Tiger Shroff and Vidyut Jammwal to star together in Milap Zaveri’s next action romance: Report

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Bollywood action stars Tiger Shroff and Vidyut Jammwal are set to share screen space for the first time in director Milap Zaveri’s upcoming film, according to a recent report by PinkVilla. The project, which remains untitled, is shaping up as an action-romance and is expected to go on floors in February 2026. Sources familiar with the development say the film is designed to leverage the distinct on-screen personas of both actors, who are among Hindi cinema’s most physically commanding performers. The pairing of Shroff and Jammwal has generated significant interest among fans, as audiences have long anticipated seeing the two action stars together. According to the report, Kirti Shetty has been roped in as the female lead, marking another notable project in her growing filmography. “Kirti Shetty has been roped in as the female lead, which will mark another big Bollywood outing for her,” a source told the portal. “This film is designed as a full-fledged, intense action love story. The ...
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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