SCOOP: Ranveer Singh buys the rights for The Immortal of Meluha trilogy for Rs. 40 crores from Amish Tripathi

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After the success of the Dhurandhar franchise, Ranveer Singh has become the new King of the Indian Film Industry. With back-to-back all-time grossers under his kitty, the young actor has officially secured the tag of a superstar, and all eyes are now on his next move. While several speculations on the financials of Pralay continue to grab chatters in the industry circles, Bollywood Hungama has exclusively learnt that Ranveer Singh has quietly acquired the rights for The Immortals of Meluha.  "Ranveer Singh was to lead Immortals of Meluha for Sanjay Leela Bhansali. However, the project never materialised. But the actor was always fascinated by the world, and had the dream of playing Lord Shiva in the spectacle. The minute rights of Immortal of Meluha expired on Sanjay Leela Bhansali, Ranveer went ahead and procured it under his own banner - Maa Kasam Films," a source told Bollywood Hungama. The source also informs that the sum splurged by Ranveer Singh to bag the rights is ...
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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