Shah Rukh Khan and Kajol unveil DDLJ bronze statue in London’s Leicester Square

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Bollywood icons Shah Rukh Khan and Kajol marked a memorable moment on December 4, 2025, by unveiling a bronze statue of their legendary characters Raj and Simran from the 1995 classic Dilwale Dulhania Le Jayenge (DDLJ) at London’s famed Leicester Square. Despite cold, rainy weather, the pair captivated the gathered audience and media, recreating the film’s iconic pose with radiant smiles. Shah Rukh Khan looked sharp in a black suit, while Kajol radiated grace in a mint-green saree. The new bronze statue is the first ever dedicated to an Indian film at Leicester Square, placing DDLJ alongside global cinematic icons like those from Harry Potter, Mary Poppins, Paddington, Singin’ in the Rain, and heroic figures like Batman and Wonder Woman. The statue captures the film’s signature pose — a moment the duo lovingly recreated during the ceremony. Reflecting on the anniversary, Shah Rukh Khan said, “DDLJ was made with a pure heart. We wanted to tell a story about love — how it can bridge bar...
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Husband review – family-man study is Made in Chelsea meets Curb Your Enthusiasm

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Docu-comedy follows married directors Josh Appignanesi and Devorah Baum to New York in a subtle follow-up to The New Man

Film-maker Josh Appignanesi has in the past made successful movies: Song of Songs, in the high arthouse mode in 2005, and popular satire The Infidel in 2010. But co-directing with his wife, author and academic Devorah Baum, he has recently got in front of the camera and hit a rich new seam of autofictional or possibly autofactual docu-comedy. The New Man documented – or sneakily semi-fabricated – Appignanesi as the hyper-annoying expectant dad with madly dishevelled hair who is unable to help his pregnant partner in any practical way, and feels existentially undermined by the whole process.

Now Appignanesi and Baum are back: it is three years later and they have two children. Baum is going to New York on a prestigious signing/lecture tour to promote her book about feelings: Appignanesi is going along (and so are the kids, and a niece to look after them) to make a film about his own feelings on the matter. Baum thoughtfully paces the New York streets with Appignanesi capering beside her, jabberingly excited and yet weirdly and pre-emptively depressed about anything disappointing or bad that might happen in the future. To his wife’s exasperation, he is once again the massively unhelpful overgrown manchild.

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