‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy

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His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry ‘overclass’ We’ve been talking for less than five minutes when I spot the swastika. It’s just above the head of László Nemes, one of Europe’s most acclaimed directors, as he sits in the suite of a London hotel, talking about Orphan, his intensely personal new film that dwells on – among other things – the impact of the Holocaust on the generations that followed. It’s an ancient, Hindu swastika, part of a decorative wall-hanging – but still. I’m halfway through a question when I notice it. Nemes laughs; of course, he’d seen it immediately. “I wanted to point that out to you,” he says. “It is so funny. Before leaving this room, I will take pictures.” Mind you, he’s had worse. “When I was at the San Sebastián film festival with Son of Saul , t...
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Charm Circle review – Grey Gardens-ish portrait of director’s dysfunctional family

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Nira Burstein’s documentary focuses on the acutely troubled lives of her closest relations – and it’s not a happy picture

Like so many young artists, film-maker Nira Burstein has taken the advice to write – or in this case, film – what she knows, so for her first feature she’s turned the camera on her own family, a troubled brood from the outer suburbs of New York City. Although Nira holds the camera herself for much of the time, she edits in home movie footage from many years ago which shows how dramatically time and stress have worn the family down.

The Burstein patriarch Uri is definitely a character, either the film’s villain, comic relief or hero depending on where you stand. A former realtor and part-time guitarist, he wears a yarmulke most of the time and invokes his Jewish religious beliefs as an excuse when he doesn’t want to attend the wedding of his daughter Adina, Nira’s sister, to two non-binary people with whom she’s decided to form a lasting throuple. Uri’s wife Raya, a former musician herself, earned a master’s from Columbia and once practised as an occupational therapist. But around the time that eldest daughter Judy, variously diagnosed with Tourette syndrome and obsessive compulsive disorder, became “sick” with unspecified problems, Raya also had a breakdown and checked into a psychiatric facility. Professionals, according to Raya and Uri, have labelled her bipolar or schizophrenic, but Uri at least is less interested in clinical diagnoses than with how to cope with Raya and Judy’s behaviours and complains about them constantly. (He notes that even celebrity physician/neurologist Oliver Sacks examined Judy and couldn’t tell what exactly was wrong with her.)

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