Alia Bhatt urges fans to support Assam flood relief; says “It happens every year and it still catches us off guard”

Alia Bhatt has joined several members of the entertainment industry in raising awareness about the ongoing flood crisis in Assam. The actress took to Instagram Stories to express concern over the devastation caused by the floods and appealed to her followers to come forward and support those affected. In her note, Alia highlighted the scale of the humanitarian crisis, pointing out the loss of lives, widespread displacement, and the destruction faced by thousands of families. She also stressed the need for both immediate relief and long-term rehabilitation efforts. She wrote, “Right now, floods are affecting so many parts of our country with Assam being among the hardest hit, facing an incredibly challenging time. More than 60 lives have been lost. Lakhs of people have been displaced. Entire families have lost their homes, their land, their livestock... and for some, even the people they love. It happens every year and it still catches us off guard.” The actress further revealed that s...

Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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