The Rivals of Amziah King review – Matthew McConaughey returns with unwieldy misstep

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SXSW film festival: The Oscar winner’s first film role for six years shows his undeniable magnetism but squanders it on a baggy mix of tones and genres In the past six years, the Academy award-winning actor Matthew McConaughey , the reigning prince of Austin, Texas, has kept busy. He raised his three kids in the city, written and released a bestselling memoir on “easy-livin’” (“because life is a verb”), taught in the film department at the University of Texas at Austin, pleaded for gun control at the White House after the horrific school shooting in his home town of Uvalde and “seriously considered” running for governor of Texas. But he has not acted on screen – relegating his last two film roles, underwhelming romps in Harmony Korine’s The Beach Bum and Guy Ritchie’s The Gentlemen , to the distant memory of a pre-pandemic 2019. With the end of the 2010s, the energy of the McConnaissance went elsewhere. That is, until Monday, when McConaughey returned to red carpet promotional...
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Saint Omer director Alice Diop: ‘I make films from the margins because that’s my territory, my history’

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Raised in a Paris banlieue, the documentary-maker is now in the spotlight thanks to her Venice prize-winning first feature, based on the true story of a woman accused of killing her baby

“I have a voice that doesn’t carry very well,” says French film-maker Alice Diop, when I tell her I can’t quite hear what she’s saying. We meet in a cafe near her home in the working-class district of Montreuil, on the eastern edge of Paris. It is busy with lunch parties, and the combination of Diop’s French – she speaks fast and quietly – with the occasional crashes of crockery isn’t ideal for discussing the complex, challenging new film she has made.

Still, if Diop’s speech doesn’t carry acoustically, it’s a different matter with her artistic voice. After a significant career as a documentary-maker, Diop’s feature film debut, Saint Omer, is resonating worldwide. It won two awards at the Venice film festival last year and was France’s entry for the best international feature at the Academy Awards, making Diop the first black woman ever to represent France in the Oscar race. Diop is suddenly in the spotlight in a way she never imagined.

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