Ranbir Kapoor starrer Ramayana trailer to launch Worldwide on July 24

The makers of Namit Malhotra’s Ramayana have officially announced that the film’s trailer will premiere worldwide on July 24, 2026. Positioned as one of the biggest cinematic projects inspired by Indian mythology, the film aims to bring one of the country’s most celebrated epics to audiences across the globe. Earlier, the makers unveiled the Rama glimpse, offering viewers a first look at the film’s visual scale and interpretation of the timeless epic. The preview generated significant buzz and heightened anticipation for the project. With the trailer release date now confirmed, excitement surrounding the film has grown even further. Planned as a two-part theatrical event, Ramayana: Part One seeks to present the revered story on a grand cinematic canvas through large-scale visuals, emotional storytelling, and advanced visual effects. The upcoming trailer is expected to offer audiences a deeper look into the world created by the filmmakers.   View this post on Instagram   A...

Berlin film festival 2023 roundup – prestige, politics and ethical starpower

This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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