Dhadak 2 director Shazia Iqbal goes private after slamming Dhurandhar as “sinister” film promoting hate

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Filmmaker Shazia Iqbal, known for her directorial debut Dhadak 2, has publicly criticised the spy thriller Dhurandhar, calling it “sinister” and asserting that “inciting hate and violence is in its DNA.” Her remarks, shared via Instagram Stories, have sparked debate within Bollywood and among audiences following the film’s successful run and recent Netflix release. Released in December 2025, Dhurandhar, directed by Aditya Dhar and featuring Ranveer Singh in the lead role, has become one of the highest-grossing Hindi films at the domestic box office. The action-oriented espionage narrative centres on an Indian spy embedded deep within a terror network, and includes a supporting cast of well-known actors such as Akshaye Khanna, Arjun Rampal, R Madhavan, Sanjay Dutt and Sara Arjun. Shazia Iqbal’s comments did not explicitly name the film in her initial post, but she paired her message with Dhurandhar’s title track, making clear the target of her critique. In her Instagram Story, she des...
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Drift review – beautiful yet undercooked character study

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Sundance film festival: Cynthia Erivo stars as a west African migrant who befriends Alia Shawkat’s American émigré in this too-quiet character drama

Save for its few flashback moments of horrific, haunting trauma, Drift, the mostly quiet story of a west African migrant reeling from the unimaginable on a Greek resort isle, is easy on the eyes. Director Anthony Chen’s film, from a screenplay by Susanne Farrell and Alexander Maksik, gives harried aftermath the sheen of tranquil nobility, resilience hiding in plain sight – the crowd of barely clothed, languid white bodies dotting star Cynthia Erivo’s opening walk down the beach, the bleached yellow of the Mediterranean sun, the way Erivo’s Jacqueline slowly, carefully washes her one set of clothes. Even Jacqueline’s night ritual, arranging plastic bags of pebbles for a makeshift beach cave mattress, takes on the lulling rhythm of a reverie.

It’s a lot of compelling aesthetic, anchored at most turns by Erivo’s committed, tense performance, that like many a Sundance movie can only cover so much undercooked structure. Drift, based on Maksik’s 2013 novel A Marker to Measure Drift, relies on Jacqueline’s trauma-fragmented memory to unfold the story too slowly. For the first half hour, Jacqueline is mostly a cipher, scrounging for money via beachside foot massages by day, flitting through shadows and dodging bigoted police by night. We catch tantalizing snippets of her clearly suppressed past in too-short flashbacks – a time when she had long braids and a white British girlfriend (Honor Swinton Byrne), a time when she lived in England, a joyful moment with her privileged minister’s family in militarized Liberia. The script’s spareness – what year is it? How did Jacqueline get here? Why is she so alone? – provokes equal parts mystery and frustration.

Drift premiered at the Sundance film festival and is seeking distribution.

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