The best Steven Spielberg films, chosen by directors, critics and super-fans: ‘pure popcorn perfection’

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From franchise hits to historical epics, joyous musicals to autobiographical family sagas: Steven Spielberg has done it all. As his latest sci-fi film Disclosure Day is released, film-makers, authors and Guardian critics reveal which of his movies means the most to them Steven Spielberg is often described as the inventor of the “event movie” – or as the creator of our new age of IP supremacy, in which the genre property is more important than any above-the-title film star. But that isn’t quite it. He came of age in the American new wave era but in spirit belonged neither to that nor fully to Hollywood’s golden age studio system that preceded it. In fact, he synthesised both into a directing style that was audacious and fluent. He availed himself of the subversiveness of the new wave, and yet was classically oriented, drawing upon his love of – and alienation from – the all-American suburb, making him the Edward Hopper or the Andrew Wyeth of the movies. Tellingly, it was François Truffa...
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The moment I knew: ‘I pledged I would go to mass for 30 days to understand what I was feeling’

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After years of friendship, Josie still wasn’t sure whether she was into Chris. So she struck a deal with God

I was 18 when I first met Chris at a church youth group. Although we came from the same ethno-religious group, Chris wasn’t strictly religious. For him, youth group was a way to socialise with people from our community.

I never really paid him any attention, but one night after youth group he walked me to my car. He was trying to get to know me – he told me later that he had noticed me playing Scrabble at our camp and that was the kind of life he wanted with someone. I summed my interests up for him very clearly: pizza, ice-cream and making lists. He must have liked that answer because suddenly, it felt like he was everywhere.

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from Love And Sex | The Guardian https://ift.tt/wrQyOov

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