderbergh imagines there’s no people with bland AI clipshow

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Succession of pointless AI-generated snippets does nothing for film about the artist’s final interview, which took place on the day of his murder Coming just after his superb feature The Christophers , Steven Soderbergh has now made a surprisingly moderate documentary, dominated and frankly marred by uninteresting and pointless AI. It is about the inadvertently poignant final interview given by John Lennon and Yoko Ono on 8 December 1980 in New York’s Dakota apartment building, hours before his death. The interviewers were Dave Sholin, Laurie Kaye and Ron Hummel from San Francisco’s KFRC radio station. On their way out of the building with the conversation on tape, they were accosted by a creepy stalker-fan; in attempt to calm the man down, Kaye gave him a brand new copy of John and Yoko’s new album Double Fantasy. This sinister man was Lennon’s future murderer who got him to sign an album – perhaps this very album – and later shot him dead. It is a chilling, stomach-turning twist of f...
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The King of Comedy at 40: Martin Scorsese’s painful ode to the wannabe

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In the dark, dry comedy, Robert De Niro plays a scheming comedian whose mediocrity doesn’t dampen his ambition

There’s a sequence in Martin Scorsese’s The King of Comedy, where Jerry Langford, the host of a popular late-night talk show, slips out of his New York office and goes for a walk down the street. Everyone knows who he is, but how they interact with him varies. He’s charmed by a middle-aged taxi driver who greets him and tells him how much he enjoys the show. He’s happy to get an ovation from construction workers overhead. Then he’s stopped by a woman at a payphone who wants him to sign her magazine. He obliges. Then she wants him to say something to her nephew on the phone. He politely declines. As he walks away, she shouts after him: “You should only get cancer. I hope you get cancer.”

Nothing about this is out of the ordinary. It’s surely not the first time a fan has wished cancer on Jerry for not obliging a request, and he’s probably forgotten about this woman the moment he crosses the street. His chief expression is one of annoyance, because this is the price of being a celebrity and he’s going to be paying for it the rest of his life. People invite him into their homes every night on television and he becomes part of their lives, but it’s a one-sided relationship that he couldn’t reciprocate if he wanted to. As played by Jerry Lewis, who surely knows the feeling, he looks like a man who often regrets fame, but can’t do anything about it.

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