Globalwoodnews

Institutional menace and an idealistic take on redemption sit side-by-side in Top Boy actor Ashley Walters’ empathic and occasionally over-earnest film The lawless brutality of a young offender institution is the setting for this British movie written by Marching Powder ’s Nick Love and directed by Ashley Walters. It’s a place where terrified newbies realise they can survive only by abandoning their innocence and decency, and submitting to the gang authority of a psycho top G, naturally involving a horrible loyalty test. This is a place where drugs arrive by drone, where facially tattooed men meet each other’s gaze with a cool opaque challenge in the canteen, and where the cues and balls on the recreation area’s pool table have only one purpose: to give someone a three-month stay in the hospital wing while underpaid guards in lanyards and ill-fitting v-neck jumpers look the other way. Continue reading... from Film | The Guardian https://ift.tt/CLu4l65 via IFTTT

He went from being the east London boy who was expelled from school to becoming the Bafta award‑winning star of Alien: Romulus. Ahead of his prison drama Wasteman, David Jonsson discusses the pressures of being a leading Black British actor David Jonsson is the kind of actor who disappears so completely into his roles that it’s easy to forget you’re watching the same person each time. In Rye Lane, he’s a lovestruck south Londoner; in Industry, an Etonian banker with ice in his veins; in Alien: Romulus, a paranoid android. He’s now starring as heroin addict Taylor in the ultraviolent British prison drama Wasteman and, for the first time, the 32-year-old actor claims he is playing something close to himself. “This is the most personal role I’ve done,” he says. “It’s so messed up because it’s a dark story about rehabilitation and addiction, but I know these men really well. Especially when you’re growing up somewhere like where I did.” We meet on a Friday afternoon at a photo studio in ...

Sanjay Leela Bhansali and Ketan Mehta, two of Indian cinema’s most influential creative forces, have come together to tell an important tale from India’s spiritual history. Bhansali has announced an upcoming seminal tale of Indian civilization titled Jai Somnath, in collaboration with acclaimed director Ketan Mehta. This marks an interesting partnership between two of the most powerful creative voices in Indian cinema. Jai Somnath traces back to 1025–1026 CE, when Mahmud of Ghazni attacked and plundered the Somnath Temple in Gujarat, a defining chapter in Indian history. This year marks 1000 years of the Ghazni attack and the destruction of the temple, and its subsequent resurrection. Somnath symbolizes the indestructible spirit of India and the glory of Indian civilization. Given the deep emotional and cultural significance of this chapter, the film aims to strike a strong chord with audiences as it revisits an important moment from India’s past.   View this post on Instagram ...

The biggest Bollywood news is the coming together of two epic filmmakers. Sanjay Leela Bhansali and Ketan Mehta are joining hands for Jai Somnath, a film that cinematizes the legend of the famous temple. Jai Somnath is described as a “seminal tale of Indian civilisation”. The lavish period drama is slated for release in 2027. Mehta is writing and directing the project, which will be produced by Bhansali Productions and Ketan Mehta’s Maya Movies. Speaking exclusively on the project to this writer, Sanjay Leela Bhansali said, “I’ve always been a huge huge fan of Ketan Mehta’s cinema. His Mirch Masala is one of my 10 most favourite Indian films of all times. We’ve been toying with the idea of working together. This project seems the best way to collaborate on something special.” The project was announced on Maha Shivratri as it is the cinematic manifestation of one of the most sacred pilgrimage sites located in Gujarat. Also Read: Karan Johar calls Sanjay Leela Bhansali an “A...

The recently released film O’Romeo, starring Shahid Kapoor and Triptii Dimri, has had its audience ratings and public reviews disabled on the popular ticketing platform BookMyShow, following a court order. This marks an unusual development for a Hindi film, with official audience feedback blocked shortly after the movie’s theatrical debut on February 13, 2026. O’Romeo, directed by Vishal Bhardwaj and produced under the Nadiadwala Grandson Entertainment banner, opened to a mixed response at the box office. According to reports, the film initially displayed an audience rating on BookMyShow — starting around 6.8 and rising to about 7 by the second day — before the reviews and rating section was removed entirely. On the film’s BookMyShow page, where ratings and comments typically appear, a notice now reads: “Reviews and ratings disabled as per court order.” While neither the platform nor the makers have issued detailed statements explaining the legal reasoning, industry observers note th...

