REVEALED: NO IMAX release for Spider-Man: Brand New Day as Christopher Nolan’s The Odyssey EXCLUSIVELY blocks IMAX screens for three weeks

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July is expected to be huge for Hollywood in India, as two highly anticipated films are set to arrive in cinemas. The Odyssey will release on July 17, while Spider-Man: Brand New Day will hit theatres in India on July 30. Though both films are still a month away from release, their advance bookings have already opened for Indian audiences. The bookings of The Odyssey went live on June 8, while yesterday, June 17, viewers got a chance to book tickets for Spider-Man: Brand New Day. The tickets of both films are selling like hot cakes, indicating that they are headed for a strong start at the box office. Spider-Man films have traditionally enjoyed an IMAX release, but Spider-Man: Brand New Day will be an exception. As of now, bookings have opened only in PXL, 4DX, ScreenX, Marco XE and other such premium formats. A user asked in the comments section of the film’s trailer, posted by Sony Pictures India, whether Spider-Man: Brand New Day would release in IMAX. Sony confirmed, “No IMAX rele...
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Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

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Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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