Sanjay Leela Bhansali is “absolutely fine,” says official statement after heart attack rumours

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Filmmaker Sanjay Leela Bhansali is “absolutely fine,” his team confirmed, putting to rest speculation about his health that surfaced earlier in the day. Reports had claimed that the director was hospitalised in Mumbai after allegedly suffering a heart attack on his 63rd birthday. The claims circulated widely on social media before being addressed by an official statement from his production banner, Bhansali Productions. “Mr. Sanjay Leela Bhansali is doing absolutely fine. He has gone in for a routine medical check-up and there is no cause for concern. We sincerely appreciate the love, care, and concern shown by everyone. Thank you for your continued support and warm wishes,” the statement read. The clarification comes after unverified posts suggested that the filmmaker had been rushed to a hospital following discomfort. However, his team has categorically denied the reports, confirming that the visit was part of a regular health check. Speaking of the professional front, Bhansali i...
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Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

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Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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