The Life of Chuck review – unmoving Stephen King schmaltz

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Tom Hiddleston plays a man who might be the centre of the universe in a film of often effective parts that never really come together As prestigious as it might sound to win the Palme d’Or at Cannes or the Golden Lion at Venice, the surest indicator of Oscar recognition has become victory at the far less fancy, far more mainstream Toronto film festival. There isn’t a jury-based award, instead there’s one decided by an audience vote and, far more often than not, their picks have lined up with those of the Academy. Since 2008, only one People’s Choice award winner hasn’t then gone on to either take home or be nominated for the best picture Oscar, and while the picks haven’t always been the greatest (hello, Jojo Rabbit, Belfast and Three Billboards), they’ve indicated a broad, crowd-rousing appeal. Last year, despite predictions that Anora or Conclave might triumph, out of nowhere the far less buzzy, and, at that point, distribution-less Stephen King adaptation The Life of Chuck triu...
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The Wire review – locals deal with razor-sharp border fence in migrant study

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Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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