Conan O’Brien jokes about Ted Sarandos, Timothée Chalamet and ‘frightening times’ in Oscars monologue

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Host bobs and weaves through a number of third-rail topics in Academy Awards speech that’s at turns silly and sincere Oscars 2026 – follow the action live! The winners: the full list – updating live Conan O’Brien’s opening monologue at the 98th Academy Awards cheekily paid tribute to many nominated films – and then some – while acknowledging the tense US political situation and cracks at Timothée Chalamet, Amazon and US healthcare. After a snappily edited, old-school montage in which O’Brien, dressed as best supporting actress winner Amy Madigan ’s character in Weapons (“I look like Bette Davis with lupus,” he joked), stormed through each of the nominated films trailed by children à la Weapons, the second-time host bobbed and weaved through a number of pressing topics, from political divides to AI to Jeffrey Epstein. “I am Conan O’Brien, and I am honored to be the last human host of the Academy Awards,” he quipped. “Next year it’s going to be a Waymo in a tux.” Continue read...
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Oscars 2023: a welcome turn to Ireland aside, these are very conventional picks | Peter Bradshaw

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The Banshees of Inisherin has made a stunning showing, along with welcome nods for Paul Mescal and The Quiet Girl, but there are few other surprises

First: a great deal of joy in Ireland for its tremendous successes on this year’s Academy Award nomination list. Martin McDonagh’s tragicomedy The Banshees Of Inisherin, about two men falling out in a remote island community at the time of the civil war, has a host of nominations: including best picture with McDonagh getting best director and best screenplay nods, best actor for Colin Farrell, best supporting actor(s) for Brendan Gleeson and Barry Keoghan and best supporting actress, for Kerry Condon. In addition to which, Paul Mescal gets a best actor nomination for his performance in Charlotte Wells’s beautiful father-daughter drama Aftersun; Colm Bairéad’s The Quiet Girl is nominated for best international feature and Tom Berkeley and Ross White’s An Irish Goodbye is nominated for best short.

Otherwise, there is some unease at the gravitational pull towards the mainstream: an all-male directing list (Charlotte Wells or Marie Kreutzer could have got in there) and Danielle Deadwyler’s excellent performance in Till is ignored in the best actress list. There has been some haughty online dismissal of Ana de Armas’s nomination for her performance as Marilyn Monroe in Andrew Dominik’s condescending psychodrama Blonde (although the problem is surely with the film rather than De Armas), and a mixed response on social media for the estimable Andrea Riseborough’s best actress nomination for the tough indie drama To Leslie, largely due to a wary response to a celebrity-driven viral campaign. But the always excellent Riseborough certainly shakes things up.

Cate Blanchett naturally takes pole position in the best actress list for her much-acclaimed uber-conductor role in Tár, a female-Furtwängler supernova of problematic power display. However, the best actor list is harder to call – though it could well be that Austin Butler will clinch it for his heartfelt impersonation of Elvis Presley, a performance much admired by the star’s late daughter Lisa Marie Presley.

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