Alia Bhatt backs a new gen rom-com: Prime Video announces original film Don’t Be Shy

Prime Video has officially announced its upcoming original film Don’t Be Shy, marking a landmark collaboration with Eternal Sunshine Productions, the banner founded by Alia Bhatt and Shaheen Bhatt. The coming-of-age romantic comedy was unveiled on January 30 and promises a warm, youthful take on love, friendship, and growing up. Produced by Alia Bhatt and Shaheen Bhatt under Eternal Sunshine Productions, the film is co-produced by Grishma Shah and Vikesh Bhutani. Don’t Be Shy is written and directed by Sreeti Mukerji and centres on Shyamili ‘Shy’ Das, a 20-year-old who believes she has her life perfectly planned—until unexpected twists send everything spiralling out of her control. Speaking about the collaboration, Nikhil Madhok, Director & Head of Originals, Prime Video, India, said, “We’re thrilled to collaborate with Alia Bhatt and Shaheen Bhatt on this extremely fun yet warm romantic comedy, with a remarkable character like Shy Das at its heart. Alia’s innate instinct for sto...

Berlin film festival 2023 roundup – prestige, politics and ethical starpower

This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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