My Memory Is Full of Ghosts review – deeply moving visual hymn for the bombed-out Syrian city of Homs

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Anas Zawahri’s documentary lays heart-wrenching testimony over languorous shots of bullet-ridden ruins and deserted streets The western Syrian city of Homs is only a husk of its former self. Previously a major industrial centre, the region became a key battleground between 2011 and 2014, for Bashar al-Assad’s army and rebel forces. Amid the immense bloodshed, hundreds of thousands of civilians were either displaced or trapped inside their own homes. Filmed in the summer of 2023, this deeply moving documentary from Palestinian-born and Syria-based film-maker Anas Zawahri maps out the collective trauma and sorrow that continue to linger, even after the shooting has stopped. Unfolding in languorous, largely static shots of bombed rubble, hollowed-out buildings, and deserted streets, the film lays bare the startling extent of wartime brutality. A sense of stillness and stagnancy hangs in the air, and almost every wall is riddled with bullet holes, urban scars that mirror the psychological ...
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The King of Comedy at 40: Martin Scorsese’s painful ode to the wannabe

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In the dark, dry comedy, Robert De Niro plays a scheming comedian whose mediocrity doesn’t dampen his ambition

There’s a sequence in Martin Scorsese’s The King of Comedy, where Jerry Langford, the host of a popular late-night talk show, slips out of his New York office and goes for a walk down the street. Everyone knows who he is, but how they interact with him varies. He’s charmed by a middle-aged taxi driver who greets him and tells him how much he enjoys the show. He’s happy to get an ovation from construction workers overhead. Then he’s stopped by a woman at a payphone who wants him to sign her magazine. He obliges. Then she wants him to say something to her nephew on the phone. He politely declines. As he walks away, she shouts after him: “You should only get cancer. I hope you get cancer.”

Nothing about this is out of the ordinary. It’s surely not the first time a fan has wished cancer on Jerry for not obliging a request, and he’s probably forgotten about this woman the moment he crosses the street. His chief expression is one of annoyance, because this is the price of being a celebrity and he’s going to be paying for it the rest of his life. People invite him into their homes every night on television and he becomes part of their lives, but it’s a one-sided relationship that he couldn’t reciprocate if he wanted to. As played by Jerry Lewis, who surely knows the feeling, he looks like a man who often regrets fame, but can’t do anything about it.

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