EXCLUSIVE: Vishal Bhardwaj reveals why Aamir Khan has been thanked in O'Romeo: “His suggestion changed so many things for me; wanted to thank Aamir from the BOTTOM of my heart”

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Shahid Kapoor’s O'Romeo is having a decent run at the box office and is enjoying a good word of mouth. Moviegoers, who ventured out to see the film on the big screen, were surprised to see the mention of Aamir Khan in the opening disclaimer. Many expected that the superstar might have a cameo in the crime drama. However, Aamir is not present in the film and this made many moviegoers curious about his connection to O'Romeo. Bollywood Hungama has learned the reason behind the special thanks to Aamir. Director Vishal Bhardwaj exclusively told us, “Aamir wanted to hear the script of O'Romeo. And when he heard it, he gave me this idea, that someone should be killed at a crucial point in the film.” Vishal Bhardwaj further revealed, “Killing the lawyer Anjum Ansari (Resh Lamba) in the restaurant was his idea. This is the reason why I thanked him. This suggestion changed so many things for me. Because from there, the protagonist, Ustara (Shahid Kapoor) gets attracted towards the ...
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Charm Circle review – Grey Gardens-ish portrait of director’s dysfunctional family

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Nira Burstein’s documentary focuses on the acutely troubled lives of her closest relations – and it’s not a happy picture

Like so many young artists, film-maker Nira Burstein has taken the advice to write – or in this case, film – what she knows, so for her first feature she’s turned the camera on her own family, a troubled brood from the outer suburbs of New York City. Although Nira holds the camera herself for much of the time, she edits in home movie footage from many years ago which shows how dramatically time and stress have worn the family down.

The Burstein patriarch Uri is definitely a character, either the film’s villain, comic relief or hero depending on where you stand. A former realtor and part-time guitarist, he wears a yarmulke most of the time and invokes his Jewish religious beliefs as an excuse when he doesn’t want to attend the wedding of his daughter Adina, Nira’s sister, to two non-binary people with whom she’s decided to form a lasting throuple. Uri’s wife Raya, a former musician herself, earned a master’s from Columbia and once practised as an occupational therapist. But around the time that eldest daughter Judy, variously diagnosed with Tourette syndrome and obsessive compulsive disorder, became “sick” with unspecified problems, Raya also had a breakdown and checked into a psychiatric facility. Professionals, according to Raya and Uri, have labelled her bipolar or schizophrenic, but Uri at least is less interested in clinical diagnoses than with how to cope with Raya and Judy’s behaviours and complains about them constantly. (He notes that even celebrity physician/neurologist Oliver Sacks examined Judy and couldn’t tell what exactly was wrong with her.)

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