EXCLUSIVE: Sunny Deol-starrer Gabru postponed; won’t release on May 8

Sunny Deol's stardom went on another level with the blockbuster success of Gadar 2 (2023). His next, Jaat (2025), also had a decent trend at the box office, proving that the success of Gadar 2 was not a fluke. The veteran star began 2026 on a rocking note with the Rs. 300 crore plus grosser, Border 2. As a result, expectations are tremendous for his next film, Gabru. The film was scheduled for release on May 8 and fans will have to wait a little more to experience the emotional drama as it has been pushed further ahead. A source told Bollywood Hungama, “Gabru has been postponed and won’t arrive in cinemas on May 8. The makers plan to lock the new release date in a few days, after which they’ll make an official announcement.” Earlier, Gabru was supposed to release on March 13 and was postponed to May 8, possibly because the holy month of Ramzan was going on and moreover, the much-awaited film, Dhurandhar The Revenge, was to arrive in cinemas 6 days later, on March 19. Gabru is di...

Berlin film festival 2023 roundup – prestige, politics and ethical starpower

This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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