Mohammed Zeeshan Ayyub clarifies he is not part of Ajay Devgn starrer Chauhaan after teaser voice controversy

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Actor Mohammed Zeeshan Ayyub has issued a public clarification distancing himself from the upcoming Ajay Devgn-starrer Chauhaan, stating that he has no association with the film despite his voice featuring in its teaser. The actor shared a detailed note on social media, explaining that he had recorded a line for the makers in good faith without being informed about the context in which it would eventually be used. Zeeshan's statement comes around 10 days after reports suggested that his voice had been removed from the Chauhaan teaser. While he did not mention the film by name in his note, it was widely understood that he was referring to Chauhaan, whose teaser had initially opened with a narration in his voice. Sharing his statement, Mohammed Zeeshan Ayyub wrote, “Few weeks back, a film teaser released with the opening line in my voice. I wish to put on record that I am not part of the film in any capacity. I was asked to dub a line without any reference a few months back. I did t...
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Eileen review – Anne Hathaway transfixes in off-kilter thriller

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Sundance film festival: the Oscar winner gives a pitch-perfect turn in an adaptation of Ottessa Moshfegh’s hit novel that doesn’t push its weirdness far enough

There’s a fantastically well-measured performance from Anne Hathaway in the strange, if not quite strange enough, thriller Eileen, an adaptation of Ottessa Moshfegh’s Booker prize-shortlisted novel. She’s an actor who doesn’t always find her sweet spot, admirably trying to show extensive range for a star of her high wattage, yet often not proving to be the right match for her material, big swings frustratingly filed away as big misses.

Hathaway has an outsized energy that can jar with roles that require a performer who can more convincingly, quietly disappear, and so in Eileen, where her character Rebecca is exploding into the drab world of 1960s Massachusetts as a glamorous, and potentially dangerous, bombshell, it’s a match-up that feels like kismet. Her arrival is a ground-shifter for bored 24-year-old Eileen (Thomasin McKenzie) whose life consists of caring for her cruel alcoholic father (a horribly believable Shea Wigham, a sterling character actor long overdue for more attention), controlling her sexual desire and working a thankless job as a secretary at a juvenile facility. When Rebecca joins the staff as a psychologist, Eileen, like the men surrounding her, is unable to stop staring, a sudden flash of colour in an otherwise muted world.

Eileen premiered at the Sundance film festival and is seeking distribution

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