20th anniversary EXCLUSIVE: Madhur Bhandarkar says corporate booking, in a healthy manner, began with Corporate: "Half-day was declared in some offices; employees were encouraged to watch the film"; reveals, "Many people STOPPED consuming soft drinks after watching it!"

Corporate (2006) completed 20 years on July 7 and it’s a film that Madhur Bhandarkar considers his favourite. Starring Bipasha Basu, Kay Kay Menon, Raj Babbar and Rajat Kapoor, the film was loved for its subject, shocking climax, performances, music, etc. Despite dealing with the complex worlds of corporate business and the stock market, the narrative was easy to understand, an aspect that was widely praised by audiences and critics alike. On Corporate’s 20th anniversary, Madhur Bhandarkar went down memory lane and shared fascinating trivia. You had made Page 3 (2005) and it was a sleeper-hit. What made you make a film on the corporate world at that stage? Corporate was a film which was ahead of its time. It was a very different world for me. I didn’t have a story. The title fascinated me and I decided to make Corporate, obviously based on the corporate world. I collaborated with writer Manoj Tyagi, who had written Satta (2003) and Page 3 with me. He was an MBA guy and had a lot of kn...

Call of My Life review – bright and breezy Nigerian call-centre romcom is just right for summer

Uzoamaka Power’s broken-hearted, lovable worker falls for a charming customer in this delightful, deftly written tale

Here is a delightful Nigerian romcom, in which Soluchi, or “Sol” (played by Uzoamaka Power) is a modern-minded career woman living in Lagos where she works at a call centre for a mobile phone network. She’s great at her job, a natural empath who listens to her customers’ problems and solves them with patience and good cheer – not that her jerk of a boss, who is obsessed with raising the unit’s throughput, spots the value of her diligence. In her spare time, Sol pours love into shipping mini-magnate Kalu (Zubby Michael), another chauvinist who doesn’t recognise her worth or even pay her much notice. In fact, after standing her up on an anniversary date and generally taking her devotion, kindness, fit figure and zingy fashion sense for granted, Kalu suddenly dumps her because she’s too “childish”, too available, and too easy when he thinks he should have a partner who’s more of a pursuit-worthy challenge.

Fortunately, an alternative comes along in the shape of Eli (Andrew Yaw Bunting), a handsome Ghanaian news anchorman whom Sol first encounters when he calls in with connectivity problems. (The metaphor there could so easily have been overdone but director Dammy Twitch’s winning lightness of touch makes it barely noticeable.) Sol and Eli click instantly, seduced by the dulcet tones of each other’s voices. Eventually he manages to track her down in order to court her chastely. But will she be able to get over her fear of another broken heart and trust him? Will she waver when Kalu comes crawling back, equipped with cutesy props like balloons and gifts recommended by an influencer friend? Does either man truly see her in every sense, understanding what a pearl she is underneath all those modish wigs and goofy outfits?

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