FIR filed against Ranveer Singh over alleged insult to Chavundi Daiva tradition, case to be heard on April 8

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An FIR has been registered against actor Ranveer Singh at the High Grounds Police Station in Bengaluru for allegedly hurting Hindu religious sentiments and disrespecting the Chavundi Daiva tradition of coastal Karnataka, according to a report by NDTV. The case was filed on Wednesday, months after the incident that initially sparked controversy. The complaint relates to an event held on November 28, 2025, during the closing ceremony of the International Film Festival of India (IFFI) in Goa. During the event, Ranveer Singh allegedly mimicked a Daiva performance inspired by Rishab Shetty’s film Kantara: A Legend – Chapter 1. The act reportedly drew sharp criticism on social media, with many users accusing the actor of mocking a sacred ritual deeply rooted in the cultural and religious practices of coastal Karnataka. Following the backlash, Ranveer Singh had issued a public apology through his Instagram Stories, expressing regret for hurting sentiments and clarifying that there was no int...
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Golda review – lifeless Meir biopic hides Helen Mirren’s talent in a cloud of cigarette smoke

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As a drama about the Yom Kippur war, this film is bafflingly dull. As a portrait of Golda Meir, Israel’s prime minister at the time, it’s even worse

Helen Mirren’s latexed and enhanced portrayal of Golda Meir, Israel’s “Iron Lady” prime minister during the 1973 Yom Kippur war, has been overtaken by a debate about “Jewface” casting because Mirren is not Jewish – addressing why Jews are casually excluded from the otherwise fiercely policed sensibilities about authenticity and identity on screen. (Would they get a white actor, for example, to black up as President Anwar Sadat?) It’s a valid and important question, but not exactly the problem in this stately, stuffy and at times almost comatose TV-movie-type drama about tension in Israel’s corridors of power as the Yom Kippur war exploded and the country faced off against Egypt, Syria and Jordan in a battle for its very existence.

Mirren, normally such a sparkling performer, is lumbered with a grey wig, false nose and jowls, with occasional headscarf and handbag, making her look as if she is playing the Queen doing an impression of Richard Nixon. This Golda Meir impassively chainsmokes her way through wooden potted-history dialogue scenes with her military top brass, while everyone blows cigarette smoke at each other; occasionally she takes a break to lie prostrate on a hospital bed, stoically smoking and dying of cancer. Is she going to die? Why not? The film is flatlining.

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