The Ballad of Suzanne Césaire review – the legacy of a dissident and inspirational surrealist author

Brief film looks at the intense flowering of essays by the Caribbean feminist and anti-imperialist who saw surrealism as a revolutionary mode This brief work from New York film-maker Madeleine Hunt-Ehrlich is the equivalent of a platform performance in the theatre: a look at the works of Caribbean feminist, anti-imperialist and surrealist partisan Suzanne Césaire, played by Zita Hanrot; Hanrot, rather, plays an actress musingly preparing to play her. Césaire’s brief, intense flowering of work occurred in second world war Martinique, then a colony of France, controlled by the collaborationist Vichy government. Paradoxically liberated by this oppressive situation, Césaire co-founded a journal called Tropiques and published an influential series of essays on politics, literature and art, which showed how passionately inspired she was by her encounter with the great surrealist André Breton. Continue reading... from Film | The Guardian https://ift.tt/rx4iLoM via IFTTT

The moment I knew: ‘I pledged I would go to mass for 30 days to understand what I was feeling’

After years of friendship, Josie still wasn’t sure whether she was into Chris. So she struck a deal with God

I was 18 when I first met Chris at a church youth group. Although we came from the same ethno-religious group, Chris wasn’t strictly religious. For him, youth group was a way to socialise with people from our community.

I never really paid him any attention, but one night after youth group he walked me to my car. He was trying to get to know me – he told me later that he had noticed me playing Scrabble at our camp and that was the kind of life he wanted with someone. I summed my interests up for him very clearly: pizza, ice-cream and making lists. He must have liked that answer because suddenly, it felt like he was everywhere.

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from Love And Sex | The Guardian https://ift.tt/wrQyOov

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