Gaurav Khanna breaks silence on Akanksha Chamola divorce rumours; says, “Main humesha support karunga Akanksha ko, meri biwi hai yaar”

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Actor and Bigg Boss 19 winner Gaurav Khanna has finally reacted to the ongoing speculation surrounding his personal life after his wife, Akanksha Chamola, made a startling revelation on the stage of Lock Upp Season 2. Before entering the reality show's prison, Akanksha claimed that she and Gaurav have been living separately for over a year and are currently in the process of getting divorced, leaving fans surprised. Amid the buzz surrounding their relationship, Gaurav has chosen to focus on extending his support to Akanksha and her participation in the reality show. The actor was recently spotted outside the sets of the comedy-cooking reality show Laughter Chefs, where paparazzi asked him about how he has been coping with the ongoing attention around his personal life. Responding to the questions, Gaurav said, “Bas yaar, wahi yaar jo pehle tha wahi haal hai abhi bhi. Pyaar abhi bhi utna hai, support abhi bhi utna hai… Main toh humesha support karunga Akanksha ko, meri biwi hai yaa...
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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