Historic Oxford cinema under threat as Oriel College refuses to extend lease

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The Ultimate Picture Palace opened in 1911 and is housed in a Grade II-listed building in need of renovation The survival of one of the UK’s oldest independent cinemas is under threat while its landlord, the University of Oxford’s Oriel College, refuses to extend its lease to allow vital renovations. The Ultimate Picture Palace in east Oxford opened in 1911, and has entertained generations of students and residents, including the Oscar-winning director Sam Mendes. It sells tickets for its 106 seats through an old-fashioned box office window to patrons queueing on the street, and its screen is behind a manually opened curtain. Continue reading... from Film | The Guardian https://ift.tt/i7wYmMN via IFTTT
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Saint Omer director Alice Diop: ‘I make films from the margins because that’s my territory, my history’

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Raised in a Paris banlieue, the documentary-maker is now in the spotlight thanks to her Venice prize-winning first feature, based on the true story of a woman accused of killing her baby

“I have a voice that doesn’t carry very well,” says French film-maker Alice Diop, when I tell her I can’t quite hear what she’s saying. We meet in a cafe near her home in the working-class district of Montreuil, on the eastern edge of Paris. It is busy with lunch parties, and the combination of Diop’s French – she speaks fast and quietly – with the occasional crashes of crockery isn’t ideal for discussing the complex, challenging new film she has made.

Still, if Diop’s speech doesn’t carry acoustically, it’s a different matter with her artistic voice. After a significant career as a documentary-maker, Diop’s feature film debut, Saint Omer, is resonating worldwide. It won two awards at the Venice film festival last year and was France’s entry for the best international feature at the Academy Awards, making Diop the first black woman ever to represent France in the Oscar race. Diop is suddenly in the spotlight in a way she never imagined.

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