Resul Pookutty refutes AR Rahman's communal remark, "He shouldn't have said that. I have never faced anything like that in my entire career"

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Oscar winning sound designer has much common in A R Rahman. They both won Oscars for Danny Boyle’s Slumdog Millionaire and they are both Muslim. So, has Resul also felt the “communal thing” that Rahman says he has experienced? Said Resul, “He shouldn’t have said that. I have never faced anything like that in my entire career. I think film industry is one sector where such thoughts haven’t gone deep rooted and we see things way beyond sectarian thoughts. I’m very proud of that aspect of my industry.” Defending Rahman’s remarks Resul Pookutty said, “If you listen to what he said about this is, when he was removed from projects he ‘heard’ whispers from people referring to it as ‘that might be communal’. Now what he said is what people told him. In the same breath he said, people are too mature to not see things beyond all these factors. It seems we are very quick to pin Rahman down. I think he said things with sincerity. Let’s not crucify him for what he felt ab...
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Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

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Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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