Project Hail Mary struggles to get screens in India despite healthy advance sales; expected to share shows with Dhurandhar The Revenge in IMAX properties

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Less than 24 hours remain until the release of Project Hail Mary in India, and fans are disappointed as the booking has yet to open in a full-fledged manner across the board. The biggest grouse among them is that ticket sales have yet to begin in IMAX theatres. The Ryan Gosling-starrer, which released on March 20 in most parts of the world, was pushed by a week in India, to March 26, to avoid a clash with Dhurandhar The Revenge. A trade source told Bollywood Hungama, “Project Hail Mary is filmed for IMAX and hence for many moviegoers, it is a must-watch in the IMAX theatres. But the bookings still haven't began though the film releases tomorrow (Thursday, March 26). In all probability, Project Hail Mary will share shows with Dhurandhar 2 in the IMAX screens.” What alarmed netizens was that Cinepolis Kochi had initially allotted all shows for the day to Project Hail Mary, while the late-night show at Maison INOX, BKC, Mumbai, was also scheduled for the Hollywood film. However, on ...
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Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

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Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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