Farhan Akhtar and Raashii Khanna to visit Jodhpur for emotional tribute on the day of 120 Bahadur trailer launch

As the anticipation builds for the trailer of 120 Bahadur, a powerful war drama based on the legendary Battle of Rezang La, actors Farhan Akhtar and Raashii Khanna are set to mark the occasion with a deeply emotional gesture. On November 6, the duo will visit Jodhpur to pay tribute at the memorial of Major Shaitan Singh Bhati, PVC — the heroic soldier whose extraordinary courage inspired the film. According to a source close to the production, the visit has been planned as a heartfelt homage to the late war hero and the values of bravery, sacrifice, and patriotism that 120 Bahadur celebrates. “Farhan Akhtar and Raashii Khanna will be visiting the memorial of Major Shaitan Singh Bhati, PVC, in Jodhpur on the day of the trailer launch. This visit is being organized as a mark of deep respect to the Major and his indomitable spirit,” the source revealed. In a touching gesture, the actors will first showcase the trailer privately to Major Shaitan Singh Bhati’s son, Narpat Singh Ji, and hi...

The Fabelmans review – Spielberg’s beguiling ode to a life made by movies will leave you on a high

The director’s 1950s-set semi-memoir brilliantly examines how we edit our own life stories, and the repercussions

Steven Spielberg’s utterly beguiling fictionalised movie-memoir is his new adventure in Panglossian optimism, and offers us a stunning critical insight into his own work and how and why artists cauterise childhood pain and rewrite their youth. Movies are not exactly a matter of “escapism” – a lazy and misleading word – but all about intervening in real life, reordering the landscape, addressing frailty and vulnerability candidly, but from a position of strength.

Young Spielberg is reborn as Sammy Fabelman, a little kid in 1950s New Jersey who is hit by cinema as by a bolt of lightning when he sees Cecil B DeMille’s The Greatest Show on Earth; he is stunned by the train crash scene, which he obsessively re-stages at home with a toy train set and an 8mm camera. Like most of the movie, this is based on a real event, or anyway a real memory, and Spielberg may also want us to think of Orson Welles’s comment that a movie studio is the “biggest electric train set any boy ever had”. The one movie legend Sammy eventually does get to meet in the flesh is John Ford, played here by another movie legend that it would be unsporting to reveal in a wonderfully funny and inspirational final scene.

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