The devil wears Primark: is the romcom reporter about to get the sack?

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Glamour? Money? Hope? They’re so last season. With fashion magazines on their knees, where does that leave The Devil Wears Prada 2 – and its famously relatable heroine? Runway magazine is collapsing. Miranda is eating in the cafeteria and flying economy. Andy is the new features editor. Emily is dating a billionaire. Somebody dies. Amelia Dimoldenberg makes a cameo. But the one unexpected detail in The Devil Wears Prada 2 that I can’t stop thinking about is this: Andy worries that she’ll never be in a position to unfreeze her eggs. “Left New York for 15 years, not married – never found the right person, and my kids are at a doctor’s office on 85th,” she breezily reports to Emily when they reunite after 20 years. “They’re eggs,” she clarifies, adding that she is excited to have children. And in that moment, I couldn’t help but wonder: was the woman who once had the job “a million girls would kill for” always this relatable? Continue reading... from Film | The Guardian https://ift.tt/...
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Husband review – family-man study is Made in Chelsea meets Curb Your Enthusiasm

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Docu-comedy follows married directors Josh Appignanesi and Devorah Baum to New York in a subtle follow-up to The New Man

Film-maker Josh Appignanesi has in the past made successful movies: Song of Songs, in the high arthouse mode in 2005, and popular satire The Infidel in 2010. But co-directing with his wife, author and academic Devorah Baum, he has recently got in front of the camera and hit a rich new seam of autofictional or possibly autofactual docu-comedy. The New Man documented – or sneakily semi-fabricated – Appignanesi as the hyper-annoying expectant dad with madly dishevelled hair who is unable to help his pregnant partner in any practical way, and feels existentially undermined by the whole process.

Now Appignanesi and Baum are back: it is three years later and they have two children. Baum is going to New York on a prestigious signing/lecture tour to promote her book about feelings: Appignanesi is going along (and so are the kids, and a niece to look after them) to make a film about his own feelings on the matter. Baum thoughtfully paces the New York streets with Appignanesi capering beside her, jabberingly excited and yet weirdly and pre-emptively depressed about anything disappointing or bad that might happen in the future. To his wife’s exasperation, he is once again the massively unhelpful overgrown manchild.

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