‘She wasn’t acting, she wanted to live it’: how a fake pregnancy resulted in the wildest true crime film of the year

Netflix documentary A Child of My Own tells the stranger-than-fiction story of a hospital worker who went to extreme lengths in her efforts to become a mother. Its director recounts their meetings in a Mexican prison The CCTV footage of the hospital corridor is grainy but you can make out a young woman carrying an oversized gift bag. Nothing unusual there. Except that inside the bag is a newborn baby girl, just hours old. And the woman carrying the bag, walking out of the hospital’s main entrance, past two security guards who are idly chatting, is not the baby’s mother. Her name is Eleonor Alejandra Marín Mendoza, known to everyone as Alejandra. When film-maker Maite Alberdi met her in a low-security Mexican prison, Alejandra was in the final year of a 13-year jail sentence for snatching the baby. Alberdi listened rapt as Alejandra told her story: “Everything she was telling me was extraordinary, stranger than fiction.” Continue reading... from Film | The Guardian https://ift.tt/QG...

All Dirt Roads Taste of Salt review – experimental film pulls on the senses

Sundance film festival: Raven Jackson’s gorgeous, sparsely worded debut film evokes the non-linear memories of one Black woman in Mississippi

There will be a moment in All Dirt Roads Taste of Salt, the gorgeous, unconventional debut from Raven Jackson, when the film’s spell works. It may be in the first 15 minutes, lulled by Mississippi’s lush soundscape and meditative shots of a southern summer, or an extended take in a hospital delivery room. It could wait until the final scene, an ode to memories already recorded and yet to come.

The pull of this sparsely worded, deeply sensitive film will probably depend on what triggers one’s personal sentimentality and, more pertinently, how much you know about it going in. The plot is so loosely outlined, and the camera so frequently turned to hands over faces, that it could be difficult, sans context, to pick up on its ambitious logic: a series of non-chronological memories in the life of one Black woman, connected by the senses of touch and sound and particularly attuned to the lingering feel of one’s skin on another.

All Dirt Roads Taste of Salt premiered at the Sundance film festival and will be released later this year

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