Karan Johar, Vicky Kaushal, Ananya Panday and others attend day 2 of the 100-year celebration event of RSS in Mumbai

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The Rashtriya Swayamsevak Sangh (RSS) completed 100 years in 2025. As part of its centenary celebrations, a grand two-day event is being held at a sprawling auditorium in Mumbai. The first day of the event took place on Saturday, February 7, with several prominent personalities from various fields in attendance. The Bollywood film fraternity was not far behind and many celebs attended the first day of the event like superstars Salman Khan and Ranbir Kapoor, filmmakers Mohit Suri, Subhash Ghai, Nitesh Tiwari, Mahaveer Jain, Om Raut, Vikram Malhotra, lyricist Prasoon Joshi and others. The second day of the event was also star-studded. While Ranbir attended the first day of the event, his Love & War co-star Vicky Kaushal made his presence felt on day 2. Karan Johar and Ananya Panday were also present and they were joined by veteran actor Jackie Shroff, the evergreen Raveena Tandon and Shilpa Shetty, music composer Pritam Chakraborty, singer Adnan Sami, television star Rupali Ganguly,...
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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