Bollywood star Ranbir Kapoor has confirmed that the highly anticipated film Love & War has been postponed from its earlier target release date, choosing to avoid a direct box-office clash with the sequels Dhurandhar 2 and Toxic. The update came during an Instagram Live session hosted by Ranbir to mark the anniversary of his lifestyle brand ARKS. Directed by Sanjay Leela Bhansali and featuring a star-studded cast including Ranbir, Alia Bhatt and Vicky Kaushal, Love & War was initially slated for a Christmas 2025 release before being shifted to March 20, 2026. Rumours had previously suggested the film might be pushed all the way into early 2027 due to production timelines, but a source close to the project has reiterated that the film is committed to a 2026 release. During the live interaction, Ranbir confirmed that Love & War will now be released after his other upcoming project, Ramayana Part 1, which is scheduled for an October release. With that shift, Love & War is...

PVR INOX, one of India’s leading multiplex chains, has announced its ‘Valentine’s Special Showcase’, a curated re-release of 12 popular romantic films across Hindi, Tamil, Telugu, and Malayalam. The initiative aims to bring timeless love stories back to the big screen, offering both nostalgia for long-time viewers and discovery for younger audiences. The line-up features a mix of Hindi blockbusters and regional classics, including Dilwale Dulhania Le Jayenge, Veer-Zaara, Mohabbatein, Saiyaara, Devdas, Sanam Teri Kasam and Yeh Dil Aashiqanaa. The Tamil titles include Minnale, Mounam Pesiyadhe, Kadhalar Dhinam and Uyirullavarai Usha, while the Telugu romantic drama Love Story and the Malayalam hit Premam complete the pan-Indian selection. Shah Rukh Khan’s romance returns to theatres Several films in the showcase prominently feature Shah Rukh Khan, whose performances in Dilwale Dulhania Le Jayenge, Veer-Zaara, Mohabbatein, and Devdas have played a defining role in shaping mainstream Hin...

Bollywood actor Abhishek Bachchan has sold a duplex apartment in Mumbai’s Mahalaxmi area for Rs 14.5 crores, according to property registration documents accessed through Zapkey. The duplex is located on the 40th and 41st floors of Tower 4 (Strata) at Planet Godrej, a premium residential complex in central Mumbai. The transaction was registered on February 12, 2026. The apartment, with a total carpet area of 2,249 sq ft, was sold at a rate of Rs 64,473 per sq ft. The deal includes three car parking spaces. Documents show that the buyers — Rishi Mandawat, a partner at Bain Capital Private Equity, and Smita Mehta — paid a stamp duty of Rs 89.76 lakhs for the transaction. Mahalaxmi has emerged as a sought-after micro-market in recent years, witnessing steady activity in the luxury residential segment. Developments such as Planet Godrej have attracted high-net-worth individuals owing to their location and scale. The sale comes at a time when Bachchan has been expanding his footprint bey...

Grant Gee’s film thoroughly inhabits the creative and personal torment experienced by the American pianist – with a terrific supporting Bill Pullman turn This elusive, ruminative and very absorbing movie presents its successive scenes like a sequence of unresolved chords carrying the listener on a journey without a destination – and is, incidentally, one of those rare films featuring a wonderful supporting turn that does not undermine or upstage the rest. It’s a film about music. Particularly, about what remains when a musician cannot play and is left to consider the terrible sacrifices made, without conscious consent, to this all-consuming vocation that creates family pain and jealousy almost as a toxic byproduct. It’s a drama to put you in mind of Glenn Gould and Hilary du Pré, sister of Jacqueline. Screenwriter Mark O’Halloran has adapted the 2013 novel Intermission by Owen Martell about renowned jazz pianist Bill Evans. It focuses on a period of emotional devastation for Evans, ...

Veteran Bollywood actor Aditya Pancholi returned to the spotlight on Thursday as the Bombay High Court took up his petition to quash a 2019 rape FIR lodged against him at the Versova Police Station in Mumbai. The case involves allegations made by a female Bollywood actress. Pancholi’s legal team, led by advocate Prashant Patil, urged the court to dismiss the FIR on grounds that it was filed many years after the alleged incident, describing the complaint as “malicious” and lacking in timely evidence. The plea cited legal precedent, notably the Supreme Court’s Bhajanlal judgment,  which allows quashing of criminal proceedings under specific circumstances. During Thursday’s hearing, the defence also presented a recording of a meeting prior to the FIR being filed, which they claim demonstrates “wrongful intention” behind the complaint. The court noted the submission but did not rule on its admissibility, opting instead to focus on procedural matters at this stage. A key point raised ...