Hugh Grant says fourth Bridget Jones film will be ‘funny but very sad’

-
Actor reprises character of Daniel Cleaver but says he won’t play role of ‘60-year-old wandering around looking at young girls’ It is a universally acknowledged truth that Bridget Jones films are packed with humour and comedic scenes that attract viewers in their droves. However, in a slight departure, Hugh Grant has revealed that the fourth film in the series will also be “very sad”. Continue reading... from Film | The Guardian https://ift.tt/ZJoB2VO via IFTTT
Post a Comment

In Response To The Academy’s Apology, Sacheen Littlefeather Has Decided To Accept It

-
For her part, Sacheen Littlefeather accepted the Academy's formal apologies for the negative reaction she got when she represented Marlon Brando as a nominee for the 45th Academy Awards in 1973. An Evening with Sacheen Littlefeather was presented at the Academy Museum of Motion Pictures in Los Angeles on Saturday to celebrate the actress and activist. At the event, Littlefeather, 75, spoke with producer and Indigenous Alliance co-chair Bird Runningwater. She remarked, "I am here receiving this apology," in response to a letter of contrition written by then-Academy president David Rubin in June. It wasn't only for me to hear tonight; I believe that all of our nations could use and deserve an apology. She then urged the audience's Indian members to rise to their feet: Respect our people, honor each other, and take pride in the fact that we are here today as survivors. She said, "Please, always remember after I'm gone, that anytime you stand for your truth, you will be preserving my words and the voices of our nations and our people alive. So long as you call me Sacheen Littlefeather, that's what I'll be. I appreciate it. During Marlon Brando's acceptance speech for the best actor Oscar for his role in The Godfather in 1973, Littlefeather spoke on his behalf to condemn the film industry's abuse of Native Americans. The protest was met with a range of responses from the crowd, with some booing audible to those watching at home. During her address, she said John Wayne tried to attack the stage and had to be held backstage. It's been three decades, but Littlefeather can still picture the crowd's faces in her mind. Six men had to hold back John Wayne backstage from going to get me and pull me off the stage. Littlefeather recalled this incident in an interview with Variety released on Tuesday, saying, "As I was speaking at the stage, I heard a disturbance from behind me." While I was performing on stage, I later learned that six security guards had restrained Wayne to prevent him from attacking me.

from Celebrity Insider https://ift.tt/6Dd780w
via IFTTT https://ift.tt/LFT5Gsl

Comments

Post a Comment

Popular posts from this blog

‘I lied to get the part’: Melvyn Hayes on his ‘angry young man’ beginnings – and It Ain’t Half Hot Mum

-
He was tipped to be the next Richard Burton – but ended up as crossdressing Gunner Gloria in the now controversial sitcom. As his breakthrough classic returns to the screen, Hayes looks back One day in 1957, Melvyn Hayes was on the set of a film called Woman in a Dressing Gown when a man sat down next to him. “I was getting paid £5 a day and I’d been on location for three days,” the actor recalls. “All I had to do was walk up to a house and put a newspaper through a letterbox. That was my part. Finished. I said to this bloke, ‘I can’t believe the waste of money on this film. Take me. You could have got a newspaper boy on £1 a day to do what I’m doing.’ Then I said, ‘What do you do then, you lazy bugger?’ And he said, ‘I’m the producer.’” Hayes, now 89, giggles at the memory of the cheek of himself at 23. Back then, £5 a day was a decent whack. His first job in showbiz, in the early 1950s, was as assistant to The Great Masoni, a magician who tasked Hayes with “disappearing twice daily
Read more

Elaha review – sex, patriarchy and second-generation identity

-
A sexually candid, seriously intentioned drama about a young Kurdish woman who feels she has to surgically ‘restore’ her virginity before her wedding There is a heartfelt and courageous performance from 28-year-old Syrian-born, German-based actor Bayan Layla in this drama about sex, patriarchy and second-generation immigrant identity. It is a drama which hits the buttons squarely and efficiently, but might perhaps have played better as a three-part TV drama. Layla plays Elaha, a young woman of Kurdish family background in a German town (director Milena Aboyan is herself German-based and Armenian-Kurdish). She has finished high school and is now attending classes on how to apply for jobs, picking up skills she uses mainly to help her dad find employment. There seems to be no discussion about university, despite her obvious intelligence. Her mum works hard minding Elaha’s younger sister and disabled kid brother, and Elaha has part-time work at a dry-cleaners; she is saving for her wedd
Read more

Gasoline Rainbow review – a free-ranging coming-of-age ode to the curiosity of youth

-
Billed as a gen Z road trip film, the Ross brothers’ first fiction feature offers more than you’d expect from the genre, with a focus on human interaction over plot In the opening seconds of the Ross brothers’ new film, a teenager professes his hope to discover a place “weirdos” like him can call home. The opening raises doubts about the novelty of what might follow: the trope of the high school outsider has been endlessly revisited. Gasoline Rainbow – billed as a gen Z road trip movie – starts off by replaying familiar images. As new high school graduates Makai, Micah, Nathaly, Nichole and Tony hit the road across Oregon for one final adventure together, we see the usual trappings of the genre: sing-alongs, parties by the campfire, and leaning out of car windows to enjoy the breeze and sweet call of freedom. We move into welcome new territory when a mishap leaves their van out of action, and the group are left in the hot desert trying to scrounge a path forward, meeting strangers al
Read more