BREAKING: Reliance Industries Ltd moves Bombay High Court to halt release of Carry On Jatta 4

The upcoming Punjabi film Carry On Jatta 4 has landed in legal trouble ahead of its scheduled theatrical release on June 26, 2026. According to a report in the May 23, 2026 issue of Atul Mohan’s Complete Cinema magazine, Reliance Industries Ltd. has approached the Bombay High Court seeking to restrain the release of the much-awaited comedy entertainer. As per the article, the matter reportedly arises from a contractual dispute linked to a tripartite arrangement involving Reliance Industries Ltd., Panorama Studios International Ltd. and Humble Motion Pictures. The dispute has now reached the court, with Reliance seeking urgent protection in connection with the film’s rights and release. The matter came up before Justice Abhay Ahuja, who permitted Reliance to correct certain procedural defects in its commercial plaint. The court also granted Reliance liberty to approach the Vacation Court for appropriate relief. During the hearing, the defence raised objections to the maintainability of...

Berlin film festival 2023 roundup – prestige, politics and ethical starpower

This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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