Skip to main content

Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...

In Response To The Academy’s Apology, Sacheen Littlefeather Has Decided To Accept It

For her part, Sacheen Littlefeather accepted the Academy's formal apologies for the negative reaction she got when she represented Marlon Brando as a nominee for the 45th Academy Awards in 1973. An Evening with Sacheen Littlefeather was presented at the Academy Museum of Motion Pictures in Los Angeles on Saturday to celebrate the actress and activist. At the event, Littlefeather, 75, spoke with producer and Indigenous Alliance co-chair Bird Runningwater. She remarked, "I am here receiving this apology," in response to a letter of contrition written by then-Academy president David Rubin in June. It wasn't only for me to hear tonight; I believe that all of our nations could use and deserve an apology. She then urged the audience's Indian members to rise to their feet: Respect our people, honor each other, and take pride in the fact that we are here today as survivors. She said, "Please, always remember after I'm gone, that anytime you stand for your truth, you will be preserving my words and the voices of our nations and our people alive. So long as you call me Sacheen Littlefeather, that's what I'll be. I appreciate it. During Marlon Brando's acceptance speech for the best actor Oscar for his role in The Godfather in 1973, Littlefeather spoke on his behalf to condemn the film industry's abuse of Native Americans. The protest was met with a range of responses from the crowd, with some booing audible to those watching at home. During her address, she said John Wayne tried to attack the stage and had to be held backstage. It's been three decades, but Littlefeather can still picture the crowd's faces in her mind. Six men had to hold back John Wayne backstage from going to get me and pull me off the stage. Littlefeather recalled this incident in an interview with Variety released on Tuesday, saying, "As I was speaking at the stage, I heard a disturbance from behind me." While I was performing on stage, I later learned that six security guards had restrained Wayne to prevent him from attacking me.

from Celebrity Insider https://ift.tt/6Dd780w
via IFTTT https://ift.tt/LFT5Gsl

Comments

Popular posts from this blog

The Miracle Club review – Maggie Smith can’t save this rocky road trip to Lourdes

Laura Linney is upstaged by older co-stars Smith and Kathy Bates in this sentimental tale about a group of Dublin women who go on a spiritual journey together Who’s up for a golden-hued heartwarmer set in 60s Ireland starring Kathy Bates and Maggie Smith about women with secret fears and dreams going on a church trip to Lourdes and finally finding the real miracle is their new compassion for each other? The answer to this question could well have been … me. I have a liking for a gentle tale and there is nothing necessarily wrong with, just occasionally, showing Ireland and the church of this period with something other than outrage and horror. But The Miracle Club does not at any time, to use a discredited metaphor, throw away its crutches and walk. And it’s painful to note that this is largely because of the way film can’t convincingly use that estimable actor Laura Linney in a central role. She is upstaged by the older, fruitier performances and doesn’t hold her own with a more seri...

Omen (Augure) review – Baloji offers secrets and sorcery in Congolese homecoming

Musician and film-maker’s story about a Belgian-Congolese man who takes his white wife to DRC to meet the family is complex, risky and bold Congolese-born rapper, musician and film-maker Baloji (né Serge Baloji Tshiani) was a prizewinner at Cannes last year with this feature directing debut: a dynamic, teemingly populated, multistranded and tonally elusive picture which I initially thought would benefit from comparisons with Jordan Peele’s horror classic Get Out. In fact, it’s more complicated than that. Koffi (Marc Zinga) is a Congolese man living in Belgium and married to a white woman, Alice (Lucie Debay). They are about to have twins and Koffi feels that he cannot put it off any further: whatever his family will think, the couple must journey back to the Democratic Republic of the Congo to let them see Alice and let them get used to the idea. It particularly means propitiating his fiercely conservative mother Mujila (Yves-Marina Gnahoua). He takes care to shave off his westernis...

REVEALED: Karan Johar’s Dharma Productions merges Dharmatic Entertainment to simplify operations

Dharmatic Entertainment, the digital arm of Dharma Productions, has now officially merged with its parent company, as per a recent article in The Economic Times. The story says that the move is part of Dharma’s plan “to consolidate operations amid the changing entertainment landscape”. It also said that the merger application was fast-tracked and has already been approved by both companies’ shareholders and creditors, according to official filings. This is one of Dharma Productions’ first big steps since entrepreneur Adar Poonawalla bought a 50% stake in the company for Rs. 1,000 crores last year, valuing Dharma at Rs. 2,000 crores. Another significant decision taken by Dharma head-honcho after the merger was to start a distribution arm. In a recent interview with Komal Nahta, KJo confessed that the partnership with Adar Poonawalla gave him the impetus to get into distribution. The Economic Times article further revealed that the amalgamation of Dharmatic Entertainment and Dharma Pro...