After Naagzilla with Kartik Aaryan, Karan Johar sets up another creature universe with Rajkummar Rao

Rajkummar Rao is on a roll, signing films left right and centre after the success of Stree 2. While Maalik is all set to release on July 12, we have exclusively learnt that Rajkummar Rao has signed a one of its kind creature film for Karan Johar to be directed by Sandeep Modi. Reliable sources confirm that the film will go on floors towards the end of 2025, with a start-to-finish schedule. "Rajkummar Rao has signed on for Karan Johar's next with director Sandeep Modi. It's a creature-based thriller, to be mounted on a big scale and the makers are looking to create a franchise out of the same," a source shared with Bollywood Hungama. The source further informed us that the film will go on floors around November 2025, and the director, Sandeep Modi, has already begun pre-production. “Rajkummar Rao has signed the film for an agreed sum of Rs. 12 crores, which is his biggest pay cheque to date. He is excited to partner with Karan Johar on the project,” the source added....

Oscars 2023: a welcome turn to Ireland aside, these are very conventional picks | Peter Bradshaw

The Banshees of Inisherin has made a stunning showing, along with welcome nods for Paul Mescal and The Quiet Girl, but there are few other surprises

First: a great deal of joy in Ireland for its tremendous successes on this year’s Academy Award nomination list. Martin McDonagh’s tragicomedy The Banshees Of Inisherin, about two men falling out in a remote island community at the time of the civil war, has a host of nominations: including best picture with McDonagh getting best director and best screenplay nods, best actor for Colin Farrell, best supporting actor(s) for Brendan Gleeson and Barry Keoghan and best supporting actress, for Kerry Condon. In addition to which, Paul Mescal gets a best actor nomination for his performance in Charlotte Wells’s beautiful father-daughter drama Aftersun; Colm Bairéad’s The Quiet Girl is nominated for best international feature and Tom Berkeley and Ross White’s An Irish Goodbye is nominated for best short.

Otherwise, there is some unease at the gravitational pull towards the mainstream: an all-male directing list (Charlotte Wells or Marie Kreutzer could have got in there) and Danielle Deadwyler’s excellent performance in Till is ignored in the best actress list. There has been some haughty online dismissal of Ana de Armas’s nomination for her performance as Marilyn Monroe in Andrew Dominik’s condescending psychodrama Blonde (although the problem is surely with the film rather than De Armas), and a mixed response on social media for the estimable Andrea Riseborough’s best actress nomination for the tough indie drama To Leslie, largely due to a wary response to a celebrity-driven viral campaign. But the always excellent Riseborough certainly shakes things up.

Cate Blanchett naturally takes pole position in the best actress list for her much-acclaimed uber-conductor role in Tár, a female-Furtwängler supernova of problematic power display. However, the best actor list is harder to call – though it could well be that Austin Butler will clinch it for his heartfelt impersonation of Elvis Presley, a performance much admired by the star’s late daughter Lisa Marie Presley.

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