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Beverly Hills Cop: Axel F review – fish-out-of-water Eddie Murphy chases past glories

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Murphy’s maverick cop – and his theme music – are back to fight corruption, but four decades on there’s little energy to enliven their formulaic reunion Eddie Murphy isn’t finished yet – as he proved with his barnstormer of a performance as Blaxploitation pioneer Rudy Ray Moore in Dolemite Is My Name . But there’s something a bit tired and formulaic about this further go-around for his iconic Detroit cop Axel Foley from the Beverly Hills Cop action-comedy franchise which 40 years ago made Murphy an explosive Hollywood star – and whose catchy Axel F theme became an 80s anthem, duly revived here. He’s back for the fourth film, yet again leaving his Detroit turf to be a scruffy fish-out-of-water in the hilariously chi-chi world of Beverly Hills, yet again wryly noticing from the wheel of his car, on the way in, a montage of all the crazy California stuff, including a car registration plate reading: PRE-NUP. Axel’s grownup lawyer daughter Jane (Taylour Paige) is in Beverly Hills, menace
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Ranbir Kapoor to kick off Nitesh Tiwari’s Ramayana in March 2024: Report

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After the massive success of Animal, Ranbir Kapoor is set to embark on his next venture, collaborating with director Nitesh Tiwari for the epic Ramayana, alongside Sai Pallavi. The actor is slated to commence filming in Mumbai on March 2, with an additional schedule planned for April and May 2024. The anticipation surrounding this cinematic spectacle is heightened. According to a report in Mid-Day, a source revealed, “The cast and crew were recently informed that March 2 is the big day. Nitesh sir has charted out a long schedule in Film City. In the first part of the leg, Ranbir and Sai will shoot the dialogue-heavy scenes. The major crowd sequences, including some war portions, will be shot in April and May. The idea is to wrap these scenes before the monsoons hit the city.” Director Nitesh Tiwari and VFX powerhouse DNEG have collaborated extensively, investing months in crafting the mythological universe for their upcoming epic. The pre-production phase involved intricate look test
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The Beekeeper review – Jason Statham’s John Wick is serviceable schlock

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The actor stays in the same lane to play a trained killer taking down the bad guys in David Ayer’s enjoyably silly time-waster If you’re not in the market for what David Ayer is forcefully selling in batty January thriller The Beekeeper at the point when someone says to the titular character, “To bee or not to bee, that is the bloody question,” then you might as well just give up and walk out. By this stage, late in the film, Ayer and screenwriter Kurt Wimmer have given us just about enough bee puns, bone cracks and bizarre cameos from British actors to give those in the right headspace (read: drunk) a solid, low-stakes, medium-reward new year’s effort. I can’t imagine a devoted Beekeeper hive emerging any time soon (it’s far too derivative and far too rough around the edges), but there’s enough energy and well-pitched silliness to have audiences, ahem, swarming to cinemas this weekend. It’s primed as Jason Statham’s John Wick (not that the actor needs another franchise since out of
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Several women accuse Vincent Gallo of disturbing audition experiences

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Actor allegedly made sexually explicit and unsettling remarks during casting process for serial killer thriller The Policeman Actor Vincent Gallo is being investigated by the Sag-Aftra union after several women alleged that he made inappropriate remarks to them during the casting process for the movie The Policeman . At least three women reported Gallo to the actors’ union for sexually explicit and unsettling comments he made during the casting process for the film in November 2023, Rolling Stone first reported . Continue reading... from Film | The Guardian https://ift.tt/ob2LtTs via IFTTT
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Nora Fatehi BREAKS SILENCE on holding Indian flag upside down at FIFA 2022 in a mini-documentary, watch

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It’s been just more than a year since Nora Fatehi made history as the first Bollywood star to perform at the prestigious FIFA World Cup 2022 ceremony. A milestone which was telecasted to more than a billion viewers worldwide. Recalling the same, the actress recently released a mini-documentary, in which she gives viewers an intimate look at the process she endured, to end up on the biggest stage in the world. The documentary also goes on to shed light on the controversy that was stirred up when fated winds flipped over the Indian flag while she held it, for barely 2 seconds. The actress opens up for the first time reflecting on her thoughts on the incident. She pointed out that it was irresponsible how the media chose to highlight an unintentional incident while overlooking the bigger achievement and thought behind representing the country to a global audience. A scene in the documentary in which Nora listens to a voicemail sent by a local Indian Qatari fan who attended Fatehi’s perf
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EXCLUSIVE: Bhushan Kumar and Anurag Basu’s Metro In Dino starring Sara Ali Khan, Aditya Roy Kapur postponed; to now release on September 13, 2024

