Karan Deol calls Sunny Deol “my first hero” on Father's Day 2026 note; shares glimpses from Batwara 1947 ahead of release

After creating a strong impact with its gripping motion poster, Batwara 1947 has now unveiled a compelling series of character posters that reflect courage, innocence, resilience, and unwavering determination. Presented by Aamir Khan Productions, the film promises a deeply emotional story of sacrifice, hope, and the indomitable human spirit. As excitement for the film continues to build, Karan Deol, son of Sunny Deol, who will be sharing screen space with his father for the first time in Batwara 1947, penned a heartfelt note on Father's Day. Taking to social media, Karan Deol shared some adorable stills from the film and expressed his love and admiration for his father, Sunny Deol. While the duo is set to share screen space in Batwara 1947, Karan conveyed his immense affection and respect for his father through an emotional message. He also shared the caption: "There are moments that feel destined. Telling Papa once on his set about my dream of acting with him was one of them...

Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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