Jacob Elordi, Jenna Ortega and Stephen Fry among new invited Oscar voters

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Annual list of creatives invited to join the Academy also includes Josh O’Connor, Teyana Taylor and Jon Bernthal Jacob Elordi , Jenna Ortega and Stephen Fry are among the 529 creatives invited to join this year’s member class of the Academy of Motion Picture Arts and Sciences. “We are delighted to invite this remarkable group of film artists and professionals from around the world to join the Academy,” said CEO Bill Kramer and Academy president Lynette Howell Taylor in a statement. “Through their commitment to filmmaking, this year’s exceptionally talented class has made significant contributions to our global movie industry.” Continue reading... from Film | The Guardian https://ift.tt/YRBbmwh via IFTTT
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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