Jim Caviezel to play Jair Bolsonaro in ‘heroic’ biopic

Actor, who starred in The Passion of the Christ, will play the disgraced ex-Brazilian president in film written by his one-time secretary of culture Jair Bolsonaro , the former Brazilian president now in prison for plotting a coup, is getting the biopic treatment. Jim Caviezel, who played Jesus in Mel Gibson’s 2004 film The Passion of the Christ, is reportedly filming a “heroic” portrait of the rightwing ex-politician in secret. Dark Horse, directed by Cyrus Nowrasteh and written by Mário Frias, who served as secretary of culture under Bolsonaro, started shooting three months ago in Brazil, where Bolsonaro served as president from 2019 until 2023. He was sentenced to 27 years and three months in prison in September 2025 for leading a criminal conspiracy to stop his leftwing rival, Luiz Inácio Lula da Silva , taking power, though his supporters deny the allegations and have compared the prosecution to the “lawfare” allegedly faced by Donald Trump before he was re-elected. Continue ...

Berlin film festival 2023 roundup – prestige, politics and ethical starpower

This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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