Michael Madsen’s brooding charisma needed Tarantino to unlock it | Peter Bradshaw

The Reservoir Dogs and Donnie Brasco actor had a rare, sometimes scary power, as well as a winning self-awareness and levity Michael Madsen, star of Reservoir Dogs, Kill Bill and Donnie Brasco, dies aged 67 Michael Madsen– a life in pictures Until 1992, when people heard Stuck in the Middle With You by Stealers Wheel on the radio, they might smile and nod and sing along to its catchy soft-rock tune and goofy Dylan-esque lyrics. But after 1992, with the release of Quentin Tarantino’s sensationally tense and violent crime movie Reservoir Dogs, the feelgood mood around that song forever darkened. That was down to an unforgettably scary performance by Michael Madsen, who has died at the age of 67. Stuck in the Middle, with its lyrics about being “so scared in case I fall off my chair”, was to be always associated with the image of Madsen, whom Tarantino made an icon of indie American movies, with his boxy black suit, sinister, ruined handsomeness and powerful physique running ...

Berlin film festival 2023 roundup – prestige, politics and ethical starpower

This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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