Kala Hiran producer demands public apology from Govind Namdev after he distances himself from film; threatens Rs 50 lakhs legal notice

The controversy surrounding Kala Hiran: The Battle for Legacy has taken a fresh turn after producer Amit Jani issued a legal notice to veteran actor Govind Namdev. The notice comes after Namdev publicly distanced himself from the film and alleged that he had been misled about the nature of the project. In an interview with Amar Ujala, Namdev stated that he had agreed to be part of a film he believed was titled Sambhal and was told it would focus only on courtroom proceedings related to Salman Khan's blackbuck case. The actor later claimed he was shocked after watching the teaser of Kala Hiran, saying the final product was very different from what had been explained to him. He had also stated that he would never knowingly participate in a project that targeted Salman Khan, whom he considers a friend. Responding to those remarks, producer Amit Jani announced that legal action had been initiated against the actor. Taking to X, Jani wrote, "Govind Namdev ko legal notice diya. 7 d...

Berlin film festival 2023 roundup – prestige, politics and ethical starpower

This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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