Chuck Russell, director of The Mask and The Blob, dies aged 74

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The film-maker, also behind A Nightmare on Elm Street 3, died on Wednesday in his San Diego home Director Chuck Russell, who helped propel actors such as Jim Carrey , Cameron Diaz and Dwayne “The Rock” Johnson to the Hollywood A-list, was found dead in his San Diego, California, home on Wednesday. He was 74. Russell directed several box office hits in his decades-long career including A Nightmare on Elm Street 3: Dream Warriors, The Blob and The Mask. In 2002, his film The Scorpion King featured The Rock in his first leading role. Continue reading... from Film | The Guardian https://ift.tt/w2junr8 via IFTTT
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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