‘It had to be Jessie Buckley’: star-maker Nina Gold glimpses Oscar chance for Hamnet casting

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Woman who paired Buckley with Paul Mescal in critics’ favourite is contender in new Academy Award category If you were to compile a list of the most powerful people in the movie business, you might start with the auteurs, the A-list actors or the execs who bankroll Oscar-winning projects. But among those better-known powerbrokers is another vital cog in the Hollywood machine: the people with the ability to make and grow stars. Continue reading... from Film | The Guardian https://ift.tt/NOXH3Iw via IFTTT
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All Dirt Roads Taste of Salt review – experimental film pulls on the senses

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Sundance film festival: Raven Jackson’s gorgeous, sparsely worded debut film evokes the non-linear memories of one Black woman in Mississippi

There will be a moment in All Dirt Roads Taste of Salt, the gorgeous, unconventional debut from Raven Jackson, when the film’s spell works. It may be in the first 15 minutes, lulled by Mississippi’s lush soundscape and meditative shots of a southern summer, or an extended take in a hospital delivery room. It could wait until the final scene, an ode to memories already recorded and yet to come.

The pull of this sparsely worded, deeply sensitive film will probably depend on what triggers one’s personal sentimentality and, more pertinently, how much you know about it going in. The plot is so loosely outlined, and the camera so frequently turned to hands over faces, that it could be difficult, sans context, to pick up on its ambitious logic: a series of non-chronological memories in the life of one Black woman, connected by the senses of touch and sound and particularly attuned to the lingering feel of one’s skin on another.

All Dirt Roads Taste of Salt premiered at the Sundance film festival and will be released later this year

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