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Bhushan Kumar and Anurag Basu's Metro In Dino, has just announced its new release date. The film will now hit theatres on 13th September 2024. It was earlier set to hit the theatres on Good Friday, March 29, 2024. The film will tell heartwarming stories of modern-day couples brought to life by a talented ensemble cast. Aditya Roy Kapur, Sara Ali Khan, Anupam Kher, Neena Gupta, Pankaj Tripathi, Konkona Sensharma, Ali Fazal, and Fatima Sana Shaikh will grace the screen. While announcing the project in December 2022, filmmaker Anurag Basu said, “Metro… In Dino is a tale of the people and for the people! It has been a while since I am working on this one and I am glad to be collaborating with a powerhouse like Bhushan Kumar yet again who has always been like a pillar to me! The storyline is fresh and relevant as I look forward to collaborating with amazing artists who bring the essence of contemporary aura. As the music plays a very important role in any film, I couldn’t be more happy
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Mean Girls review – high-school sadism comedy as sugar-rush movie musical

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In some ways the musical format suits Mean Girls better than the original movie version, with Angourie Rice in the role once occupied by Lindsay Lohan The high school comedy of status-sadism now reaches the same third life-cycle stage already achieved by Hairspray, The Producers and The Color Purple: the movie, the stage musical version and then the movie version of that. My own dissident reaction to the 2004 original was a mean review based on feeling it was inferior to Clueless, Election and 10 Things I Hate About You, and that it had its cake and ate it on the prettiness-fascism issue. But I could have paid more attention to the showstopping individually funny lines; screenwriter Tina Fey after all went on to create an authentic masterpiece with TV’s 30 Rock, in which she could more successfully represent in her own person the eternal Mean Girls themes of reconciling success with kindness. Moreover the Broadway Mean Girls was a big improvement on the film because the musical genr
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Role Play review – action comedy wastes Kaley Cuoco and David Oyelowo

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A competent yet boringly unoriginal caper sees a married couple forced into action when the wife’s secret job as an assassin comes to light Rather like the studio horror movie, the bar for the action comedy has lowered so dramatically that the mere act of not tripping over it headfirst is now considered enough. Modeled after an old-fashioned, something-for-him and something-for-her date-night formula, they tend to involve attractive stars smugly quipping at each other while sleekly avoiding pop-soundtracked gunfire, all theoretically allowing for the opportunity to show off dual personas, class clown and jock rolled into one. But the magic that was on display in 2005’s magnetic Mr & Mrs Smith, a film that has arguably had the most visible, and damaging, impact on the genre in the almost two decades since (itself heavily in debt to 1994’s True Lies), has been almost entirely absent in its many imitators. Last year’s hauntingly awful Chris Evans-Ana de Armas starrer Ghosted acted
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The joke’s on Jo Koy: Golden Globes host delivers a bad gig for the ages

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Even in a star-studded list of award show host stinkers, the Filipino-American comedian was special – in that he went down like a lead balloon Full report: Oppenheimer and Succession dominate major awards Black lace and Barbie pink: the 2024 red carpet – in pictures Much like Portaloo cleaners and gastroenterologists, award ceremony host is a thankless job that involves handling a lot of crap. The Academy Awards got so used to its hosts tanking (see: a gurning James Franco; Seth MacFarlane singing about boobs) that they briefly stopped hiring them all together before returning to the safe, staid embrace of Jimmy Kimmel ( four years in a row now and counting ). Most hosts are either overtly trying to be offensive (see: Ricky Gervais, Macfarlane) that it becomes boring, or so inoffensive that they’re boring (see: Kimmel). On the years someone does an outstanding job (see: Amy Poehler and Tina Fey, Billy Crystal), they mainly serve as a reminder of how terrible everyone else did. C
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Class war on the dancefloor: how rich gen Zers started a Saltburn craze that is beyond satire

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The film’s final scene, in which Barry Keoghan’s Oliver dances naked to Murder on the Dancefloor, has spawned a whole new way to show off daddy’s country pile Name: The Saltburn dance. Age: Spanking new: the film only came out in November. Continue reading... from Film | The Guardian https://ift.tt/8mFSEq6 via IFTTT
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Golden Globes host Jo Koy responds to backlash: ‘I feel bad’

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The standup comedian and actor has spoken out about his unpopular performance, calling it ‘an off night’ Comedian Jo Koy has responded to the backlash over his performance as host for this year’s Golden Globes. The last-minute pick for the role received a negative reaction online and reportedly in the room with an unnamed prominent director referring to it as “a disaster” and Vanity Fair’s Richard Lawson calling his opening monologue “a horrid, sophomoric mishmash of lazy jokes”. Continue reading... from Film | The Guardian https://ift.tt/sNDy2Ue via IFTTT
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