SCOOP: Salman Khan aims to return to Eid with Dil Raju and Vamshi's action entertainer in 2027

Eid is synonymous with Salman Khan, as over the years, the superstar has played a major role in making the festival a lucrative period. While today, actors are reaping the benefits of the date, once upon a time, it was never considered to be a festive window for Hindi films. It's Wanted followed by Dabangg that changed the tide for the same. This year is going without a Salman Khan release, but reliable sources inform that the superstar is aiming at the festive period of Eid for his next feature film. "Salman Khan is in talks with Dil Raju and Vamshi Padilpally to plan their schedules in a way that an Eid 2027 release becomes a reality. The producer - director duo is contemplating the option, and plan to get back to Salman with a plan soon," revealed a source to Bollywood Hungama. The source further informs that the film in question is an action-packed entertainer with a strong emotional core. "It's a pure commercial entertainer with Salman Khan playing to the ...

Berlin film festival 2023 roundup – prestige, politics and ethical starpower

This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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