Not just Animal Park, is Sandeep Reddy Vanga planning a part 3 of Animal too?

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Sandeep Reddy Vanga’s Ranbir Kapoor-starrer blockbuster Animal may be getting even bigger than originally planned. While Animal Park, the second instalment of the franchise, is still in the scripting stage, strong industry buzz suggests that Vanga could be contemplating expanding the narrative into a three-part saga. Though there has been no official announcement yet, sources familiar with the development indicate that the filmmaker’s creative ambitions for the sequel may have outgrown the idea of a simple two-part structure. “Vanga’s original plan was to tell the story in two films,” a source close to the project told this writer. “But while writing the second part, he realised the narrative had far more depth and material than could be contained in just one more instalment. That’s when the possibility of a third part entered the picture.” If this plan moves forward, Ranbir Kapoor is expected to remain the common thread across all three films. Interestingly, insiders suggest that th...
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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