Shakti Kapoor reacts to death hoax, says “My death news is all fake”; actor to file cyber complaint

Veteran actor Shakti Kapoor has strongly reacted to fake reports of his demise that recently surfaced online. The actor took to social media to personally dismiss the rumours and reassure fans and loved ones that he is safe, healthy, and doing absolutely fine. In a short video message shared online, the actor addressed the misleading reports directly and urged everyone not to believe them. “Hello everyone. My death news is all fake. I am healthy and happy. Please ignore it”, he said. Expressing disappointment over the circulation of such rumours, Shakti Kapoor also revealed that he intends to take legal action against those responsible for spreading the false information. “I am going to file a cyber complaint about it because this is not good,” he added in the video.   View this post on Instagram   A post shared by Shakti Kapoor (@shaktikapoor) Soon after the actor posted the clarification, several fans flooded the comments section with messages of relief and support. Many ...

Berlin film festival 2023 roundup – prestige, politics and ethical starpower

This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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