Pavements review – US indie rockers and their dream director run four ideas at once
Alex Ross Perry’s intriguing documentary about 90s band Pavement offers a kind of cine-quadriptych, whose effect is to obscure clarity If ever a film-maker and a band were a match in indie heaven it is lo-fi writer-director Alex Ross Perry and 90s band Pavement, from Stockton, California (described here as “the Cleveland of California”); the latter made critically adored albums throughout the 1990s with comparisons to the Fall and Lou Reed, while never signing to a major label. Now Perry has made a film about Pavement and it seems to be his intention here to avoid, strenuously and at all costs, obviousness – and perhaps the most clunkingly obvious thing for any newbie to ask about is the name. Pavement as opposed to Sidewalk because of a Brit affectation? No: just a functional name chosen almost at random and one that sounded right. Intriguingly, but finally a bit frustratingly, Perry is running four ideas at once, a kind of cine-quadriptych with the plurality signalled by the title....
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