Jackky Bhagnani returns to acting after six years with Independence Day anthem 'Tere Rang Mein': "I wanted the street credibility and respect of Gen Z"

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Jackky Bhagnani has returned to acting after a six-year gap with the Independence Day anthem 'Tere Rang Mein,' released under his music label Jjust Music. The actor-producer said the song offered him an opportunity to return to the screen with a project that was personally meaningful to him. Bhagnani described himself as a patriot and said the nature of the song played an important role in his decision to face the camera again. “I am a patriot by heart. It’s been quite some time since I faced the camera. So, I thought the best way to come back is with the right cause,” Bhagnani said. The actor's return comes after several years of focusing primarily on film production. According to Bhagnani, stepping away from acting was a conscious decision as he worked behind the scenes and became more involved in producing films. Jackky Bhagnani on focusing on film production Bhagnani said his experience as a producer made him rethink the way he wanted to approach his acting career. He ...
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Landmarks review – Lucrecia Martel’s beautiful account of an Indigenous murder case

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Martel’s documentary about the shooting of Javier Chocobar is a mannered and dignified work, laden with post-colonial tension and the weight of institutions

The great doyenne of Argentine cinema, writer-director Lucrecia Martel (La Ciénaga, The Holy Girl, The Headless Woman), ventures into documentary to cover a murder trial, the issues of which spill out into very Martelian areas of concern: land and terrain as an active force in people’s lives, the tension between Indigenous people and the descendants of colonists, the legacy of weighty institutions (the law, the church) on everyday people.

Like Martel’s fictional features, Landmarks unfolds in stately fashion, and features the sort of editing that lingers on the face of a speaker holding forth, or follows a cleaner polishing furniture and a clerk distributing dainty cups of coffee to the authorities as the arguments drag on. Martel explores the more poetic side of drone technology, giving the viewer a very clear understanding of the lay of the land while also creating oneiric, disorienting sequences in which we see goats and people ambling along mountain paths upside down, creating what looks like abstract landscapes in tonal shades of green. It’s really quite beautiful – if sometimes a touch soporific.

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