Arijit Singh to get into politics post announcing retirement from singing

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If sources are to be believed, Arijit Singh has decided to take the precarious plunge into politics. There are conflicting rumours on his political plans, though. According to a source very close to the singer, “He feels very close to West Bengal. He is going into politics for sure. But he hasn’t decided whether to start his own party, or join Mamata Banerjee, whom he is very close to. But yes, he is very keen to work for the betterment of the grassroots sections. For this, he thinks politics is the right platform.” Arijit’s friend describes the singer as a “saint”. “He has earned millions and millions. But he doesn’t spend a penny on himself. He uses his wealth to quietly help the needy.” Arijit Singh is one of the most admired singers to have emerged from the Indian entertainment industry after he entered the music scene in 2011. His popularity and liking goes beyond the borders of India. The celebrated singer shocked his fans earlier this week both in India and out...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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