The Rivals of Amziah King review – Matthew McConaughey returns with unwieldy misstep

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SXSW film festival: The Oscar winner’s first film role for six years shows his undeniable magnetism but squanders it on a baggy mix of tones and genres In the past six years, the Academy award-winning actor Matthew McConaughey , the reigning prince of Austin, Texas, has kept busy. He raised his three kids in the city, written and released a bestselling memoir on “easy-livin’” (“because life is a verb”), taught in the film department at the University of Texas at Austin, pleaded for gun control at the White House after the horrific school shooting in his home town of Uvalde and “seriously considered” running for governor of Texas. But he has not acted on screen – relegating his last two film roles, underwhelming romps in Harmony Korine’s The Beach Bum and Guy Ritchie’s The Gentlemen , to the distant memory of a pre-pandemic 2019. With the end of the 2010s, the energy of the McConnaissance went elsewhere. That is, until Monday, when McConaughey returned to red carpet promotional...
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All the Beauty and the Bloodshed review – Nan Goldin takes on big pharma

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Documentary follows Goldin, the artist who became addicted to OxyContin, as she confronts the wealthy art patrons who profited from its sale

The part of the Sackler family behind the company Purdue Pharma have become notorious for their addictive opioid painkiller OxyContin which blighted innumerable American lives, while the Sacklers culturewashed the resulting colossal profits with conceited museum donations. There was hardly a museum in any first world capital city that didn’t salute their narcissism with a “Sackler wing” or a “Sackler courtyard”. Their story was first substantially told by the New Yorker’s investigative journalist Patrick Radden Keefe in his book Empire of Pain.

Purdue’s creepy genius lay not in science, or pharmaceuticals, or medicine – but marketing. It wasn’t that they invented opioids; these had existed in various forms but had long been considered too dangerous for any but the most extreme pain management, or in terminal palliative care; Purdue simply persuaded the US medical profession to prescribe them in pill form for much less serious cases. Then the nation’s addiction agony was recycled into art-world prestige.

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