Sunny Deol's next with Excel Entertainment is a "high-concept project"

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Sunny Deol is set to collaborate with Excel Entertainment for a new film that is currently in development. While the makers have not officially shared details about the project, early information suggests that it is being planned on a notable scale. According to a source close to the development, “Sunny Deol is gearing up for a massive with Excel Entertainment, high-concept project that could redefine his big-screen presence. While the makers are keeping details tightly under wraps, insiders hint at an ambitious scale and powerful backing already in motion. The film has the potential to become one of his most impactful and talked-about ventures yet." At present, the nature of the film, including its genre, storyline, and supporting cast, remains undisclosed. The production house is known for backing a range of projects across genres, and this collaboration adds another title to its upcoming slate. Sunny Deol, who has continued to maintain a strong presence in Hindi cinema, is e...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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