The Summer Book review – Glenn Close powers sweet-natured take on Tove Jansson’s kids’ classic

This sensitive adaptation of Jansson’s 1972 novel, set in the beatific Gulf of Finland, is a quiet treatise on life and death Glenn Close brings her totemic presence to this gentle movie – as well as a makeup-enhanced grandmotherly face. This is a sweet-natured adaptation of Tove Jansson’s 1972 novel; it has charm, though it’s sometimes becalmed in its own sensitivity. Close plays a tough, wise, humorous-yet-cantankerous eightysomething woman who likes cigarettes and walking around outside stark naked when there’s nobody else around. She brings her recently widowed son (Anders Danielsen Lie) and six-year-old granddaughter Sophia (newcomer Emily Matthews) to a tiny, idyllic island in the Gulf of Finland, where they have a summer cottage. The grandmother may, incidentally, have unresolved feelings for local man Eriksson, in a fleeting cameo for veteran Icelandic actor Ingvar Sigurdsson. Continue reading... from Film | The Guardian https://ift.tt/Byd3OvG via IFTTT

‘Am I 68? 69?’ Irvine Welsh on growing old, getting clean, bashing out his new novel – and flirting with guns

Three decades after he channelled his heroin addiction into the cult classic Trainspotting, the Scottish author has discovered the joys of yoga, breathwork and standing desks. But is he quite as ‘Zen’ as he claims?

By rights, Irvine Welsh ought to be photographed somewhere gritty, looking grumpy, he says: “That’s the brand.” Beside a graffitied wall or at the docks, with a beanie pulled low, and definitely not smiling. But here he is, clear-skinned and wholesome in shorts and a T-shirt, drinking tea and – it’s hard to think of anything more off-brand – talking about the health benefits of yoga. Given his reputation for having lived in the worlds his books portray, he should or could look a lot worse. He guffaws at this, eyes a delighted blue, and repeats the phrase as if he’s found a new personal tagline: “Could look a lot worse!”

Over the three decades since his cult debut, Trainspotting, was published in 1993, Welsh’s fiction has explored with humour the darker side of life. Drugs, clubs, alcohol, violence … often alongside psychological or social deprivation. Despite being 17 novels and four short-story collections into his career, selling more than 6m books globally, he remains best known for his first. It achieved, he says, “what most writers want to achieve in a lifetime – the big zeitgeist book that goes into the culture”.

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