Not just Animal Park, is Sandeep Reddy Vanga planning a part 3 of Animal too?

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Sandeep Reddy Vanga’s Ranbir Kapoor-starrer blockbuster Animal may be getting even bigger than originally planned. While Animal Park, the second instalment of the franchise, is still in the scripting stage, strong industry buzz suggests that Vanga could be contemplating expanding the narrative into a three-part saga. Though there has been no official announcement yet, sources familiar with the development indicate that the filmmaker’s creative ambitions for the sequel may have outgrown the idea of a simple two-part structure. “Vanga’s original plan was to tell the story in two films,” a source close to the project told this writer. “But while writing the second part, he realised the narrative had far more depth and material than could be contained in just one more instalment. That’s when the possibility of a third part entered the picture.” If this plan moves forward, Ranbir Kapoor is expected to remain the common thread across all three films. Interestingly, insiders suggest that th...
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Drift review – beautiful yet undercooked character study

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Sundance film festival: Cynthia Erivo stars as a west African migrant who befriends Alia Shawkat’s American émigré in this too-quiet character drama

Save for its few flashback moments of horrific, haunting trauma, Drift, the mostly quiet story of a west African migrant reeling from the unimaginable on a Greek resort isle, is easy on the eyes. Director Anthony Chen’s film, from a screenplay by Susanne Farrell and Alexander Maksik, gives harried aftermath the sheen of tranquil nobility, resilience hiding in plain sight – the crowd of barely clothed, languid white bodies dotting star Cynthia Erivo’s opening walk down the beach, the bleached yellow of the Mediterranean sun, the way Erivo’s Jacqueline slowly, carefully washes her one set of clothes. Even Jacqueline’s night ritual, arranging plastic bags of pebbles for a makeshift beach cave mattress, takes on the lulling rhythm of a reverie.

It’s a lot of compelling aesthetic, anchored at most turns by Erivo’s committed, tense performance, that like many a Sundance movie can only cover so much undercooked structure. Drift, based on Maksik’s 2013 novel A Marker to Measure Drift, relies on Jacqueline’s trauma-fragmented memory to unfold the story too slowly. For the first half hour, Jacqueline is mostly a cipher, scrounging for money via beachside foot massages by day, flitting through shadows and dodging bigoted police by night. We catch tantalizing snippets of her clearly suppressed past in too-short flashbacks – a time when she had long braids and a white British girlfriend (Honor Swinton Byrne), a time when she lived in England, a joyful moment with her privileged minister’s family in militarized Liberia. The script’s spareness – what year is it? How did Jacqueline get here? Why is she so alone? – provokes equal parts mystery and frustration.

Drift premiered at the Sundance film festival and is seeking distribution.

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