Shraddha Kapoor joins Aamir Khan in Rahul Mody’s Ashneer Grover biopic: Report

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Actor Shraddha Kapoor is reportedly set to play Madhuri Jain Grover in the upcoming biopic on BharatPe co-founder Ashneer Grover, which is expected to feature Aamir Khan in the lead role. Filmmaker Rahul Mody is developing the film. According to a report by Mid-Day, Kapoor has been associated with the project since its early stages. A source told the publication that it had been decided early in development that she would play the female lead and had closely followed the screenplay’s evolution over time. The film is reportedly based on Grover’s journey as an entrepreneur and the controversies surrounding his exit from BharatPe in 2022, when allegations surfaced that he and members of his family had misused company funds. Madhuri Jain Grover had served as the company’s Head of Controls before her termination the same year. Mody has been working on the screenplay for nearly three years. The filmmaker previously contributed as a writer to Sonu Ke Titu Ki Sweety (2018). He is also rumou...
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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