Alia Bhatt and Sharvari shoot with Samay Raina for India’s Got Latent Season 2 in viral photo

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A viral picture featuring Alia Bhatt, Sharvari and comedian Samay Raina has taken social media by storm, sparking widespread speculation around the return of India’s Got Latent. The photos, reportedly clicked at The Habitat in Mumbai, have led fans to believe that the actresses may be appearing as part of the promotional campaign for their upcoming spy-universe film Alpha. While there has been no official confirmation from the makers or the actors involved, the viral images have already triggered intense discussions online. Many fans appeared excited at the possibility of seeing Alia and Sharvari participate in Samay Raina’s popular digital talent-roast format, especially given the enormous online popularity the show achieved after its launch in 2024. Created by Samay Raina, India’s Got Latent quickly became one of the most talked-about digital shows in the country due to its unfiltered humour, unpredictable format, and viral guest interactions. However, the show also attracted contro...
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Drift review – beautiful yet undercooked character study

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Sundance film festival: Cynthia Erivo stars as a west African migrant who befriends Alia Shawkat’s American émigré in this too-quiet character drama

Save for its few flashback moments of horrific, haunting trauma, Drift, the mostly quiet story of a west African migrant reeling from the unimaginable on a Greek resort isle, is easy on the eyes. Director Anthony Chen’s film, from a screenplay by Susanne Farrell and Alexander Maksik, gives harried aftermath the sheen of tranquil nobility, resilience hiding in plain sight – the crowd of barely clothed, languid white bodies dotting star Cynthia Erivo’s opening walk down the beach, the bleached yellow of the Mediterranean sun, the way Erivo’s Jacqueline slowly, carefully washes her one set of clothes. Even Jacqueline’s night ritual, arranging plastic bags of pebbles for a makeshift beach cave mattress, takes on the lulling rhythm of a reverie.

It’s a lot of compelling aesthetic, anchored at most turns by Erivo’s committed, tense performance, that like many a Sundance movie can only cover so much undercooked structure. Drift, based on Maksik’s 2013 novel A Marker to Measure Drift, relies on Jacqueline’s trauma-fragmented memory to unfold the story too slowly. For the first half hour, Jacqueline is mostly a cipher, scrounging for money via beachside foot massages by day, flitting through shadows and dodging bigoted police by night. We catch tantalizing snippets of her clearly suppressed past in too-short flashbacks – a time when she had long braids and a white British girlfriend (Honor Swinton Byrne), a time when she lived in England, a joyful moment with her privileged minister’s family in militarized Liberia. The script’s spareness – what year is it? How did Jacqueline get here? Why is she so alone? – provokes equal parts mystery and frustration.

Drift premiered at the Sundance film festival and is seeking distribution.

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