Relationship Goals review – Kelly Rowland and Method Man flirt through breezy romcom

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The Valentine’s Day offerings begin with Amazon’s fast-paced, millennial-coded film that’s a fun enough watch even if its messaging is a little suspect On its face, Relationship Goals is a classic romcom, calibrated for viewers of a certain generation. The perennially resplendent Kelly Rowland is Leah, a boss babe morning TV producer in line to replace her retiring boss (the omnipresent Matt Walsh) as showrunner. Just as she’s poised to break the glass ceiling, the network higher-ups stick her in a bake-off with Jarrett, a ringer from her romantic past played with devil charm by Method Man. The promise of one of Destiny’s Children playing the will they/won’t they game with the hunk of the Wu-Tang Clan could well prove too strong a lure to stop the scores who grew up on their music from clicking on the Prime Video thumbnail just out of nostalgic curiosity. It’s a tractor beam made stronger by director Linda Mendoza’s extraordinarily fast pace. I mean, those 90 minutes just breeze by. ...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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