The Lion King review – Disney’s Broadway juggernaut roars to life in Sydney
Capitol theatre, Sydney With breathtaking aesthetics and joyous performances, the audacious adaptation – now almost 30 years old – is greater than the sum of its parts Get our weekend culture and lifestyle email The opening of The Lion King is a bona fide five-star moment that reminds you why this musical still rules the theatrical savannah. Forgoing the sentimentality of the 1994 film and the razzle-dazzle of its Broadway peers at the time, it taps into more primal, powerful delights. From its first incantation (translated as “All hail the king” – or “Look, a lion, oh my god”, depending on who you ask ), it builds with a chant, a gathering of human bodies, and finally a procession of animals that leaves the stage to come into the audience, enveloping you in a kind of choreographed ritual. (This is a good moment to check in on your date; if they’re not Having Feelings, they may be some kind of joyless ghoul.) This sequence encapsulates the best of the show: director Julie Taymor...
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