SCOOP: Salman Khan’s look in Dil Raju’s next gets the Dhurandhar touch; Preetisheel Singh joins the project

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Salman Khan is back, and all focused on making a solid comeback, lining up back-to-back exciting projects. The superstar is currently shooting for producer Dil Raju's next film, directed by Vamshi Paidipally in Mumbai. Bollywood Hungama has exclusively learnt that Dil Raju and team are leaving no stone unturned to deliver an honest and solid theatrical experience for the audience. According to reliable sources, Dil Raju and Vamshi Paidipally have roped in Preetisheel Singh to do the make-up for Salman Khan in the film. "Salman Khan sports multiple looks in the film, and they have been designed to perfection by Preetisheel under the guidance of Vamshi Paidipally. Singh has previously worked on Dhurandhar with Aditya Dhar, which won acclaim all across for its authentic prosthetics and make-up. She has created a never-before-seen look for Salman." The source further informs that Salman too is very happy with the makeover given to his aura, and is all charged up to lead this...
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Hugh Hudson: smash-hit pop classic Chariots of Fire director was a hero of British film

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Hudson brought an ad-man’s eye to the brilliant 1981 drama about athletics and bigotry, as well as directing the hilarious Cinzano commercials

As the 1980s dawned, British ad director Hugh Hudson took on his first feature film and made it a legendary hit: an inspirational story which supplied a sugar-rush of patriotism and a swoon of nostalgia which hit the spot both sides of the Atlantic. It somehow brought off the trick of being about the underdog and the victim of bigotry and religious discrimination – and yet also being a resounding endorsement of the status quo which could, on grounds of decency and meritocracy, always accommodate the outsider. This was the era of Margaret Thatcher and Ronald Reagan, and the ethos of success for the hardworking and the deserving.

The film of course was Chariots of Fire, the true story of the 1924 Olympic runners Harold Abrahams (played by Ben Cross), a Jew who ran to defy prejudice, and Eric Liddell (Ian Charleson), a devout Christian who found a creationist glory in his speed. It was the destiny of so many involved to be forever associated chiefly, or solely, with this smash-hit pop classic: certainly Cross and Charleson never again found roles to match Abrahams and Liddell. And maybe Hudson himself never again had a triumph like it: though he was no one-hit wonder, later directing the Oscar-winning Tarzan drama Greystoke, and later Revolution, an epic about the American revolution starring Al Pacino which was derided but then grew in acclaim, giving his Hudson his own misunderstood masterpiece moment.

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