Court grants interim relief to Pooja Entertainment in ‘Chunari Chunari’ rights dispute with Tips Music

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The ongoing legal dispute between producer Vashu Bhagnani’s Pooja Entertainment and Tips Music has reignited the long-standing debate over ownership of film music rights in the Indian film industry. The controversy erupted after Pooja Entertainment approached the court alleging that Tips recreated the iconic track ‘Chunari Chunari’ for the upcoming film Hai Jawani Toh Ishq Hona Hai without obtaining permission. The song originally featured in Biwi No.1 (1999), produced by Pooja Entertainment. The court has currently granted interim protection in favour of Vashu Bhagnani. While reacting to the matter on social media, Tips Music insisted that they remain to be “lawful owner” of the music rights and termed the allegations made by Pooja Entertainment as “malicious.” Responding to Tips’ statement, a legal spokesperson representing Vashu Bhagnani said that all music rights, songs, and films referred to in the suit are presently covered under the court’s “status quo” order. The spokesperson ...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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