Jonita Gandhi recalls receiving d*ck pic with her own photo in the background: “They just want attention. People are jobless”

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Singer Jonita Gandhi recently opened up about her experiences with online harassment and inappropriate behaviour from fans at public events. In a candid conversation with Hauterrfly, the singer spoke about the darker side of fame and how she deals with unsolicited online and offline attention. “It’s disgusting, but I report it” During the interview, Jonita shared a particularly disturbing incident involving social media misuse. Recalling an incident of digital harassment, she said, “On Instagram, you can check your mentions, right? So I was checking my mentions, and I had been added to someone's 'Close Friends' list. I was seeing their Instagram story, and it's a d*ck pic... It's a watermark of their thing with my photo in the background. It's disgusting.”* The ‘What Jhumka’ singer added that while she usually ignores such things, it’s still a form of harassment. “I also report these things. I think they just want attention. People are jobless. I've blocke...
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All the Beauty and the Bloodshed review – Nan Goldin takes on big pharma

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Documentary follows Goldin, the artist who became addicted to OxyContin, as she confronts the wealthy art patrons who profited from its sale

The part of the Sackler family behind the company Purdue Pharma have become notorious for their addictive opioid painkiller OxyContin which blighted innumerable American lives, while the Sacklers culturewashed the resulting colossal profits with conceited museum donations. There was hardly a museum in any first world capital city that didn’t salute their narcissism with a “Sackler wing” or a “Sackler courtyard”. Their story was first substantially told by the New Yorker’s investigative journalist Patrick Radden Keefe in his book Empire of Pain.

Purdue’s creepy genius lay not in science, or pharmaceuticals, or medicine – but marketing. It wasn’t that they invented opioids; these had existed in various forms but had long been considered too dangerous for any but the most extreme pain management, or in terminal palliative care; Purdue simply persuaded the US medical profession to prescribe them in pill form for much less serious cases. Then the nation’s addiction agony was recycled into art-world prestige.

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