Hurun Global Rich List 2026: Ramayana producer Namit Malhotra joins India’s Billionaire Club as nation reaches 308 billionaires

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India’s billionaire ranks continue to expand, with the latest Hurun Global Rich List 2026 adding 57 new names and pushing the country’s total tally to 308 billionaires. Among the notable entrants this year is filmmaker and visual effects entrepreneur Namit Malhotra, whose journey from a modest editing setup in his father’s garage to heading one of the world’s most celebrated VFX studios that will now be producing the much-awaited Ranbir Kapoor, Yash starrer Ramayana, has become a remarkable success story. Malhotra is the founder and CEO of DNEG, the global visual effects and animation company known for its work on several award-winning international films. Over the years, DNEG has earned multiple Academy Awards for its groundbreaking VFX contributions to Hollywood productions, cementing its reputation as a powerhouse in the global film industry. Beyond his work in visual effects, Malhotra has also been actively involved in large-scale film production. He is currently backing one of t...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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