Post your questions for Imelda Staunton

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She’s acting royalty – literally, having played Queen Elizabeth II in The Crown – but what questions would you ask her? It is perhaps fitting that Imelda Staunton ended up playing Queen Elizabeth II in the last two series of The Crown, considering she has been acting royalty for years. Her film career has seen her voice champion egg-layer Bunty in 2000’s Chicken Run, followed by roles in Mike Leigh’s 2004 drama Vera Drake and the 2005 comedy Nanny McPhee. In 2014, she played the formidable Welsh miners’ strike campaigner Hefina in Pride . She also plays Lady Maud Bagshaw in the first two Downton Abbey films, and voices Paddington’s beloved Aunt Lucy in all three Paddington films. For a whole generation, however, she will always be Dolores Umbridge in two of the later Harry Potter films, where she somehow made a pink cardigan almost as frightening as Voldemort. On TV, she has cropped up in everything from Little Britain and Doctor Who to Psychoville, Brassic and a memorable guest appear...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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