The Odyssey becomes Christopher Nolan’s highest grossing film as it passes $1.1bn at box office

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The film-maker’s take on Homer’s epic has beaten his previous record holder The Dark Knight Rises The Odyssey has become the highest grossing film of Christopher Nolan’s career, having made more than US$1bn at the global box office less than a month after its release. The blockbuster, which was released on 17 July, is an adaptation of Homer’s ancient Greek epic and follows Matt Damon as Odysseus, the Greek king of Ithaca, on his perilous 10-year journey home after the Trojan war. Continue reading... from Film | The Guardian https://ift.tt/dWoDNrG via IFTTT
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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