Satluj row deepens: PIL filed in Punjab and Haryana High Court over Zee5 removal of Diljit Dosanjh film

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The controversy surrounding Diljit Dosanjh's Satluj continues to intensify. A public interest litigation (PIL) has now been filed before the Punjab and Haryana High Court, challenging the sudden removal of the film from streaming platform Zee5 and seeking its restoration across the country. The PIL has been filed by Sharwan Singh, with the Union Government, the Central Board of Film Certification (CBFC), the Punjab Government, Zee Entertainment Enterprises Limited, and ZEE5 named as respondents. The petition questions why the film, which is based on the life and work of human rights activist Jaswant Singh Kalra, was removed from the platform without any judicial, legal, or government directive. Filed under Article 226 of the Constitution of India, the petition argues that the removal of Satluj infringes upon the fundamental right to freedom of speech and expression. It further contends that the explanation citing only "current circumstances" is vague and fails to specify...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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