28 Years Later: The Bone Temple review – Ralph Fiennes is phenomenal in best chapter yet of zombie horror

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A murderous Clockwork-Orangey gang take on the zombies in this gruesome and energised fourquel. It’s the finest of the 28 franchise by a blood-curdling mile It’s very rare for a fourquel to be the best film in a franchise, but that’s how things stand with the chequered 28 Days Later series. In this one, which follows immediately on from the previous episode, 28 Years Later , Ralph Fiennes and Jack O’Connell bring pure death-metal craziness. There is real energy and drama in this latest iteration of the post-apocalyptic zombie horror-thriller saga, created by director Danny Boyle and screenwriter Alex Garland back in 2003, with Nia DaCosta taking over directing duties for this film. Fiennes’s dance to Iron Maiden’s The Number of the Beast is basically one of the most extraordinary moments of his career. At the screening I attended, we were on our feet, looking for a speaker bin to headbang into. The band surely has to rerelease this track with Fiennes’s performance as a new official v...
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The Wire review – locals deal with razor-sharp border fence in migrant study

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Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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