Vivek Oberoi files suit in Delhi HC against AI-generated misuse and fake social accounts

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Actor and entrepreneur Vivek Oberoi has approached the Delhi High Court, filing a civil suit seeking protection of his personality and publicity rights amid alleged widespread misuse of his identity through fake social media accounts, unauthorised merchandise and AI-generated content. In the petition filed through advocates Sana Raees Khan and Pranay Chitale, Oberoi asserts that his name, image, voice, likeness and other distinctive attributes associated with him are being exploited without his consent for commercial and other gains. The suit names entities such as Collector Bazar, ZoomMantra and Indiancontent among the defendants, alongside unidentified individuals labelled as John Doe. Oberoi’s legal team has sought a permanent injunction to restrain infringement of his personality rights, alleging that the defendants are actively impersonating him on platforms such as Instagram by operating fake accounts using his identity. The plea also highlights the sale of unauthorised merchan...
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Berlin film festival 2023 roundup – prestige, politics and ethical starpower

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This year’s Berlinale continued the tradition of combining earnestness with red-carpet glamour – featuring Kristen Stewart, Bono and Steven Spielberg, and this time some real crowd pleasers

Berlin may not be as glitzy as the other big European festivals, Cannes and Venice, but it knows how to make the most of what you might call “ethical starpower”. Hence Steven Spielberg, present this year to accept the Golden Bear for lifetime achievement, who made an eloquent and imposing speech about longevity, healing and – as befits the locale – the weight of history. And hence serious-minded Hollywood actor Kristen Stewart heading a jury including Iranian-French star Golshifteh Farahani and previous Berlinale-winning directors Carla Simón and Radu Jude – a lineup that seems highly likely to make some daring awards choices.

But there’s also that long-standing Berlinale tradition of combining red-carpet prestige with a certain earnestness that doesn’t always flourish on the screen. A prime example this year was Golda, a solemn, sluggish drama about Israeli premier Golda Meir and the Yom Kippur war, with Helen Mirren giving a solid, thoughtful performance, only to be upstaged by her uncanny prosthetic makeup. And then there was Sean Penn’s documentary about Ukraine, Superpower, co-directed with Aaron Kaufman, in which an understandably starstruck encomium to Volodymyr Zelenskiy was overshadowed by much narcissistic hyperventilating about what an amazing thing it was to be Sean Penn caught up in the Whirlwind of History. It was a phenomenally gauche, ill-advised piece; by contrast, Eastern Front, from Ukraine itself, was the real deal, a sober, urgent, profoundly troubling documentary by Vitaly Mansky and Yevhen Titarenko, based substantially on the latter’s footage, shot on duty with a volunteer medical crew.

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