Karan Deol calls Sunny Deol “my first hero” on Father's Day 2026 note; shares glimpses from Batwara 1947 ahead of release

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After creating a strong impact with its gripping motion poster, Batwara 1947 has now unveiled a compelling series of character posters that reflect courage, innocence, resilience, and unwavering determination. Presented by Aamir Khan Productions, the film promises a deeply emotional story of sacrifice, hope, and the indomitable human spirit. As excitement for the film continues to build, Karan Deol, son of Sunny Deol, who will be sharing screen space with his father for the first time in Batwara 1947, penned a heartfelt note on Father's Day. Taking to social media, Karan Deol shared some adorable stills from the film and expressed his love and admiration for his father, Sunny Deol. While the duo is set to share screen space in Batwara 1947, Karan conveyed his immense affection and respect for his father through an emotional message. He also shared the caption: "There are moments that feel destined. Telling Papa once on his set about my dream of acting with him was one of them...
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‘Every role I do, I’m going to be a Black man first’: David Jonsson on winning Baftas, rebooting Alien and leaving TV’s hottest show

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He went from being the east London boy who was expelled from school to becoming the Bafta award‑winning star of Alien: Romulus. Ahead of his prison drama Wasteman, David Jonsson discusses the pressures of being a leading Black British actor

David Jonsson is the kind of actor who disappears so completely into his roles that it’s easy to forget you’re watching the same person each time. In Rye Lane, he’s a lovestruck south Londoner; in Industry, an Etonian banker with ice in his veins; in Alien: Romulus, a paranoid android. He’s now starring as heroin addict Taylor in the ultraviolent British prison drama Wasteman and, for the first time, the 32-year-old actor claims he is playing something close to himself. “This is the most personal role I’ve done,” he says. “It’s so messed up because it’s a dark story about rehabilitation and addiction, but I know these men really well. Especially when you’re growing up somewhere like where I did.”

We meet on a Friday afternoon at a photo studio in Islington, closer to where Jonsson lives now in north London than to Custom House in the East End, where he grew up. He arrives wearing a beanie pulled tight over his cornrows and a windbreaker. He looks stylish but carries a delicate shyness that mirrors his character’s air of desperation. Wasteman, which opens this month after a critically acclaimed festival run that netted five British Independent Film awards (Bifa) nominations including best lead performance for Jonsson, tells the story of Taylor, a young father who has spent 13 years in prison for a crime he committed as a teenager. In the film’s unflinching depiction of the British prison system, he’s referred to as a “nitty” – UK slang for a desperate, pathetic drug addict. Jonsson lost 1.8 stone to embody Taylor’s “wasted” physique. “I was mawga, properly skinny,” he says, slipping into patois.

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