Cannes film festival: The Palme laureate here makes a misstep with an odd, disquieting film that leaves too many issues unresolved Romanian director and Palme laureate Cristian Mungiu – the winner here in 2007 with his stunning 4 Months, 3 Weeks and 2 Days – comes to Cannes with an anticlimactic, underpowered movie which it seems to me could be part of an odd phenomenon at this year’s festival, detectable also in films here by Kantemir Balagov and Ryusuke Hamaguchi: auteurs making coproduction movies outside their home turf and mother tongue with big foreign stars, perhaps as a result of creative conversations at international film festivals with admirers from all over the world – and losing focus. Fjord is an odd film, bearing Mungiu’s signature, certainly, with enigmatic long shots and avoidance of closeups, and one very distinctive crowding of faces in a dinner-scene tableau. But the ostensible pain and trauma of its story is conveyed without the rewarding complexity that we have...
The moment I knew: ‘I pledged I would go to mass for 30 days to understand what I was feeling’
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After years of friendship, Josie still wasn’t sure whether she was into Chris. So she struck a deal with God
I was 18 when I first met Chris at a church youth group. Although we came from the same ethno-religious group, Chris wasn’t strictly religious. For him, youth group was a way to socialise with people from our community.
I never really paid him any attention, but one night after youth group he walked me to my car. He was trying to get to know me – he told me later that he had noticed me playing Scrabble at our camp and that was the kind of life he wanted with someone. I summed my interests up for him very clearly: pizza, ice-cream and making lists. He must have liked that answer because suddenly, it felt like he was everywhere.
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