Are you sitting uncomfortably? How Backrooms upended the horror movie

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It was just a creepy picture on the internet. Now it’s the year’s freakiest film. Its 20-year-old auteur Kane Parsons and stars Chiwetel Ejiofor and Renate Reinsve take us through the terrifying labyrinth Chiwetel Ejiofor has been on a lot of movie sets, but Backrooms was something different: a 30,000 sq ft labyrinth of apparently random corridors and chambers, all carpeted, fluorescent lit and decorated in the same sickly yellow wallpaper. It was so big that people were getting lost in it, says Ejiofor: “Especially on those first days. As you try to navigate your way around and you’re like: ‘I’m sure it’s this door, I’m sure that’s the way.’” He’s laughing at the recollection. “And you find yourself just back in the wrong corner of the whole studio and you’re like: ‘Get me some help!’” This is kind of the point of Backrooms – the movie and the online phenomenon that spawned it. It’s a concept that takes some unpacking, but as the premise for a buzzy A24 horror freakout, ...
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All Dirt Roads Taste of Salt review – experimental film pulls on the senses

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Sundance film festival: Raven Jackson’s gorgeous, sparsely worded debut film evokes the non-linear memories of one Black woman in Mississippi

There will be a moment in All Dirt Roads Taste of Salt, the gorgeous, unconventional debut from Raven Jackson, when the film’s spell works. It may be in the first 15 minutes, lulled by Mississippi’s lush soundscape and meditative shots of a southern summer, or an extended take in a hospital delivery room. It could wait until the final scene, an ode to memories already recorded and yet to come.

The pull of this sparsely worded, deeply sensitive film will probably depend on what triggers one’s personal sentimentality and, more pertinently, how much you know about it going in. The plot is so loosely outlined, and the camera so frequently turned to hands over faces, that it could be difficult, sans context, to pick up on its ambitious logic: a series of non-chronological memories in the life of one Black woman, connected by the senses of touch and sound and particularly attuned to the lingering feel of one’s skin on another.

All Dirt Roads Taste of Salt premiered at the Sundance film festival and will be released later this year

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