Our Fault review – ultra-glossy Spanish step-sibling melodrama is too bland to be annoying

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Third film adapted from the romance novels by Mercedes Ron, originally written in Spanish, feels clunky and cliched This is the third film in a series, after My Fault in 2023 and Your Fault in 2024 , that have been adapted from the Culpable trilogy, romance novels by Mercedes Ron, originally written in Spanish. It’s obviously aimed at a specific market that expects a certain blend of melodrama, softcore sex and lush lifestyle porn, and (more importantly) is invested already in the trilogy’s story. Given those parameters, it probably delivers – although the dialogue, at least judging by the subtitles, is super clunky and cliched. Complete outsiders coming to this cold may be a little baffled by what’s going on, since this concluding instalment makes no effort to fill in any blanks. But even total newbies will get the gist that heroine Noah (Nicole Wallace) still has feelings for her ex Nick (Gabriel Guevara) – who also, somewhat disturbingly, was once her stepbrother, although their ...
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Bandit review – shallow crime caper is saucer-eyed over real-life 1980s bank robber

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Josh Duhamel charms as ‘flying bandit’ Gilbert Galvan, who pulled off nearly 60 robberies across Canada, but this light-hearted retelling lacks any insight

Bandit is one of those true-crime films where you come away with the impression that the film-makers have spent a bit too long hanging out with their subject, sitting in smoky bars listening to tall tales about the good ol’ bad days. It’s sincere enough but tells an utterly hokey and indulgent story about armed robber Gilbert Galvan, who went on a stick-up spree across Canada in the 1980s, pulling off nearly 60 robberies in three years targeting banks and jewellers. Newspapers called him “the flying bandit”.

The film paints Galvan’s crimes as more or less victimless – repeatedly showing what a polite and cordial bank robber he is, never firing a gun. It’s a glossy old-fashioned movie, mixing a bit of action with tongue-in-cheek comedy. Josh Duhamel gives a performance that’s all charm and no depth as Galvan, a career criminal we first meet escaping from a Michigan prison and hightailing it north of the border. In Ottawa, he changes his name to Robert Whiteman and gets into the armed robbery business, bankrolled by a local criminal hardman (Mel Gibson, about as menacing as a fairy cake).

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