‘Forced to preserve a monument’: how the fate of Marilyn Monroe’s LA home became a legal saga

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House where Monroe died, which hasn’t been occupied in seven years, is in limbo after current owners wanted to demolish it but were stopped by a public campaign Marilyn Monroe is said to have had more than 50 addresses in her lifetime, but only once, in the final months before she died from a drug overdose at the age of 36, did she have a house she could call fully her own. The Hollywood star, burned out by the failure of her marriage to the playwright Arthur Miller and by health problems that prompted a year-long hiatus from acting, bought herself a quintessential hacienda-style Spanish bungalow with a pool at the foot of the Santa Monica mountains in February 1962. Continue reading... from Film | The Guardian https://ift.tt/QbvRndl via IFTTT
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Sublime review – refreshingly understated queer coming-of-age tale

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Avoiding schmaltzy pitfalls, this moving drama about two friends nearing adulthood offers a modern ideal of masculinity

Unlike many queer coming-of-age films – which can lapse into sentimental self-flagellation – Argentinian director Mariano Biasin’s light-touch drama handles the thorny process of coming out in refreshing fashion. Friends since childhood, Manu (Martín Miller) and Felipe (Teo Inama Chiabrando) are inseparable during their teenage years. When not playing together in a band, the pair hang out at the beach or simply lounge about in their rooms, talking about everything and nothing.

Though each has a girlfriend, their attitudes to dating are completely different. While Felipe has a van fitted out just for the purpose of hanky-panky, Manu’s first sexual experience leaves him with more questions than answers. Awakened to his desire for Felipe, Manu slips in and out of sexy daydreams as the struggle to hide his true feelings grows increasingly difficult.

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