Ameesha Patel takes cryptic dig at “fake PR machinery” in series of explosive tweets; claims actresses without solo blockbusters are calling themselves stars

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Ameesha Patel has sparked a fresh debate on stardom, PR culture, and box office credibility in the film industry after posting a series of cryptic tweets on X. Though the actress did not mention anyone directly, her remarks came shortly after The Hollywood Reporter India, in partnership with Ormax Media, released a list of the “10 stars under 50 ruling Indian cinema in 2026.” Interestingly, the list featured only two actresses, Deepika Padukone and Shraddha Kapoor. In one of her tweets, Ameesha wrote, “Never feel bad or upset at certain negative YouTubers who always wake up with negativity and criticism for all the stars. We as stars should feel happy for them rather than getting affected. After all, by speaking ill about us all, their kitchen running.” The actress further spoke about the difference between actors and “superstars,” claiming that the title should only belong to those who have delivered historic box office successes. “Call ur self a super star only if u have achieved an...
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Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

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Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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