Michael Madsen’s brooding charisma needed Tarantino to unlock it | Peter Bradshaw

The Reservoir Dogs and Donnie Brasco actor had a rare, sometimes scary power, as well as a winning self-awareness and levity Michael Madsen, star of Reservoir Dogs, Kill Bill and Donnie Brasco, dies aged 67 Michael Madsen– a life in pictures Until 1992, when people heard Stuck in the Middle With You by Stealers Wheel on the radio, they might smile and nod and sing along to its catchy soft-rock tune and goofy Dylan-esque lyrics. But after 1992, with the release of Quentin Tarantino’s sensationally tense and violent crime movie Reservoir Dogs, the feelgood mood around that song forever darkened. That was down to an unforgettably scary performance by Michael Madsen, who has died at the age of 67. Stuck in the Middle, with its lyrics about being “so scared in case I fall off my chair”, was to be always associated with the image of Madsen, whom Tarantino made an icon of indie American movies, with his boxy black suit, sinister, ruined handsomeness and powerful physique running ...

Drift review – beautiful yet undercooked character study

Sundance film festival: Cynthia Erivo stars as a west African migrant who befriends Alia Shawkat’s American émigré in this too-quiet character drama

Save for its few flashback moments of horrific, haunting trauma, Drift, the mostly quiet story of a west African migrant reeling from the unimaginable on a Greek resort isle, is easy on the eyes. Director Anthony Chen’s film, from a screenplay by Susanne Farrell and Alexander Maksik, gives harried aftermath the sheen of tranquil nobility, resilience hiding in plain sight – the crowd of barely clothed, languid white bodies dotting star Cynthia Erivo’s opening walk down the beach, the bleached yellow of the Mediterranean sun, the way Erivo’s Jacqueline slowly, carefully washes her one set of clothes. Even Jacqueline’s night ritual, arranging plastic bags of pebbles for a makeshift beach cave mattress, takes on the lulling rhythm of a reverie.

It’s a lot of compelling aesthetic, anchored at most turns by Erivo’s committed, tense performance, that like many a Sundance movie can only cover so much undercooked structure. Drift, based on Maksik’s 2013 novel A Marker to Measure Drift, relies on Jacqueline’s trauma-fragmented memory to unfold the story too slowly. For the first half hour, Jacqueline is mostly a cipher, scrounging for money via beachside foot massages by day, flitting through shadows and dodging bigoted police by night. We catch tantalizing snippets of her clearly suppressed past in too-short flashbacks – a time when she had long braids and a white British girlfriend (Honor Swinton Byrne), a time when she lived in England, a joyful moment with her privileged minister’s family in militarized Liberia. The script’s spareness – what year is it? How did Jacqueline get here? Why is she so alone? – provokes equal parts mystery and frustration.

Drift premiered at the Sundance film festival and is seeking distribution.

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