Delhi High Court restrains Ilaiyaraaja from streaming songs from 134 films in copyright case filed by Saregama

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In a significant development in a long-running copyright dispute, the Delhi High Court has passed an interim order in favour of music label Saregama India Ltd., restraining legendary composer Ilaiyaraaja from broadcasting or communicating songs from 134 films until further orders. The order was passed by Justice Tushar Rao Gedela, who observed that while Ilaiyaraaja continues to hold rights over his original musical compositions, those rights do not automatically extend to the sound recordings incorporated into cinematograph films. According to the court, the copyright in such sound recordings rests with the producer and, where assigned, with Saregama. As per the court's observations, Ilaiyaraaja's rights under the Copyright Act are limited to the musical work itself, which refers to the composition independent of the lyrics and the sound recording. The court noted that these rights cannot be interpreted as ownership over the complete film soundtrack. The dispute arose after S...
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Saint Omer director Alice Diop: ‘I make films from the margins because that’s my territory, my history’

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Raised in a Paris banlieue, the documentary-maker is now in the spotlight thanks to her Venice prize-winning first feature, based on the true story of a woman accused of killing her baby

“I have a voice that doesn’t carry very well,” says French film-maker Alice Diop, when I tell her I can’t quite hear what she’s saying. We meet in a cafe near her home in the working-class district of Montreuil, on the eastern edge of Paris. It is busy with lunch parties, and the combination of Diop’s French – she speaks fast and quietly – with the occasional crashes of crockery isn’t ideal for discussing the complex, challenging new film she has made.

Still, if Diop’s speech doesn’t carry acoustically, it’s a different matter with her artistic voice. After a significant career as a documentary-maker, Diop’s feature film debut, Saint Omer, is resonating worldwide. It won two awards at the Venice film festival last year and was France’s entry for the best international feature at the Academy Awards, making Diop the first black woman ever to represent France in the Oscar race. Diop is suddenly in the spotlight in a way she never imagined.

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