Adil Hussain replaces Milind Soman in Anshuman Jha's Lakadbaggha 2: The Monkey Business

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In a significant casting update that reflects the evolving nature of cinematic universes, acclaimed actor Adil Hussain has come on board Lakadbaggha 2: The Monkey Business, replacing Milind Soman in the role of the sensei in the much-anticipated sequel scheduled for a release later this year. Globally, audiences are accustomed to seeing iconic characters reimagined by different actors—be it James Bond, Superman, or Spider-Man. Indian cinema is now stepping into similar territory, and the Lakadbaggha universe is at the forefront of this shift. Billed as the world’s first animal lover vigilante universe, Lakadbaggha wrapped the shoot of its sequel in June 2025, following an ambitious scale-up after lead actor Anshuman Jha also took charge behind the scenes. Best known internationally for his work in Life of Pi, Adil Hussain steps into a role that has been significantly expanded in the sequel. Lakadbaggha 2: The Monkey Business promises a sharper, darker, and more action-heavy narrative...
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The Wire review – locals deal with razor-sharp border fence in migrant study

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Documentary sheds light on responses to a fence designed to keep migrants of the EU Schengen area, a dizzyingly complex issue

Endless newsreel and column inches have been devoted to Europe’s migrant crisis over the past decade, and we are no nearer to getting to grips with the problem. This documentary by Croatian director Tiha Gudac opens up a fresh perspective by focusing principally on the effects on destination or transit countries: namely a beautifully sylvan stretch of the Croat-Slovenian border demarcated by the Kupa River and, now, horrible lengths of coiled razor wire laid down by the EU to prevent migrants from breaching the Schengen area.

The border fence sullies farmland and forests, complicates river tourism and separates Croatian and Slovenian communities who have ties going back centuries. The Balkan region is one with particular sensitivity to artificial segregation, and the local people tentatively fight back: early on, we see Croats and Slovenians joining up for a cross-border fun run. For those with long memories, this grim palisade, and the inhumane rejection of non-Europeans it implies, chimes with wartime fascism. But not everyone sees it that way: one father, mother and daughter spend their family time crawling under the wire to scope out points on the frontier where interlopers might be hiding.

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