EXCLUSIVE: Not just the mirror mistake, Dhurandhar The Revenge's new print also censors some abuses; Sanjay Dutt's abusive dialogue and few other abuses muted

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A few days ago, Bollywood Hungama exclusively informed readers that a revised print of Dhurandhar The Revenge has been sent to cinemas since last weekend. The earlier print of the Ranveer Singh-Sanjay Dutt-R Madhavan-Arjun Rampal starrer had a minor blunder – the cameraman’s reflection was visible in the mirror in a crucial scene in the second half featuring Hamza aka Jaskirat Singh Rangi (Ranveer Singh) amd Gurbaaz Singh aka Pinda (Udaybir Sandhu). This blunder was rectified in the revised print. Bollywood Hungama has now learned that the makers have made one more change as well. A source told Bollywood Hungama, “In the earlier version, some abuses were muted but many of them were left untouched. In the new print, more cuss words have been censored. The dialogue where (Sanjay Dutt) says ‘L***d c******a kya’ in the Operation Lyari sequence has been muted, though the gesture made by the actor while mouthing the dialogue remains. The abuse, ‘B******a’, said by Rakesh Bedi while getting ...
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The Wire review – locals deal with razor-sharp border fence in migrant study

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Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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