Disney’s live-action Moana fails to make a splash at box office with underwhelming opening

Latest film in franchise takes just $43m in North America and $95m globally, against a $250m budget The Walt Disney Company’s live-action remake of Moana may be the No 1 movie at the North American box office but it did not make a big splash in its first weekend in theaters. The movie, which cost a reported $250m (£187m, A$360m) to produce, earned just $43m from ticket sales in the US and Canada, according to studio estimates on Sunday. Continue reading... from Film | The Guardian https://ift.tt/BfcMaGS via IFTTT

The Wire review – locals deal with razor-sharp border fence in migrant study

Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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