Beverly Hills Cop: Axel F review – fish-out-of-water Eddie Murphy chases past glories

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Murphy’s maverick cop – and his theme music – are back to fight corruption, but four decades on there’s little energy to enliven their formulaic reunion Eddie Murphy isn’t finished yet – as he proved with his barnstormer of a performance as Blaxploitation pioneer Rudy Ray Moore in Dolemite Is My Name . But there’s something a bit tired and formulaic about this further go-around for his iconic Detroit cop Axel Foley from the Beverly Hills Cop action-comedy franchise which 40 years ago made Murphy an explosive Hollywood star – and whose catchy Axel F theme became an 80s anthem, duly revived here. He’s back for the fourth film, yet again leaving his Detroit turf to be a scruffy fish-out-of-water in the hilariously chi-chi world of Beverly Hills, yet again wryly noticing from the wheel of his car, on the way in, a montage of all the crazy California stuff, including a car registration plate reading: PRE-NUP. Axel’s grownup lawyer daughter Jane (Taylour Paige) is in Beverly Hills, menace
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​​Streaming: where to watch the best 2023 Bafta contenders

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Ahead of this weekend’s awards ceremony, here’s our guide to the runners and riders – from All Quiet on the Western Front to The Quiet Girl – as well as the greatest best film winners of the past

The Baftas can seem like another stepping stone on the long road to the Oscars, but the UK industry’s highest honour can assert its own identity when it wants. Last year the British Academy of Film and Television Arts gave its best actress award to Joanna Scanlan for After Love, a film scarcely seen across the Atlantic, and for the seventh time in the past eight years chose differently from the US Academy in the best film race. (Bafta went for Jane Campion’s The Power of the Dog while the Oscar went to the wispy Coda: a point to the Brits there.)

Tomorrow night we can hope for more bold choices. Netflix, hot off its victory last year, once more boasts the top nominee. Not many expected Edward Berger’s German-language All Quiet on the Western Front to lead the field with a whopping 14 nods – the most for any film at the Baftas since The King’s Speech 12 years ago. Rather quietly released to the streaming service last November, this robustly stirring, immaculately crafted adaptation of Erich Maria Remarque’s classic first world war novel is well worth catching up with – even if its harrowing battle scenes really demand a large screen.

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