Oscars 2026: the red carpet, the ceremony, the winners – follow the action live!

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Will Sinners beat One Battle After Another to the big prize? Will Timothée Chalamet get pelted with tutus? Can the Academy Awards wrap in under four hours? Join us to find out Felcity Jones has arrived in lemon-coloured Prada proving old Hollywood – sleeveless, a sprinkle of crystals, a little tulle train, hair in a soft side wave – is bomb-proof if you stick to the formula One of the most miraculous aspects of the night is that Conan O’Brien will once again host. His turn last year saved what had the potential to be a very dull evening, and it is very exciting to think about what he’ll do this year, with films that people have actually heard of. And, for that matter, what he’ll do about Train Dreams; a film so lacking in comedic potential that O’Brien tore into it during an appearance on Jimmy Kimmel last week. What makes this even more miraculous is that it’s been reported that O’Brien will earn $15,000 for tonight’s duties, a figure that simultaneously seems quite high and extre...
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‘Every role I do, I’m going to be a Black man first’: David Jonsson on winning Baftas, rebooting Alien and leaving TV’s hottest show

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He went from being the east London boy who was expelled from school to becoming the Bafta award‑winning star of Alien: Romulus. Ahead of his prison drama Wasteman, David Jonsson discusses the pressures of being a leading Black British actor

David Jonsson is the kind of actor who disappears so completely into his roles that it’s easy to forget you’re watching the same person each time. In Rye Lane, he’s a lovestruck south Londoner; in Industry, an Etonian banker with ice in his veins; in Alien: Romulus, a paranoid android. He’s now starring as heroin addict Taylor in the ultraviolent British prison drama Wasteman and, for the first time, the 32-year-old actor claims he is playing something close to himself. “This is the most personal role I’ve done,” he says. “It’s so messed up because it’s a dark story about rehabilitation and addiction, but I know these men really well. Especially when you’re growing up somewhere like where I did.”

We meet on a Friday afternoon at a photo studio in Islington, closer to where Jonsson lives now in north London than to Custom House in the East End, where he grew up. He arrives wearing a beanie pulled tight over his cornrows and a windbreaker. He looks stylish but carries a delicate shyness that mirrors his character’s air of desperation. Wasteman, which opens this month after a critically acclaimed festival run that netted five British Independent Film awards (Bifa) nominations including best lead performance for Jonsson, tells the story of Taylor, a young father who has spent 13 years in prison for a crime he committed as a teenager. In the film’s unflinching depiction of the British prison system, he’s referred to as a “nitty” – UK slang for a desperate, pathetic drug addict. Jonsson lost 1.8 stone to embody Taylor’s “wasted” physique. “I was mawga, properly skinny,” he says, slipping into patois.

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