‘An orgy of antisemitism is overtaking the west’: Son of Saul’s László Nemes on Hollywood hypocrisy

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His extraordinary Auschwitz film won every award going. Now the Hungarian director is back with new drama Orphan, as well as a Jean Moulin biopic at Cannes. He talks about resurgent global prejudice – and refusing to be lectured by the film industry ‘overclass’ We’ve been talking for less than five minutes when I spot the swastika. It’s just above the head of László Nemes, one of Europe’s most acclaimed directors, as he sits in the suite of a London hotel, talking about Orphan, his intensely personal new film that dwells on – among other things – the impact of the Holocaust on the generations that followed. It’s an ancient, Hindu swastika, part of a decorative wall-hanging – but still. I’m halfway through a question when I notice it. Nemes laughs; of course, he’d seen it immediately. “I wanted to point that out to you,” he says. “It is so funny. Before leaving this room, I will take pictures.” Mind you, he’s had worse. “When I was at the San Sebastián film festival with Son of Saul , t...
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Vivek Agnihotri compares making The Kashmir Files to filming Schindler’s List: 'Imagine making it when Hitler was ruling; Now terrorism is ruling'

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Filmmaker Vivek Agnihotri continues to stay in the headlines ever since his blockbuster The Kashmir Files soared at the box office. The filmmaker has maintained that he directed the film in order to bring the issues of Kashmiri Pandits to the spotlight. In a recent interview with a foreign publication, the filmmaker compared making the movie with that of 1993 Steven Spielberg's directorial, Schindler’s List.

Vivek Agnihotri compares making The Kashmir Files to filming Schindler’s List: 'Imagine making it when Hitler was ruling; Now terrorism is ruling'

In the interview, Agnihotri continued to deny the claims that the film had the government of India's support and that the film has encouraged people to vilify Muslims. “It was impossible to make a film about the Kashmiri Hindu genocide,” he told New Yorker. “The reason was terrorism; everybody was scared. But then we decided to do it. People came to my office and hit my manager. I was heckled. So now the government of India has given me security. And this is exactly why people do not make movies on the Kashmiri Hindu genocide, because it is assumed that, if Hindus are in the majority in India, then they’re powerful everywhere, but this is wrong. When Schindler’s List was made, the whole world appreciated it and people said, ‘Yes, you brought the truth out.’ But imagine making Schindler’s List when the Nazis were ruling. Imagine making it when Hitler was ruling. Now terrorism is ruling.”

Furthermore, when asked whether he was comparing the current plight of India with Schindler's List because terrorists rule in India, he said, “Oh, of course. I don’t think there is any human being who’s going to appreciate the terrorist activities. Our film is very clearly about what happens when terrorism seeps in and when humanity is absent. And, therefore, the impact of the movie as desired by me as a filmmaker is exactly what is happening. People are crying, they’re hugging each other, they’re saying, “We are sorry.” And the whole entire India is coming together. And that’s why there is so much euphoria.”

He maintained that The Kashmir Files is a soft emotional film. “It’s an emotional film. It’s got a more feature-film format rather than a harsh statement,” he said.

The Kashmir Files starred Anupam Kher, Darshan Kumar, Pallavi Joshi, and Mithun Chakraborty.

ALSO READ: Naseeruddin Shah calls The Kashmir Files an ‘almost fictionalised version of the suffering of Kashmiri Hindus’; Vivek Agnihotri reacts



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