Raja Shivaji sells 40,000 tickets in advance booking; Pune goes on overdrive as 7:00 am shows open due to huge demand

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Two days ago, Bollywood Hungama reported that the ticket sales of The Devil Wears Prada 2 were very encouraging. Raja Shivaji releases on the same day as the Hollywood comedy drama and this film, too, seems all set for a flying start, especially in its Marathi version. According to data accessed by Bollywood Hungama, Raja Shivaji had sold more than 40,000 tickets as of 8:00 am on April 29. By 4:30 pm on April 28, PVR Inox sold 9,800 tickets for the historical entertainer’s Marathi version. Cinepolis sold 3,000 tickets, MovieMax saw sales of 2,400, while Miraj Cinemas sold more than 4,100 tickets. The Marathi version has far more appeal due to its local flavour, ensemble cast, and the correct release period. Raja Shivaji releases on May 1, which is Maharashtra Day. Hence, the film will enjoy a three-day weekend in the state. Several films have been made on Chhatrapati Shivaji Maharaj in Marathi, but Raja Shivaji seems like the grandest of them all. This has further encouraged audience...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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