Aditya Pancholi seeks quashing of Rape FIR; Next hearing on Feb 24

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Veteran Bollywood actor Aditya Pancholi returned to the spotlight on Thursday as the Bombay High Court took up his petition to quash a 2019 rape FIR lodged against him at the Versova Police Station in Mumbai. The case involves allegations made by a female Bollywood actress. Pancholi’s legal team, led by advocate Prashant Patil, urged the court to dismiss the FIR on grounds that it was filed many years after the alleged incident, describing the complaint as “malicious” and lacking in timely evidence. The plea cited legal precedent, notably the Supreme Court’s Bhajanlal judgment,  which allows quashing of criminal proceedings under specific circumstances. During Thursday’s hearing, the defence also presented a recording of a meeting prior to the FIR being filed, which they claim demonstrates “wrongful intention” behind the complaint. The court noted the submission but did not rule on its admissibility, opting instead to focus on procedural matters at this stage. A key point raised ...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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