EXCLUSIVE: CBFC censors ‘Kantara scream’ in Rahu Ketu; replaces middle finger with pinky finger

The comic caper Rahu Ketu, starring Pulkit Samrat, Varun Sharma, Shalini Pandey, Piyush Mishra, Chunky Panday, Amit Sial, Manu Rishi Chadha and Sumit Gulati, is all set to release on Friday, January 16. Earlier in the week, the makers completed the censor process on time. In this article, Bollywood Hungama will exclusively focus on the cut list. The Central Board of Film Certification (CBFC) passed the film with a U/A 16+ certificate. However, they asked the makers for a few changes. In a scene, a dialogue was replaced. The drug sniffing and snorting visuals were asked to be replaced with appropriate shots wherever they occurred in the film. The middle finger was asked to be modified to the pinky finger whenever shown in the movie. All alcohol brand names were asked to be removed. That's not all. The makers were asked to submit an authentication letter for the Sanskrit Shloka used in the film. Lastly, the Examining Committee asked the makers to replace 'Kantara film music (vo...

The Wire review – locals deal with razor-sharp border fence in migrant study

Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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