‘It’s more productive than doomscrolling’: film-maker Ben Wheatley on his secret life as musician Dave Welder

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While playing with nine-figure Hollywood budgets, the Kill List and Meg 2 director has become a prolific music producer. Next up is his experimental film, Bulk Dave Welder may just be the most prolific musician you’ve never heard of. In a little more than a year, he has released a staggering 26 records spanning electronica, dub, ambient, kosmische and drone. One of these albums, Thunderdrone, is more than four hours long. Based in Brighton and Hove and described as “a rotating group of musicians and artists”, in reality “Dave Welder” is largely the work of one man who, until now, has been operating in secret: film director Ben Wheatley. “I’ve always wanted to make music,” says Wheatley, whose films include the independent movies High-Rise, Kill List and Sightseers, along with big-budget Hollywood flicks such as the shark thriller Meg 2: The Trench. “I wanted to do it for my films but there was a dissonance. Of all the art forms, I couldn’t really understand it. I would dream that I c...
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All Dirt Roads Taste of Salt review – experimental film pulls on the senses

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Sundance film festival: Raven Jackson’s gorgeous, sparsely worded debut film evokes the non-linear memories of one Black woman in Mississippi

There will be a moment in All Dirt Roads Taste of Salt, the gorgeous, unconventional debut from Raven Jackson, when the film’s spell works. It may be in the first 15 minutes, lulled by Mississippi’s lush soundscape and meditative shots of a southern summer, or an extended take in a hospital delivery room. It could wait until the final scene, an ode to memories already recorded and yet to come.

The pull of this sparsely worded, deeply sensitive film will probably depend on what triggers one’s personal sentimentality and, more pertinently, how much you know about it going in. The plot is so loosely outlined, and the camera so frequently turned to hands over faces, that it could be difficult, sans context, to pick up on its ambitious logic: a series of non-chronological memories in the life of one Black woman, connected by the senses of touch and sound and particularly attuned to the lingering feel of one’s skin on another.

All Dirt Roads Taste of Salt premiered at the Sundance film festival and will be released later this year

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