INSIDE Anshula Kapoor's "surprise" Mehendi ceremony planned by Janhvi and Khushi Kapoor!

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For Anshula Kapoor, her mehendi was as much about meaning as it was about celebration. Hosted at home by sisters Janhvi Kapoor and Khushi Kapoor, the intimate gathering brought together close family and friends for an afternoon centred on love, tradition and togetherness, with every detail thoughtfully planned as a surprise for the bride-to-be. The occasion also marked a personal tribute to the family she is stepping into. For the ceremony, Anshula chose a bespoke teal blue lehenga by Arpita Mehta, inspired by Gujarat's rich Patola textile tradition while incorporating the designer's signature mirror work. The ensemble also marks Arpita Mehta's very first Patola-inspired bridal lehenga. Sharing the inspiration behind her look, Anshula wrote: "For my mehendi, I wanted my outfit to honour the family I was stepping into. This incredible teal blue lehenga by @arpitamehtaofficial is inspired by the rich legacy of Patola, while beautifully incorporating her signature mirror...
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Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

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Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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