The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

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Cannes film festival: Sachs’ film about an HIV-positive actor in the homophobic Reagan-era 80s is well-intended, but Malek’s mannered performance is hard to love This film from writer-director Ira Sachs gives us premium-strength, undiluted Rami Malek – but I have to say that his overripe performance and self-conscious mannerisms here are perhaps even more oppressively insistent for being conveyed relatively quietly in spoken dialogue. And not quietly at all in the singing scenes. Malek is a performer whose style is as distinctive as those of John Malkovich or Jeff Goldblum. But it works best with a light touch in the direction and material. Things never really come together here. The Man I Love is a film about gay culture in 1980s New York, at the height of the reactionary homophobia of Reagan’s America, with HIV-positive men coming to terms with their condition and with the callous bigotry of the political zeitgeist. In one hospital scene, we see the authorities’ icily unsympathetic ...
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New Lord of the Rings films in the works at Warner Bros

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Announcement comes 20 years after Peter Jackson’s trilogy was released and amid a scramble for franchises at Warner Bros Discovery

Cinema is heading back to Middle-earth, with Warner Bros and New Line signing a deal to make more adaptations of The Lord of the Rings and The Hobbit.

Warner Bros Discovery’s chief executive, David Zaslav, announced on Thursday on an earnings call that a deal had been brokered to make “multiple” films based on JRR Tolkien’s books. The cost of the deal with Embracer Group, the Swedish gaming company that owns the rights to most of Tolkien’s world, has yet to be revealed.

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