EXCLUSIVE: CBFC asks for 15 cuts and modifications in The Kerala Story 2: Goes Beyond; reduces kiss and rape visuals by 50%

The Kerala Story 2: Goes Beyond is all set to release this Friday, February 27, and it has managed to create considerable noise on social media because of its shocking and controversial content. Usually, such films often contain disturbing content and, as a result, are meant for only adult-viewing. Hence, it was a surprise for the trade and industry that the Central Board of Film Certification (CBFC) passed the film with a U/A 16+ certificate. However, the CBFC asked for 16 cuts or modifications in the film. To begin with, the visuals of kissing were reduced by 50%. In short, the lip-lock scene was shortened by 7 seconds. Similarly, the rape scene visuals were also reduced by 50%, that is, by 20 seconds. Two scenes - one of a woman being slapped and the other of a woman's head being hit - were both reduced by 2 seconds. The visuals of the house of the accused being demolished with a bulldozer were asked to be modified. Three dialogues, at three different places, were modified whi...

Drift review – beautiful yet undercooked character study

Sundance film festival: Cynthia Erivo stars as a west African migrant who befriends Alia Shawkat’s American émigré in this too-quiet character drama

Save for its few flashback moments of horrific, haunting trauma, Drift, the mostly quiet story of a west African migrant reeling from the unimaginable on a Greek resort isle, is easy on the eyes. Director Anthony Chen’s film, from a screenplay by Susanne Farrell and Alexander Maksik, gives harried aftermath the sheen of tranquil nobility, resilience hiding in plain sight – the crowd of barely clothed, languid white bodies dotting star Cynthia Erivo’s opening walk down the beach, the bleached yellow of the Mediterranean sun, the way Erivo’s Jacqueline slowly, carefully washes her one set of clothes. Even Jacqueline’s night ritual, arranging plastic bags of pebbles for a makeshift beach cave mattress, takes on the lulling rhythm of a reverie.

It’s a lot of compelling aesthetic, anchored at most turns by Erivo’s committed, tense performance, that like many a Sundance movie can only cover so much undercooked structure. Drift, based on Maksik’s 2013 novel A Marker to Measure Drift, relies on Jacqueline’s trauma-fragmented memory to unfold the story too slowly. For the first half hour, Jacqueline is mostly a cipher, scrounging for money via beachside foot massages by day, flitting through shadows and dodging bigoted police by night. We catch tantalizing snippets of her clearly suppressed past in too-short flashbacks – a time when she had long braids and a white British girlfriend (Honor Swinton Byrne), a time when she lived in England, a joyful moment with her privileged minister’s family in militarized Liberia. The script’s spareness – what year is it? How did Jacqueline get here? Why is she so alone? – provokes equal parts mystery and frustration.

Drift premiered at the Sundance film festival and is seeking distribution.

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