Conan O’Brien jokes about Ted Sarandos, Timothée Chalamet and ‘frightening times’ in Oscars monologue

Host bobs and weaves through a number of third-rail topics in Academy Awards speech that’s at turns silly and sincere Oscars 2026 – follow the action live! The winners: the full list – updating live Conan O’Brien’s opening monologue at the 98th Academy Awards cheekily paid tribute to many nominated films – and then some – while acknowledging the tense US political situation and cracks at Timothée Chalamet, Amazon and US healthcare. After a snappily edited, old-school montage in which O’Brien, dressed as best supporting actress winner Amy Madigan ’s character in Weapons (“I look like Bette Davis with lupus,” he joked), stormed through each of the nominated films trailed by children à la Weapons, the second-time host bobbed and weaved through a number of pressing topics, from political divides to AI to Jeffrey Epstein. “I am Conan O’Brien, and I am honored to be the last human host of the Academy Awards,” he quipped. “Next year it’s going to be a Waymo in a tux.” Continue read...

Husband review – family-man study is Made in Chelsea meets Curb Your Enthusiasm

Docu-comedy follows married directors Josh Appignanesi and Devorah Baum to New York in a subtle follow-up to The New Man

Film-maker Josh Appignanesi has in the past made successful movies: Song of Songs, in the high arthouse mode in 2005, and popular satire The Infidel in 2010. But co-directing with his wife, author and academic Devorah Baum, he has recently got in front of the camera and hit a rich new seam of autofictional or possibly autofactual docu-comedy. The New Man documented – or sneakily semi-fabricated – Appignanesi as the hyper-annoying expectant dad with madly dishevelled hair who is unable to help his pregnant partner in any practical way, and feels existentially undermined by the whole process.

Now Appignanesi and Baum are back: it is three years later and they have two children. Baum is going to New York on a prestigious signing/lecture tour to promote her book about feelings: Appignanesi is going along (and so are the kids, and a niece to look after them) to make a film about his own feelings on the matter. Baum thoughtfully paces the New York streets with Appignanesi capering beside her, jabberingly excited and yet weirdly and pre-emptively depressed about anything disappointing or bad that might happen in the future. To his wife’s exasperation, he is once again the massively unhelpful overgrown manchild.

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