The Morrigan review – spirit of pagan demon queen unleashed in Irish burial chamber horror

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Archaeologists blunder into an ancient and unwittingly release a vengeful monster – with predictable and conventional results In Irish folklore, the Morrígan is a powerful goddess of death and war. This horror movie imagines her as an actual historical figure: a pagan queen massacred with her followers by Christians. A quick scene at the start of the film shows the dirty deed. The Morrígan’s rage against misogyny has screamed down through the centuries – so it’s a shame the film frames her not as a feminist icon but a highly conventional horror movie nemesis; a malign vengeful female to be crushed and destroyed. There is nothing to punch the air about in the end. Saffron Burrows plays an archaeologist called Fiona who has been repeatedly passed over for tenure at her US university. When Fiona presents her radical theory that the myth of the Morrígan may have a basis in real life, her slippery colleague Jonathan (Jonathan Forbes) is made the lead on the dig. Fiona is forced to bring al...
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Marcel the Shell With Shoes On review – bijou stop-motion animation will win you over

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What should be an irritating story about a tiny talking shell with shoes trying to find his family is somehow funny and beguiling

Here is a genuine oddity: a weird little hothouse flower of a film that looks as if it might crumple at the slightest breath of wind – but is actually very resilient. It’s a quirky stop-motion animation, developed from a series of online short films, whose comedy frequency takes a little time to tune into. You have to wait a bit to hear its batsqueak, and before this happens there is a real and understandable danger that you will simply find it insufferably annoying. The film appears to exist in the Venn diagram-overlap between twee and hipster, which isn’t for everyone – but let it grow on you, and there is a real sweetness and gentleness in its absurdity, a savant innocence and charm.

The idea is that the film’s director, Dean Fleischer Camp, is staying in an Airbnb after the collapse of his marriage; this house itself has become available for rental because the couple who own it have split up. Fleischer Camp becomes aware that there is someone else in the house: a tiny mollusc called Marcel (voiced by Jenny Slate) with a single, blinking human eye and dinky little human shoes. Marcel is a calm, childlike figure who talks with absolute candour in his tiny voice to Dean about his own problems and Dean’s.

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