Rajkummar Rao to lead Maddock Films’ Prahaar – The Ujjwal Nikam Story; to release on August 7, 2026

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Producer Dinesh Vijan and actor Rajkummar Rao are set to collaborate once again for Prahaar – The Ujjwal Nikam Story, a new drama inspired by events that left a lasting impact on the nation. The film is scheduled to release in cinemas on August 7, 2026. Directed by Avinash Arun, the project will see Rajkummar Rao in the lead role. The cast also includes Wamiqa Gabbi, Sikander Kher, and Jaideep Ahlawat in pivotal roles. The film is being produced under the banner of Maddock Films. While the makers have kept plot details under wraps, the title indicates that the film will draw inspiration from the life and work of Ujjwal Nikam, one of India's most prominent public prosecutors. The announcement describes the film as a hard-hitting drama inspired by incidents that shaped public discourse and captured national attention. The project marks another chapter in the long-standing creative partnership between Rajkummar Rao and Maddock Films. Over the years, the actor has become one of the st...
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‘I couldn’t be less interested in fashion’: the designer who dressed Mad Max and Cruella – and changed the world

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Up for a fourth Oscar thanks to Mrs Harris Goes to Paris, Jenny Beavan talks about her bohemian childhood, her early work with Merchant Ivory and how she deals with difficult actors

If you spot a woman trying to surreptitiously take a photo of you on the bus – you’d have to look interesting – there’s a fair chance it might be Jenny Beavan. “I am the biggest people-watcher ever,” says Beavan, the British costume director who is up for her fourth Oscar next month. She took a secret photo the other day, she says, of “a fabulous woman. I don’t know whether she was from a sect or something – she was wearing white and had the most extraordinary white hat on. She was amazing; she looked like a sort of strange clown. I snuck a photo.” Elements of it might make it into a film – “I might be doing something to do with ghosts” – but it will be squirrelled away in Beavan’s mind, even if she can’t find the actual photo now to show me. She sighs and puts her phone away.

We are sitting in her office at the back of her beautiful London house, where she has lived for more than 30 years. Beavan has a straightforward, no-nonsense manner, but she’s also incredibly warm, her grey curls bouncing around her face, so the effect isn’t austere but fun and surprisingly comforting. If you were a film star, you would think nothing of telling her all your secrets while she was dressing you. Does she get good gossip? “Oh yeah,” she says, with a glint of mischief. “It’s like the confessional. Thank God I’ve got a really pants memory and can’t remember a thing, because I do hear some fairly intimate stuff. I’ve been very good, I’ve never divulged.”

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