EXCLUSIVE: Vishal Bhardwaj reveals why Aamir Khan has been thanked in O'Romeo: “His suggestion changed so many things for me; wanted to thank Aamir from the BOTTOM of my heart”

Shahid Kapoor’s O'Romeo is having a decent run at the box office and is enjoying a good word of mouth. Moviegoers, who ventured out to see the film on the big screen, were surprised to see the mention of Aamir Khan in the opening disclaimer. Many expected that the superstar might have a cameo in the crime drama. However, Aamir is not present in the film and this made many moviegoers curious about his connection to O'Romeo. Bollywood Hungama has learned the reason behind the special thanks to Aamir. Director Vishal Bhardwaj exclusively told us, “Aamir wanted to hear the script of O'Romeo. And when he heard it, he gave me this idea, that someone should be killed at a crucial point in the film.” Vishal Bhardwaj further revealed, “Killing the lawyer Anjum Ansari (Resh Lamba) in the restaurant was his idea. This is the reason why I thanked him. This suggestion changed so many things for me. Because from there, the protagonist, Ustara (Shahid Kapoor) gets attracted towards the ...

Berlin film festival 2023 roundup – prestige, politics and ethical starpower

This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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