Amul Topical pays heartfelt tribute to Asha Bhosle: “Sabka dil chura liya aapne”

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Amul, the iconic Indian dairy brand known for its insightful topicals, has paid a heartfelt tribute to the legendary playback singer Asha Bhosle following her sad demise on April 12, 2026. The tribute, shared on social media, beautifully encapsulates the singer's immense contribution to Indian music and her universal appeal. Amul Topical for Asha Bhosle The topical features an illustration of two versions of Asha Bhosle, each representing a different facet of her legendary career. On the left, she is seen as the quintessential stage performer, with her hand raised in her signature dramatic pose and a microphone in her hand. On the right, she is depicted as the dedicated studio singer, reading from a music sheet in front of a recording microphone. The topicals perfectly captures the essence of her versatility and her ability to touch hearts both on stage and in the studio. The caption for the topical, in Hindi, reads: "Sabka dil chura liya aapne," which translates to ...
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Last Tango in Paris at 50: Bertolucci’s controversial drama remains troubling

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The Italian director’s knotty drama remains a provocation, a film filled with lyrical beauty but also repulsive cruelty

Revisiting films on the occasion of major anniversaries can be a disorienting reminder of time’s too-swift passage: that film is now 20/30/40 years old? How can that be? Why does it still feel so much younger than I do? In other cases, however, the film wears its advanced age in a way that makes complete sense, and so it is with Last Tango in Paris, released in cinemas in 1973. Now a half-century old, Bernardo Bertolucci’s lightning rod for scandal and debate has dated in many of the ways you might expect, but that’s not quite what I mean: at 50, the film’s age has now caught up with the overriding air of middle-aged despair and disarray that it always carried. In a sense, it was a film made to be forgotten, and then remembered with bittersweet, conflicted feelings, its significant beauty curdled over time.

Bring up Last Tango in Paris in cinephile circles today – especially those reckoning with the gender politics of the artform post-MeToo – and you won’t hear that many fond endorsements. When it’s brought up at all, the conversation swiftly narrows to its most notorious scene: the one where Marlon Brando’s Paul, a recently widowed American abroad, holed up in a desolately furnished Parisian apartment, forces himself on Maria Schneider’s Jeanne, a 20-year-old ingenue whose name he refuses to learn. Grabbing a dab of fridge-cold butter for lubrication, he anally rapes her.

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