EXCLUSIVE: Kumar Mangat Pathak CONFIRMS Jaideep Ahlawat's entry in Drishyam 3: "We have got a BETTER actor than Akshaye Khanna and most importantly, we have got a better person than Akshaye"

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Sometime back, Bollywood Hungama broke the internet as it exclusively spoke to Kumar Mangat Pathak over Drishyam 3’s casting. The reputed producer complained of Akshaye’s unprofessionalism and also revealed that he plans to sue the Dhurandhar actor. He also confirmed that Jaideep Ahlawat has replaced Akshaye. Kumar Mangat Pathak told Bollywood Hungama, “Drishyam is a very big brand. It doesn’t matter whether he is in the film or not. Now, Jaideep Ahlawat has replaced him. By the grace of God, we have got a better actor than Akshaye and most importantly, we have got a better person than Akshaye as well. I had produced one of the first films of Jaideep's career, Aakrosh (2010).” The producer then said, “I have suffered losses because of Akshaye Khanna’s behaviour. I am going to take legal action. I have already sent him a legal notice; he’s yet to reply to it.” Kumar Mangat Pathak revealed, “When Akshaye heard the script in his Alibaug farmhouse, he liked it so much that he told u...
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Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

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Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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