The Man I Love review – Rami Malek needs a lighter touch in Ira Sachs’ 80s Aids drama

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Cannes film festival: Sachs’ film about an HIV-positive actor in the homophobic Reagan-era 80s is well-intended, but Malek’s mannered performance is hard to love This film from writer-director Ira Sachs gives us premium-strength, undiluted Rami Malek – but I have to say that his overripe performance and self-conscious mannerisms here are perhaps even more oppressively insistent for being conveyed relatively quietly in spoken dialogue. And not quietly at all in the singing scenes. Malek is a performer whose style is as distinctive as those of John Malkovich or Jeff Goldblum. But it works best with a light touch in the direction and material. Things never really come together here. The Man I Love is a film about gay culture in 1980s New York, at the height of the reactionary homophobia of Reagan’s America, with HIV-positive men coming to terms with their condition and with the callous bigotry of the political zeitgeist. In one hospital scene, we see the authorities’ icily unsympathetic ...
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The moment I knew: ‘I pledged I would go to mass for 30 days to understand what I was feeling’

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After years of friendship, Josie still wasn’t sure whether she was into Chris. So she struck a deal with God

I was 18 when I first met Chris at a church youth group. Although we came from the same ethno-religious group, Chris wasn’t strictly religious. For him, youth group was a way to socialise with people from our community.

I never really paid him any attention, but one night after youth group he walked me to my car. He was trying to get to know me – he told me later that he had noticed me playing Scrabble at our camp and that was the kind of life he wanted with someone. I summed my interests up for him very clearly: pizza, ice-cream and making lists. He must have liked that answer because suddenly, it felt like he was everywhere.

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from Love And Sex | The Guardian https://ift.tt/wrQyOov

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