The Cure review – eat-the-rich horror fable with a sinister life-extension twist

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A fabulously wealthy teen girl with lupus makes a new friend who pulls her out of plush isolation and toward some dark discoveries It’s been a long, slow slog but after years of market research and audience studies, as well as the success of films like The Substance, those who bankroll horror movies have finally accepted an incontrovertible fact: that women consume the genre not just because they’re along for the ride, but as a primary audience who want to see their own fears and anxieties at the dead centre. And we’re here for it, as the kids say, although this inevitably means there will be a fair amount of shonky, slapdash gynocentric horror on offer, often with generous side portions of eat-the-rich resentment. This teen-focused feature film, like recent hot-mess TV series The Beauty , is a case in point. Directed by Nancy Leopardi and written by Jonathan Bernstein and James Greer (who wrote Steven Soderbergh’s Unsane), The Cure is a fable of poor little rich girl loneliness that...
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All Dirt Roads Taste of Salt review – experimental film pulls on the senses

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Sundance film festival: Raven Jackson’s gorgeous, sparsely worded debut film evokes the non-linear memories of one Black woman in Mississippi

There will be a moment in All Dirt Roads Taste of Salt, the gorgeous, unconventional debut from Raven Jackson, when the film’s spell works. It may be in the first 15 minutes, lulled by Mississippi’s lush soundscape and meditative shots of a southern summer, or an extended take in a hospital delivery room. It could wait until the final scene, an ode to memories already recorded and yet to come.

The pull of this sparsely worded, deeply sensitive film will probably depend on what triggers one’s personal sentimentality and, more pertinently, how much you know about it going in. The plot is so loosely outlined, and the camera so frequently turned to hands over faces, that it could be difficult, sans context, to pick up on its ambitious logic: a series of non-chronological memories in the life of one Black woman, connected by the senses of touch and sound and particularly attuned to the lingering feel of one’s skin on another.

All Dirt Roads Taste of Salt premiered at the Sundance film festival and will be released later this year

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