The Ballad of Suzanne Césaire review – the legacy of a dissident and inspirational surrealist author

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Brief film looks at the intense flowering of essays by the Caribbean feminist and anti-imperialist who saw surrealism as a revolutionary mode This brief work from New York film-maker Madeleine Hunt-Ehrlich is the equivalent of a platform performance in the theatre: a look at the works of Caribbean feminist, anti-imperialist and surrealist partisan Suzanne Césaire, played by Zita Hanrot; Hanrot, rather, plays an actress musingly preparing to play her. Césaire’s brief, intense flowering of work occurred in second world war Martinique, then a colony of France, controlled by the collaborationist Vichy government. Paradoxically liberated by this oppressive situation, Césaire co-founded a journal called Tropiques and published an influential series of essays on politics, literature and art, which showed how passionately inspired she was by her encounter with the great surrealist André Breton. Continue reading... from Film | The Guardian https://ift.tt/rx4iLoM via IFTTT
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Ana De Armas Claims To Have Seen Marilyn Monroe Movies Numerous Times

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Ana de Armas spent several hours poring over footage from Marilyn Monroe's movies to perfect her act as Blonde. De Armas, who is currently 34 years old, will assume the role of the legendary Hollywood actress who passed away when she was 36 years old, exactly 60 years ago. According to what De Armas said in an interview with AnOther magazine while working on Blonde, she watched some of Marilyn Monroe's movies hundreds of times each. Both the actual Marilyn in the scene and I were displayed on separate monitors for Director Andrew Dominik. And everything, including every conceivable perspective, had to be precisely the same. She explained how she managed to pull off the eerie recreations by saying that she has watched the movies hundreds and hundreds of times. During the production of the movie, De Armas said that she "experienced a lot of fear and insecurity" on the set, and she was told to put those emotions into her performance as Marilyn Monroe. De Armas also stated that she had "experienced a lot of dread and uncertainty." I had the impression that I was in a position of great exposure. Not only in particular challenging scenes but also throughout the entire process, de Armas claimed it was stressful for her. I was under the impression that I was doing it incorrectly the majority of the time. I couldn't help but wonder what these American actors were thinking of me as I watched them. They have a more in-depth familiarity with this individual than I do because they have grown up along with her. I can't help but wonder what they make of my accent. Andrew was able to pick up on the awkwardness I was exuding, and he immediately told me, "That's how she felt." She went on to say that you should accept it. She constantly had the impression that she was being assessed and undervalued, which led to feelings of insecurity and unpreparedness. Therefore, I needed to have faith that my feelings were adding another layer.

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