Bhooth Bangla promo song to be attached to Dhurandhar: The Revenge: Report

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A section of moviegoers is eagerly awaiting the reunion of Akshay Kumar and Priyadarshan in Bhooth Bangla, which is scheduled to release on April 10, 2026. While anticipation around the project continues to build, fans may soon get a glimpse into the film’s world. Industry buzz suggests that a promotional song from Bhooth Bangla could be attached to Dhurandhar: The Revenge, which is slated to hit theatres on March 19. According to a report by Mid-Day, a source said, “Akshay and Priyadarshan’s 2007 horror comedy Bhool Bhulaiyaa benefited immensely from its title song, ‘Teri Aankhein Bhool Bhulaiyaa’, which became wildly popular. So, this time, with Pritam having composed another song that has the potential to become a chartbuster, Ektaa felt it would catch on among listeners and create buzz around Bhooth Bangla. Attaching it to Dhurandhar: The Revenge made sense as it’s among the most awaited films.” The source further added, “The song was filmed on a grand scale with Akshay and over...
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The Wire review – locals deal with razor-sharp border fence in migrant study

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Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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