Yash Raj Films’ Mardaani is the biggest solo female-led franchise in Hindi cinema that has garnered love and acclaim for over 10 years now. The blockbuster franchise has received unanimous love from people and has attained a cult status amongst cine-lovers. Also, the biggest and only female cop franchise of India, Mardaani is now in its third instalment and Mardaani 3 will see Rani Mukerji reprise the role of a daredevil cop, Shivani Shivaji Roy, who selflessly fights for justice. Today, YRF (Yash Raj Films) announced the release date of Mardaani 3 to be Friday, February 27, 2026, marking the auspicious Holi festival as its release window. Holi, which falls on March 4, symbolises the triumph of good over bad. The makers are pegging this film to be a bloody, violent clash between Shivani’s goodness vs sinister evil forces with its choice of release date. Moreover, the esteemed studio also released the explosive first look of the highly talen...
The Hollywood crisis #MeToo missed: ‘Every female composer has been through it’
- Get link
- X
- Other Apps
The film scoring industry is largely unregulated, with few protections for assistants. Veterans say abuse is rampant
In the wake of the #MeToo movement that toppled Harvey Weinstein and made the the entertainment industry tremble, an up-and-coming musician named Nomi Abadi vowed to expose one of Hollywood’s last dirty secrets: the toxic, abusive work conditions that run rampant behind the closed doors of soundtrack composing studios.
Abadi, a former child piano prodigy turned singer and composer, was a sexual abuse survivor and knew of many others in a part of the industry where men still vastly outnumber women and much of the work goes on unregulated at all hours of the day and night.
Continue reading...from Film | The Guardian https://ift.tt/7swd26o
via IFTTT
- Get link
- X
- Other Apps
Popular posts from this blog
BREAKING: Interstellar back in cinemas due to public demand; Dune: Part Two to also re-release on March 14 in IMAX
A lot of Bollywood films have re-released off late but when it comes to Hollywood, a handful of classics have had a re-run in cinemas. Last month, Interstellar re-released and received a rocking response. However, it just had a one-week run. If you missed watching the cult film in cinemas, here’s a reason for you to rejoice. The film will be back on the big screen on March 14, that too in IMAX. Moreover, Warner Bros will also bring back Dune: Part Two on the same day in theatres. A source told Bollywood Hungama, “Interstellar has a huge demand as it’s a film worth watching in theatres, that too IMAX. However, it re-released on February 7 and had to discontinued from February 14 to accommodate the new releases, Chhaava and Captain America: Brand New World. Both these films got a release in IMAX as well.” The source continued, “Many were aware that Interstellar had just a one week run. Hence, it held very well in the weekdays, collecting Rs. 2 crore plus. Yet, there was a section of mo...
‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily...
The Portable Door review – Harry Potter-ish YA fantasy carried by hardworking cast
Jeffrey Walker’s adaptation of the young-adult fantasy novel retains its edge thanks to its performances, but gets stuck on the whole door thing Adapted from Tom Holt’s 2003 young-adult fantasy novel, this is a passable attempt at kickstarting a new Harry Potter-style franchise set in a fusty-quirky institution, dosed up with extra Gilliamesque grotesquery. Co-produced by the Jim Henson Company, the production design is poky and intense, and the cast – with Christoph Waltz and Sam Neill larking it up – give it their all. But amid all this clutter, it sometimes has trouble moving its story forward. The Portable Door has a nice conceit: the venerable London corporation of JW Wells & Co is responsible for engineering all the daily incidents of coincidence and serendipity that happen in urban life. Not that wet-behind-the-ears intern Paul Carpenter (Patrick Gibson), desperate for any gig, knows the company’s raison d’etre when he signs up. He appears to have no discernible talents wh...
Comments
Post a Comment