Purr-fect casting: is Orangey the most important movie cat ever?

A new retrospective celebrates the work of the cat credited with roles in Breakfast at Tiffany’s, The Comedy of Terrors and Rhubarb In the midst of Oscar season, it becomes evident just how much work it takes to win an Academy Award, both in on-screen work and off-screen campaigning. Consider, however, that multiple actors have won more than one Oscar. (Emma Stone, one of this year’s best actress nominees, won twice in the past decade.) Only a single cat, meanwhile, has twice won the Patsy – the Picture Animal Top Star of the Year. (The award, given by the American Humane Association, not to be confused with the Humane Society, was discontinued in 1986.) That cat is Orangey, the subject of a small retrospective at New York City’s Metrograph cinema. Plenty of rep houses will play a movie like Breakfast at Tiffany’s around Valentine’s Day; the Metrograph is going deeper into the Orangey catalogue for a wider variety of titles and genres. Breakfast at Tiffany’s does offer Orangey his mo...

The Cannes Film Festival sets a record for the number of female directors

The Cannes Film Festival sets a record for the number of female directors. In 2022, the Cannes Film Festival set a record for the number of female directors participating in the film review competition. After a series of scandals and heated public discussions that the main European film festival underrepresents female directors in favor of the same male directors, the festival has increased the number of women participants. Despite these changes, it is too early to rejoice at the global changes in the process of selecting festival participants. Variety notes that "the current record is just five female directors out of 21 participants in the main program of the festival. That is less than a quarter. Recall that in 2022, Iris Knobloch, who previously headed the French division of the film company Warner Bros., was elected the new president of the festival. Knobloch is the first woman to hold this position, which she will hold until 2025. Hansen-Løve, who competed in "Bergman Island" in Cannes last year, and this time the directors are back in Fort Knight, has mixed feelings about the festival. "It's clear the competition with female directors isn't great for their track record," she says. "We would like to see more of them in 2022. Sometimes, from the outside, the impression is that the competition is for male directors, and the uncertain respect is for women."

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