The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

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Cannes film festival: Sachs’ film about an HIV-positive actor in the homophobic Reagan-era 80s is well-intended, but Malek’s mannered performance is hard to love This film from writer-director Ira Sachs gives us premium-strength, undiluted Rami Malek – but I have to say that his overripe performance and self-conscious mannerisms here are perhaps even more oppressively insistent for being conveyed relatively quietly in spoken dialogue. And not quietly at all in the singing scenes. Malek is a performer whose style is as distinctive as those of John Malkovich or Jeff Goldblum. But it works best with a light touch in the direction and material. Things never really come together here. The Man I Love is a film about gay culture in 1980s New York, at the height of the reactionary homophobia of Reagan’s America, with HIV-positive men coming to terms with their condition and with the callous bigotry of the political zeitgeist. In one hospital scene, we see the authorities’ icily unsympathetic ...
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The Hollywood crisis #MeToo missed: ‘Every female composer has been through it’

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The film scoring industry is largely unregulated, with few protections for assistants. Veterans say abuse is rampant

In the wake of the #MeToo movement that toppled Harvey Weinstein and made the the entertainment industry tremble, an up-and-coming musician named Nomi Abadi vowed to expose one of Hollywood’s last dirty secrets: the toxic, abusive work conditions that run rampant behind the closed doors of soundtrack composing studios.

Abadi, a former child piano prodigy turned singer and composer, was a sexual abuse survivor and knew of many others in a part of the industry where men still vastly outnumber women and much of the work goes on unregulated at all hours of the day and night.

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