Toby Stephens: ‘I lost my dad to cirrhosis. The only difference between us was that, tragically, he couldn’t stop drinking’

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The actor on missing his late mother, Maggie Smith, being mistaken for Damian Lewis, and looking ‘like a fridge’ Born in London, Toby Stephens, 57, is the son of actors Maggie Smith and Robert Stephens. He trained at Lamda and, in 1992, made his film debut in Orlando. In 2002 he played the Bond villain in Die Another Day. His television work includes One Day, The Split and Black Sails. On stage he has performed for the RSC and the National Theatre, and he is currently starring in Equus at London’s Menier Chocolate Factory, until 4 July, and then Theatre Royal Bath, from 14-25 July. He is married to the actor Anna‑Louise Plowman, with whom he has three children, and lives in London. What is your greatest fear? To be completely alone. Continue reading... from Film | The Guardian https://ift.tt/BhbEa2J via IFTTT
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Peter Asher on being music’s incredible ‘Everywhere Man’: ‘The secret is simple’

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As the musician and producer reaches 82, a new documentary reveals his life working with everyone from James Taylor to Carole King to Paul McCartney

Peter Asher didn’t want to do this interview. He had the same reaction several years ago when directors Dayna Goldfine and Dan Geller approached him about making a documentary about his life and career. “I don’t think so,” he recalled telling them in our interview, which wound up taking place only after several entreaties from the film’s publicist that he do this one sit-down. “My life has been startlingly devoid of the standard rock’n’roll drug-and-sex dramas,” Asher said. “So I thought a documentary about me isn’t something people will want to see. It sounds boring.”

On the contrary, Asher’s story stands among the most dramatic and consequential in music history, spurred by achievements that shifted the course of pop more than once. Through Asher’s pivotal role in the lives of stars like James Taylor and Carole King, he played a key role in instigating the soft revolution that allowed singer-songwriters to dominate the charts in the 70s. He’s also partly responsible for the so-called “LA sound”, epitomized by the pristine albums he produced for stars like Taylor and Linda Ronstadt. At the same time, he raised the profile of the studio musicians he employed so dramatically, affecting how average listeners understood and appreciated the instruments they heard on the albums they loved. Small wonder the documentary on his life is titled Everywhere Man.

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