EXCLUSIVE: CBFC replaces 'bachhi' with 'ladki' in Mardaani 3; modifies slapping visuals

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After the success of Mardaani (2014) and Mardaani 2 (2019), Rani Mukerji is back as the fiery inspector, Shivani Shivaji Roy, with Mardaani 3. The film, produced by Yash Raj Films (YRF), was originally scheduled to be released on February 27. Earlier this month, it was preponed and now it’ll arrive in cinemas in less than a week, on January 30. Accordingly, the makers completed the censor process in time. In this article, Bollywood Hungama will exclusively focus on the cuts suffered by the action thriller. To begin with, the Central Board of Film Certification (CBFC) asked the makers to insert drug disclaimers. The word 'bachhi' was replaced with 'ladki'. Since the scene in question involved sexual violence, the makers had to submit age proof of the actor to clarify that she was not a minor. Then, visuals of a girl being slapped were modified. The word 'wh**e' was replaced with 'trader' in the English subtitles. A derogatory reference towards mother wa...
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The Wire review – locals deal with razor-sharp border fence in migrant study

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Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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