EXCLUSIVE: CBFC blurs condom brand names in Hai Jawani Toh Ishq Hona Hai; visually edits shots with names of Ben Stokes, Jos Butler

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IPL has ended and the flow of releases will now begin in full force this Friday, June 5. The first major Bollywood release of the season is Hai Jawani Toh Ishq Hona Hai and it has generated excitement due to its fun-filled trailers, songs, casting and also because it is directed by the veteran filmmaker, David Dhawan. The makers completed the censor process last week, well in time; in this article, Bollywood Hungama will exclusively focus on the cuts given to the comic caper. The Central Board of Film Certification (CBFC) passed Hai Jawani Toh Ishq Hona Hai with a U/A 16+ certificate. However, the makers asked for several modifications. At four places, the CBFC’s Examining Committee (EC) asked for a word to be replaced with an appropriate term. A visual of a vulgar hand gesture was also asked to be replaced. Then, the name of the condom brand was blurred while the word indicating the flavour names was asked to be muted. A shot featuring the names of Jos Butler and Ben Stokes was visua...
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The Fabelmans review – Spielberg’s beguiling ode to a life made by movies will leave you on a high

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The director’s 1950s-set semi-memoir brilliantly examines how we edit our own life stories, and the repercussions

Steven Spielberg’s utterly beguiling fictionalised movie-memoir is his new adventure in Panglossian optimism, and offers us a stunning critical insight into his own work and how and why artists cauterise childhood pain and rewrite their youth. Movies are not exactly a matter of “escapism” – a lazy and misleading word – but all about intervening in real life, reordering the landscape, addressing frailty and vulnerability candidly, but from a position of strength.

Young Spielberg is reborn as Sammy Fabelman, a little kid in 1950s New Jersey who is hit by cinema as by a bolt of lightning when he sees Cecil B DeMille’s The Greatest Show on Earth; he is stunned by the train crash scene, which he obsessively re-stages at home with a toy train set and an 8mm camera. Like most of the movie, this is based on a real event, or anyway a real memory, and Spielberg may also want us to think of Orson Welles’s comment that a movie studio is the “biggest electric train set any boy ever had”. The one movie legend Sammy eventually does get to meet in the flesh is John Ford, played here by another movie legend that it would be unsporting to reveal in a wonderfully funny and inspirational final scene.

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