PM Narendra Modi wishes Asha Bhosle a speedy recovery after hospitalisation

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Prime Minister Narendra Modi has extended his wishes for the recovery of veteran playback singer Asha Bhosle following news of her recent hospitalisation. The 92-year-old singer is currently undergoing treatment for exhaustion and a chest infection, according to a statement shared earlier by her granddaughter Zanai Bhosle. Taking to X, the Prime Minister expressed concern about her health and conveyed his support. He wrote: “Deeply concerned to hear that Asha Bhosle Ji has been admitted to hospital. Praying for her good health and a speedy recovery.” Deeply concerned to hear that Asha Bhosle Ji has been admitted to hospital. Praying for her good health and a speedy recovery. — Narendra Modi (@narendramodi) April 12, 2026 His message comes amid widespread concern from across the film and music fraternity after initial reports about the singer’s hospitalisation surfaced earlier in the day. The clarification from her family later confirmed that she is receiving treatment for exhaustion...
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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