Savage House review – Claire Foy and Richard E Grant sell it hard in bewigged 18th-century caper

The leads are the most watchable thing in this raucous period yarn about a grimy pair of status-obsessed nobles Black-belt performances from Claire Foy and Richard E Grant put some vim and vigour into this haranguingly one-note and unidirectional period romp of the raucously bewigged and be-poxed 18th century. It’s written and directed by American film-maker Peter Glanz, who gives us candlelit interiors like a knockoff Barry Lyndon, and periodic deafening orchestral stabs with a touch of Amadeus as furious people in costume storm down corridors. But Grant and Foy are always there, selling it hard and there are one or two nice lines. They play Sir Chauncey and Lady Savage, who are living in a vast crumbling country estate: he’s a parvenu, an adventurer, a lover of the new Hanover dispensation who loathes Jacobites, but fundamentally a social alpinist who married for money and took his wife’s noble name. She was entranced by his roguish ways and she forgave him everything but is, however...

The moment I knew: ‘I pledged I would go to mass for 30 days to understand what I was feeling’

After years of friendship, Josie still wasn’t sure whether she was into Chris. So she struck a deal with God

I was 18 when I first met Chris at a church youth group. Although we came from the same ethno-religious group, Chris wasn’t strictly religious. For him, youth group was a way to socialise with people from our community.

I never really paid him any attention, but one night after youth group he walked me to my car. He was trying to get to know me – he told me later that he had noticed me playing Scrabble at our camp and that was the kind of life he wanted with someone. I summed my interests up for him very clearly: pizza, ice-cream and making lists. He must have liked that answer because suddenly, it felt like he was everywhere.

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from Love And Sex | The Guardian https://ift.tt/wrQyOov

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