Mandana Karimi slams ‘one-sided’ Iran coverage, urges Indian media to lend a platform to Reza Pahlavi - EXCLUSIVE

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In an explosive, soul-bearing interview with Bollywood Hungama, actress and activist Mandana Karimi opened up about the personal and professional toll her advocacy for Iran has taken. The actress, who has been vocal against the Iranian regime amid the escalating Middle East conflict, revealed that her career in India has come to a standstill due to her outspoken political stance. “Well since January, I've literally have left my work. I'm not working anymore. All my contract got cancelled. I've become too activist I've become too open about politics and I have messaged. I have emailed to platforms. I've said let's talk about it. I have videos I have images from Iran - Why are you not covering it?” Karimi shared, underscoring her frustration at what she describes as silence despite having access to ground-level material. The actress, known for her appearance on Bigg Boss 9 and films like Kyaa Kool Hain Hum 3, also criticised sections of the Indian media for what...
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Bandit review – shallow crime caper is saucer-eyed over real-life 1980s bank robber

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Josh Duhamel charms as ‘flying bandit’ Gilbert Galvan, who pulled off nearly 60 robberies across Canada, but this light-hearted retelling lacks any insight

Bandit is one of those true-crime films where you come away with the impression that the film-makers have spent a bit too long hanging out with their subject, sitting in smoky bars listening to tall tales about the good ol’ bad days. It’s sincere enough but tells an utterly hokey and indulgent story about armed robber Gilbert Galvan, who went on a stick-up spree across Canada in the 1980s, pulling off nearly 60 robberies in three years targeting banks and jewellers. Newspapers called him “the flying bandit”.

The film paints Galvan’s crimes as more or less victimless – repeatedly showing what a polite and cordial bank robber he is, never firing a gun. It’s a glossy old-fashioned movie, mixing a bit of action with tongue-in-cheek comedy. Josh Duhamel gives a performance that’s all charm and no depth as Galvan, a career criminal we first meet escaping from a Michigan prison and hightailing it north of the border. In Ottawa, he changes his name to Robert Whiteman and gets into the armed robbery business, bankrolled by a local criminal hardman (Mel Gibson, about as menacing as a fairy cake).

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