Dia Mirza and Rahul Bhat team up for Kanwal Sethi’s next romantic drama

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Actors Rahul Bhat and Dia Mirza are all set to share the screen for the first time in an untitled love story helmed by Indo-German filmmaker Kanwal Sethi. The upcoming film, produced by Kovid Gupta Films, is said to explore love and human emotions through a mature and soulful lens, blending poetic storytelling with contemporary realism. Rahul Bhat, known for his sharp script choices and impactful performances, continues to strengthen his reputation as one of Indian cinema’s most versatile actors. Following his acclaimed role in Black Warrant and his festival-favourite turn in Kennedy, Bhat will soon be seen in The Wives directed by Madhur Bhandarkar, as well as his Hollywood debut Lost & Found In Kumbh, alongside other upcoming projects. The film also marks a refreshing collaboration with Dia Mirza, whose grace and emotional authenticity have long resonated with audiences. Having consistently chosen meaningful and socially conscious projects, Dia brings her characteristic depth a...
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Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

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Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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