The Rivals of Amziah King review – Matthew McConaughey returns with unwieldy misstep

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SXSW film festival: The Oscar winner’s first film role for six years shows his undeniable magnetism but squanders it on a baggy mix of tones and genres In the past six years, the Academy award-winning actor Matthew McConaughey , the reigning prince of Austin, Texas, has kept busy. He raised his three kids in the city, written and released a bestselling memoir on “easy-livin’” (“because life is a verb”), taught in the film department at the University of Texas at Austin, pleaded for gun control at the White House after the horrific school shooting in his home town of Uvalde and “seriously considered” running for governor of Texas. But he has not acted on screen – relegating his last two film roles, underwhelming romps in Harmony Korine’s The Beach Bum and Guy Ritchie’s The Gentlemen , to the distant memory of a pre-pandemic 2019. With the end of the 2010s, the energy of the McConnaissance went elsewhere. That is, until Monday, when McConaughey returned to red carpet promotional...
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Husband review – family-man study is Made in Chelsea meets Curb Your Enthusiasm

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Docu-comedy follows married directors Josh Appignanesi and Devorah Baum to New York in a subtle follow-up to The New Man

Film-maker Josh Appignanesi has in the past made successful movies: Song of Songs, in the high arthouse mode in 2005, and popular satire The Infidel in 2010. But co-directing with his wife, author and academic Devorah Baum, he has recently got in front of the camera and hit a rich new seam of autofictional or possibly autofactual docu-comedy. The New Man documented – or sneakily semi-fabricated – Appignanesi as the hyper-annoying expectant dad with madly dishevelled hair who is unable to help his pregnant partner in any practical way, and feels existentially undermined by the whole process.

Now Appignanesi and Baum are back: it is three years later and they have two children. Baum is going to New York on a prestigious signing/lecture tour to promote her book about feelings: Appignanesi is going along (and so are the kids, and a niece to look after them) to make a film about his own feelings on the matter. Baum thoughtfully paces the New York streets with Appignanesi capering beside her, jabberingly excited and yet weirdly and pre-emptively depressed about anything disappointing or bad that might happen in the future. To his wife’s exasperation, he is once again the massively unhelpful overgrown manchild.

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