Saif Ali Khan Case: Auto-rickshaw driver who rushed Saif Ali Khan to hospital unaware of actor’s identity; says, “A man who was covered in blood came out…”

A day after actor Saif Ali Khan was stabbed by an intruder at his Bandra residence, an auto-rickshaw driver Bhajan Singh Rana, who took him to the Lilavati Hospital, said he was not aware that the passenger he was taking to the Hospital was film actor Saif Ali Khan. He said, “I drive my vehicle at night. It was around 2-3 am when I saw a woman trying to hire an auto but nobody stopped. I could also hear calls for a rickshaw from inside the gate. After I took a U-turn and stopped my vehicle at the gate, a man who was covered in blood came out. 2-4 people also accompanied him.” He added, “They put him in the auto...They decided to go to Lilavati. I dropped them off there...I then came to know that he is Saif Ali Khan...I saw him bleeding from his neck and back.” #WATCH | Attack on #SaifAliKhan | Mumbai: Bhajan Singh Rana, autorickshaw driver who rushed the actor to Lilavati Hospital after the attack, says, "I drive my vehicle at night. It was around 2-3 am when I saw a woman tryi...

​​Streaming: where to watch the best 2023 Bafta contenders

Ahead of this weekend’s awards ceremony, here’s our guide to the runners and riders – from All Quiet on the Western Front to The Quiet Girl – as well as the greatest best film winners of the past

The Baftas can seem like another stepping stone on the long road to the Oscars, but the UK industry’s highest honour can assert its own identity when it wants. Last year the British Academy of Film and Television Arts gave its best actress award to Joanna Scanlan for After Love, a film scarcely seen across the Atlantic, and for the seventh time in the past eight years chose differently from the US Academy in the best film race. (Bafta went for Jane Campion’s The Power of the Dog while the Oscar went to the wispy Coda: a point to the Brits there.)

Tomorrow night we can hope for more bold choices. Netflix, hot off its victory last year, once more boasts the top nominee. Not many expected Edward Berger’s German-language All Quiet on the Western Front to lead the field with a whopping 14 nods – the most for any film at the Baftas since The King’s Speech 12 years ago. Rather quietly released to the streaming service last November, this robustly stirring, immaculately crafted adaptation of Erich Maria Remarque’s classic first world war novel is well worth catching up with – even if its harrowing battle scenes really demand a large screen.

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