SCOOP: Sanjay Dutt asks Rajkumar Santoshi to direct Khalnayak Returns; veteran filmmaker politely declines the offer

On April 24, Sanjay Dutt, Aksha Kamboj, Executive Chairperson of Aspect Global (Aspect Entertainment), Subhash Ghai and Jyoti Deshpande of Jio Studios announced Khalnayak Returns at an event in Mumbai. The intro teaser of Khalnayak Returns was unveiled at this event, and it received a thunderous response. Sanjay Dutt looked dashing, and the use of the iconic Khalnayak theme added to the excitement. Since Subhash Ghai had directed the original Khalnayak (1993), it was widely assumed that the Showman would return to helm Khalnayak Returns as well. Soon, Subhash Ghai confessed that he won’t be donning the director’s hat again. A source told Bollywood Hungama, “Sanjay Dutt was keen that Rajkumar Santoshi should direct Khalnayak Returns. He felt that Raj ji has an understanding of commercial cinema and would be able to do justice. Moreover, the two powerhouse, talented individuals have never worked together. Hence, Sanjay Dutt felt that it would be great to finally join hands with Rajkumar...

The Wire review – locals deal with razor-sharp border fence in migrant study

Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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