Govinda announces comeback with self-produced film Roopa; says, “People kept saying, ‘Now he won’t appear in films anymore’”

Veteran Bollywood star Govinda is all set to return to the big screen with a brand-new project. The actor recently hosted a press conference to officially announce his comeback film, Roopa, marking his return to cinema after a prolonged gap. At the event, Govinda unveiled the first poster of the film, introduced newcomer Rani Swarankar as the leading lady, and revealed that he is also producing the project. Once among the biggest superstars of the 1990s, Govinda has largely stayed away from films in recent years after a string of releases failed to leave an impact at the box office. However, the actor appeared confident and optimistic as he spoke about embarking on a fresh journey with Roopa. Opening up about the challenges he has faced over the years and his determination to keep moving forward, Govinda said, “Maybe it was destiny that I was written off so many times. People kept saying, ‘Now he won’t appear in films anymore.’ But I always started again. I pray to God that this film ...

Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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