Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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Film-maker Hassan Nazer on his love letter to Iranian cinema

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The Scottish-Iranian director’s heartwarming new film, Winners, tells the tale of a child in Iran with a passion for movies. He talks about escaping to Europe and juggling four restaurant jobs to fund his early works

Hassan Nazer was in his first month at university in Iran when he realised that he would have to leave his homeland to fulfil his dream of becoming a film-maker. As a fledgling theatre director, he had been “red-flagged” – a possibly irredeemable offence – for putting women on stage in the holy city of Mashhad. His father, who ran a family confectionery business from a factory outside Tehran, had been opposed to his career choice from the start, but one of his uncles was on his side. “He said, after you get a red flag in this age, they’re not going to let you work. So basically, if you want to go into cinema or continue with theatre, this is not your place. You need to leave.”

Nazer had avoided military service, and had no passport or visa, so his uncle paid for him to be smuggled across the border into Turkey. “I didn’t have a destination at the time, I just wanted to go somewhere else,” he says. It took six gruelling months, often travelling on foot, to reach Europe, where his uncle put him in touch with a Kurdish family who had found asylum in Scotland and were willing to help, as they had been helped by his family back in Iran at an early stage of their own migration.

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