BREAKING: Mumbai Police files FIR against Dhurandhar The Revenge location manager for flying drone in high security Fort area of South Mumbai without permission

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A few days ago, leaked images from the sets of Dhurandhar The Revenge dropped online and quickly spread like wildfire. The images featured Sanjay Dutt and Arjun Rampal shooting in South Mumbai’s Ballard Estate. The locality can also be seen being transformed into Karachi’s Lyari locality. However, two days ago, the shoot was abruptly halted by the Mumbai Police for flying a drone without permission. As per a report in Mumbai Mirror, a First Information Report (FIR) was filed against location manager Rinku Rajpal Valmiki under Section 223 of the Bharatiya Nyaya Sanhita (BNS) for “knowingly disobeying lawful orders from officials”. The FIR mentioned that the crew used drones but did not have permission. What added to the seriousness, as per the report, was that Fort is considered a high-security area of the city. The Mumbai Mirror article then revealed on February 1, Sanjay Dutt had arrived on the set and was shooting a crucial scene of Dhurandhar The Revenge. He was wearing a white pa...
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Drift review – beautiful yet undercooked character study

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Sundance film festival: Cynthia Erivo stars as a west African migrant who befriends Alia Shawkat’s American émigré in this too-quiet character drama

Save for its few flashback moments of horrific, haunting trauma, Drift, the mostly quiet story of a west African migrant reeling from the unimaginable on a Greek resort isle, is easy on the eyes. Director Anthony Chen’s film, from a screenplay by Susanne Farrell and Alexander Maksik, gives harried aftermath the sheen of tranquil nobility, resilience hiding in plain sight – the crowd of barely clothed, languid white bodies dotting star Cynthia Erivo’s opening walk down the beach, the bleached yellow of the Mediterranean sun, the way Erivo’s Jacqueline slowly, carefully washes her one set of clothes. Even Jacqueline’s night ritual, arranging plastic bags of pebbles for a makeshift beach cave mattress, takes on the lulling rhythm of a reverie.

It’s a lot of compelling aesthetic, anchored at most turns by Erivo’s committed, tense performance, that like many a Sundance movie can only cover so much undercooked structure. Drift, based on Maksik’s 2013 novel A Marker to Measure Drift, relies on Jacqueline’s trauma-fragmented memory to unfold the story too slowly. For the first half hour, Jacqueline is mostly a cipher, scrounging for money via beachside foot massages by day, flitting through shadows and dodging bigoted police by night. We catch tantalizing snippets of her clearly suppressed past in too-short flashbacks – a time when she had long braids and a white British girlfriend (Honor Swinton Byrne), a time when she lived in England, a joyful moment with her privileged minister’s family in militarized Liberia. The script’s spareness – what year is it? How did Jacqueline get here? Why is she so alone? – provokes equal parts mystery and frustration.

Drift premiered at the Sundance film festival and is seeking distribution.

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