REVEALED: NO IMAX release for Spider-Man: Brand New Day as Christopher Nolan’s The Odyssey EXCLUSIVELY blocks IMAX screens for three weeks

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July is expected to be huge for Hollywood in India, as two highly anticipated films are set to arrive in cinemas. The Odyssey will release on July 17, while Spider-Man: Brand New Day will hit theatres in India on July 30. Though both films are still a month away from release, their advance bookings have already opened for Indian audiences. The bookings of The Odyssey went live on June 8, while yesterday, June 17, viewers got a chance to book tickets for Spider-Man: Brand New Day. The tickets of both films are selling like hot cakes, indicating that they are headed for a strong start at the box office. Spider-Man films have traditionally enjoyed an IMAX release, but Spider-Man: Brand New Day will be an exception. As of now, bookings have opened only in PXL, 4DX, ScreenX, Marco XE and other such premium formats. A user asked in the comments section of the film’s trailer, posted by Sony Pictures India, whether Spider-Man: Brand New Day would release in IMAX. Sony confirmed, “No IMAX rele...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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