‘I think my mum’s going to like it’: Alexander Skarsgård on his gay biker ‘dom-com’ Pillion

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In May, Cannes went weak at the knees for Harry Lighton’s tale of BDSM and bootlicking in suburbia. Ahead of its release, the director and his stars reveal the explicit shots snipped from the final cut and discuss why Pride has become too sanitised Harry Melling knows the secret to being a good boot-licker. “You want to give a decent, satisfying, sexy lick,” says the 36-year-old actor, who has the umlaut eyes and nasal tones of Nicholas Lyndhurst. “Once you get to the toe-cap, you need to make sure they can really feel your tongue through the leather.” Melling, barely recognisable from his childhood role as wretched Dudley Dursley in the Harry Potter films, learned this new skill while preparing for the award-winning BDSM romcom Pillion. He plays Colin, a timid traffic warden who becomes the willing submissive to a taciturn biker named Ray. Listening intently to Melling’s boot-licking tips in this London hotel room are his Pillion partners-in-kink: Harry Lighton, the film’s 33-year-o...
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The Wire review – locals deal with razor-sharp border fence in migrant study

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Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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