Breaking the Cycle review – meet the charismatic Thai politician striving to change his country’s history

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Gripping documentary examines the Future Forward Party’s unprecedented 2019 election result, and its leader’s aim to break Thailand’s repeated military coups With his disarming good looks, pro-democracy activist and businessman Thanathorn Juangroongruangkit resembles an actor rather than a typical Thai politician. Heir to the country’s largest car manufacturer, he is blessed not only with personable charisma but also inexhaustible funds. His stunning rise into public consciousness is the beating heart of Aekaphong Saransate and Thanakrit Duangmaneeporn’s debut film, a thrilling documentary about an extraordinary political campaign that shook a nation. As founder of the progressive Future Forward Party (FFP), Juangroongruangkit’s central message cut through the noise of electoral politics: secure a brighter future by correcting the wrongs of the past. Since the end of absolute monarchy in 1932, Thailand has undergone a never-ending cycle of military takeovers, including 12 coups. Dur...
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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