EXCLUSIVE: Viineet Kumar Siingh, Saurabh Shukla join Manoj Bajpayee, Rajkummar Rao for Shoojit Sircar’s MYTHO-HUMOUR film

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Shoojit Sircar has carved a niche for himself with his films like Vicky Donor (2012), Piku (2015), October (2024), Sardar Udham (2021) and the recently released flick, I Want To Talk (2024). Bollywood Hungama has now learned some exciting information about his next film, which is going to be the first-ever mytho-humour entertainer. A source told Bollywood Hungama, “It marks Shoojit Sircar’s much-awaited return to humour. The acclaimed filmmaker, known for bringing warmth, wit and sharp observation to films such as Vicky Donor and Piku, is now stepping into an entirely new space with his first-ever Mytho Humour entertainer.” In industry circles, the project has begun to make noise, for all the right reasons. The source said, “A massive, elaborate set is being constructed by Sardar Udham’s National Award-winning production designer, Mansi Dhruv Mehta. Inspired by a key chapter from the Mahabharat, the world being built blends mythology with a contemporary and satirical lens.” Adding t...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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