Ayushmann Khurrana brings back the golden era of comedy with Pati Patni Aur Woh Do; says, “It’s a throwback to a time when storytelling was simple, clean, and genuinely funny”

Actor Ayushmann Khurrana is gearing up for the release of his upcoming family entertainer, Pati Patni Aur Woh Do. The film promises to bring back the charm of classic situational comedy, drawing inspiration from the golden era of Hindi cinema. The film taps into a storytelling tradition that audiences have cherished for decades, a space where misunderstandings spiral into hilarious situations, every character adds a new layer to the narrative, and the humour feels organic, clean and timeless. Speaking about the film, Ayushmann said, “Pati Patni Aur Woh Do is a situational comedy in its purest, most classic form. The idea traces its roots back to the legacy of Sanjeev Kumar. I have been a big fan of his work. Humour from films of that era emerged from misunderstandings, timing, and character dynamics. I’ve always admired that style of storytelling, seen in timeless films like Padosan, Chupke Chupke, Angoor and Gol Maal. They are a laugh riot and I’m hoping Pati Patni Aur Woh Do will al...

All the Beauty and the Bloodshed review – Nan Goldin takes on big pharma

Documentary follows Goldin, the artist who became addicted to OxyContin, as she confronts the wealthy art patrons who profited from its sale

The part of the Sackler family behind the company Purdue Pharma have become notorious for their addictive opioid painkiller OxyContin which blighted innumerable American lives, while the Sacklers culturewashed the resulting colossal profits with conceited museum donations. There was hardly a museum in any first world capital city that didn’t salute their narcissism with a “Sackler wing” or a “Sackler courtyard”. Their story was first substantially told by the New Yorker’s investigative journalist Patrick Radden Keefe in his book Empire of Pain.

Purdue’s creepy genius lay not in science, or pharmaceuticals, or medicine – but marketing. It wasn’t that they invented opioids; these had existed in various forms but had long been considered too dangerous for any but the most extreme pain management, or in terminal palliative care; Purdue simply persuaded the US medical profession to prescribe them in pill form for much less serious cases. Then the nation’s addiction agony was recycled into art-world prestige.

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