Post your questions for Halle Bailey

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Ahead of the release of her new film You, Me & Tuscany, the singer and actor will be taking your questions on everything from working with Beyoncé to The Little Mermaid backlash You’ll probably know Halle Bailey best for two things: her role as Ariel in Disney’s 2023 live-action remake of The Little Mermaid , and appearing in the visual album for Lemonade by Beyoncé , who she also supported on tour as part of musical sister duo Chloe x Halle . The pair first found an audience on YouTube, and have since been nominated for five Grammys. Bailey was only 19 when she was cast in The Little Mermaid, thanks due what director Rob Marshall described as her “otherworldly sensibility”. Of course the internet quickly found something to complain about, with much of the backlash going beyond the absence of cartoony bright red hair. “I expected it, honestly,” she told the Guardian . “We’re all human beings, so of course it’s going to hurt or sting a little bit, especially remarks like those.” ...
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Drift review – beautiful yet undercooked character study

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Sundance film festival: Cynthia Erivo stars as a west African migrant who befriends Alia Shawkat’s American émigré in this too-quiet character drama

Save for its few flashback moments of horrific, haunting trauma, Drift, the mostly quiet story of a west African migrant reeling from the unimaginable on a Greek resort isle, is easy on the eyes. Director Anthony Chen’s film, from a screenplay by Susanne Farrell and Alexander Maksik, gives harried aftermath the sheen of tranquil nobility, resilience hiding in plain sight – the crowd of barely clothed, languid white bodies dotting star Cynthia Erivo’s opening walk down the beach, the bleached yellow of the Mediterranean sun, the way Erivo’s Jacqueline slowly, carefully washes her one set of clothes. Even Jacqueline’s night ritual, arranging plastic bags of pebbles for a makeshift beach cave mattress, takes on the lulling rhythm of a reverie.

It’s a lot of compelling aesthetic, anchored at most turns by Erivo’s committed, tense performance, that like many a Sundance movie can only cover so much undercooked structure. Drift, based on Maksik’s 2013 novel A Marker to Measure Drift, relies on Jacqueline’s trauma-fragmented memory to unfold the story too slowly. For the first half hour, Jacqueline is mostly a cipher, scrounging for money via beachside foot massages by day, flitting through shadows and dodging bigoted police by night. We catch tantalizing snippets of her clearly suppressed past in too-short flashbacks – a time when she had long braids and a white British girlfriend (Honor Swinton Byrne), a time when she lived in England, a joyful moment with her privileged minister’s family in militarized Liberia. The script’s spareness – what year is it? How did Jacqueline get here? Why is she so alone? – provokes equal parts mystery and frustration.

Drift premiered at the Sundance film festival and is seeking distribution.

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