‘Oh my God, did my dad and I fight’: Olivia Colman on the regrets triggered by new film Jimpa

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John Lithgow plays the gay and often nude septuagenarian father of Colman’s character in this bombshell-laden story of intergenerational queerness. She explains why her own dad would have ‘sat and cried all the way through it’ In Jimpa, Olivia Colman plays a woman called Hannah who leaves Adelaide with her husband and 16-year-old child to visit her father in Amsterdam. This is Jimpa – the word sticks better once you know it’s a compound of Jim and grandpa. At the airport, the teenager, Frances, who’s trans, drops a bombshell: they want to move to the Netherlands and finish their schooling there. Hannah and her husband, Harry, respond thoughtfully, not freaking out. But once they arrive in Amsterdam, Jimpa, played by John Lithgow, brings enough drama for everyone – something he’s been doing for 40 years, since he left his family for a fuller queer life than Australia at the end of the 20th century could offer. The film revels in revealing the sort of lifestyle he enjoyed instead. Cont...
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The Wire review – locals deal with razor-sharp border fence in migrant study

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Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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