FWICE demands withdrawal of Ghooskhor Pandat title, warns of strict action

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The controversy around the upcoming Netflix film Ghooskhor Pandat, produced by Neeraj Pandey and starring Manoj Bajpayee, grew more intense this week after the Federation of Western India Cine Employees (FWICE) formally objected to its title and urged the makers to withdraw it, warning of significant industry action if the demand is not met. The dispute began soon after the film’s announcement and teaser release, with many viewers and various organisations criticising the title Ghooskhor Pandat as offensive and potentially derogatory toward a specific community. The title combines ghooskhor — a colloquial Hindi term for someone who takes bribes — with Pandat, commonly associated with the Brahmin community. Critics argued that this linkage could perpetuate stereotypes and hurt sentiments. FWICE’s Objection and Warning FWICE, a body representing workers, technicians and artists across more than three dozen affiliated associations, sent a letter to producers’ bodies and major OTT platfor...
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Saint Omer director Alice Diop: ‘I make films from the margins because that’s my territory, my history’

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Raised in a Paris banlieue, the documentary-maker is now in the spotlight thanks to her Venice prize-winning first feature, based on the true story of a woman accused of killing her baby

“I have a voice that doesn’t carry very well,” says French film-maker Alice Diop, when I tell her I can’t quite hear what she’s saying. We meet in a cafe near her home in the working-class district of Montreuil, on the eastern edge of Paris. It is busy with lunch parties, and the combination of Diop’s French – she speaks fast and quietly – with the occasional crashes of crockery isn’t ideal for discussing the complex, challenging new film she has made.

Still, if Diop’s speech doesn’t carry acoustically, it’s a different matter with her artistic voice. After a significant career as a documentary-maker, Diop’s feature film debut, Saint Omer, is resonating worldwide. It won two awards at the Venice film festival last year and was France’s entry for the best international feature at the Academy Awards, making Diop the first black woman ever to represent France in the Oscar race. Diop is suddenly in the spotlight in a way she never imagined.

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